Portrait of Robert Burns
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top banner: Tam O' Shanter - 'By Alloway's auld, haunted kirk
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Reckoned to be one of the greatest narrative poems in the language, Burns wrote Tam O' Shanter to accompany Captain Grose's drawing of Alloway Kirk in his collection Antiquities of Scotland.

The themes and imagery which the poet deployed drew heavily on the folk-lore of witchcraft which he learned from his childhood nurse, Betty Davidson.

Drawing of Alloway Kirk
Alloway Kirk by D O Hill.

Painting of dance scene by Orr
Contrasting views of 'Warlocks and witches in a dance' by 19th-century illustrators Monro Orr (above) and John Faed.
Painting of dance scene by Faed
Painting by John Faed
An interpretation by John Faed of the famous scene in which Tam is pursued by Cutty Sark to the Auld Brig o' Doon.

'Warlocks and witches in a dance;
Nae cotillion brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o' beast;
A towzie tyke, black, grim and large,
To gie them music was his charge:
He screw'd the pipes and gart them skirl,
Till roof and rafters a' did dirl.'

 

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