Portrait of Robert Burns
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top banner: Edinburgh - 'Now God in Heaven bless Reekie's town'
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Following the success of the Kilmarnock edition, Burns decided to further his literary ambitions by visiting Edinburgh. Soon he was being fêted by an Edinburgh society eager to meet the man described by Henry Mackenzie as the 'Heaven-taught ploughman'.

For the next 18 months he stayed frequently in Edinburgh to arrange the publication of a second edition of his poems, and to join in the social round.

One of the people he met was Mrs Agnes McLehose, with whom he established a platonic relationship. Their ensuing correspondence - using the pseudonyms 'Clarinda' and 'Sylvander' - is one of the most famous examples of stylised romantic letter-writing. But even more famous is Ae fond kiss, the parting song which Burns sent to Mrs McLehose after their final meeting in December 1791.

Portrait of the Earl of Glencairn
The Earl of Glencairn (by D O Hill), the poet's principal patron on his arrival in Edinburgh. It was by his influence that the Edinburgh establishment subscribed so enthusiastically to the Edinburgh edition.

Portrait of William Creech
William Creech by Henry Raeburn. He organised the first Edinburgh Edition of Burns's poems, but his well-known reluctance to part with money caused the poet endless problems. (By permission of the National Galleries of Scotland)

Silhouette of Agnes McLehose
Agnes McLehose, known as 'Clarinda'.

Painting of an imaginary evening party scene
An imaginary scene (by James Edgar) showing Burns at an evening party in Lord Monboddo's house. A lawyer, Monboddo was also a philosopher and a leading figure in the Scottish Enlightenment. (By permission of the National Galleries of Scotland)
View of 18th-century Edinburgh
A view of Edinburgh from the Castle, showing the smoking, overcrowded city which greeted Burns on his arrival.
First page of 'Ae fond kiss'
'Ae fond kiss'. (click image for larger version) This manuscript is in the Watson Autograph Collection.

 

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