Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 721 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at email@example.com
Important Acquisitions 121 to 135 of 721:
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|Imprint||London: J. M. Johnson and Sons|
|Date of Publication||[1896?]|
|Notes||This is a highly decorative Victorian advertisement for the Edinburgh brewers Campbell and Co. The lettering is in bold red with striking gilt finishing. The lithographed poster is undated, but cannot have been produced after 1896, when Campbell & Co. amalgamated with Hope and King of Glasgow. UCampbell's are reputed to have started brewing as early as 1710. The business remained in the family until the 1896 merger. |
|Reference Sources||Bookseller's catalogue, which cites the Scottish Brewing Archive.|
|Title||The Holy Bible containing the Old Testament and the new &|
|Imprint||Cambridge: Printed by John Archdeacon &|
|Date of Publication||1769|
|Notes||This two volume set of the Holy Bible, printed in Cambridge in 1769, has been bound in red morocco, probably in imitation of the Edinburgh binder James Scott, who was active during the 1770s and 1780s. Also bound in with the New Testament are the Psalms of David in metre printed in Edinburgh in 1770 by Alexander Kincaid. The Psalms were also printed as part of a Holy Bible published by Kincaid in the same year.This binding is probably contemporary, and given the presence of the Psalms printed in Edinburgh, may have been bound in Scotland. Several of the ornaments used, particularly the scrolls and flourishes (Sc.7.1773 and Sc.13.1774 in Loudon), resemble those used by James Scott, though other prominent ornaments such as the fox and Cupid were not used by Scott. These bindings were part of the collection of Bibles belonging to Lord Wardington (1924-2005).|
|Reference Sources||J.H. Loudon, James and William Scott bookbinders. (London, 1980)|
|Title||[Greenock Library catalogues].|
|Date of Publication||[1808-1820]|
|Notes||This bound volume containing 8 catalogues and supplements to the catalogues of the subscription library at Greenock (known today as the Watt Library) is an important addition to the Library's holdings of material relating to library history in Scotland. The catalogue comes from the family library of James Watt (1736-1819) the engineer and includes a note in Watt's hand preceding the supplement for 1815.
The library was established in 1783 when a number of gentlemen organized a library 'to save themselves the expence of purchasing many books, and to avert the fatal effects which are sometimes occasioned by circulating libraries'. What these 'fatal effects' were is a moot point, but the subscription libraries, were, in contrast to the circulating libraries, organized on a not-for-profit basis.
Watt, born in Greenock and educated at the Grammar School there, lived in the town until he was 18, when he left to go to Glasgow (and later London) to to become an apprentice to a mathematical instrument maker. In spite of the fact that he lived and worked in Birmingham from 1773, Watt retained his links with the west of Scotland throughout his life, with frequent holidays in Glasgow and Greenock as well as overseeing a new harbour in his home town.
After he retired from his firm Boulton & Watt in 1800, he continued to demonstrate his interest in Greenock, mainly as a subscriber to the library. In 1816 he gave the library the princely sume of £100 'to fom the beginning of a scientific library, for the instruction of the youth of Greenock' . By 1818, when Watt was on the 'Committee of the Greenock Library of Arts and Sciences' there were three parts to the library - arts and sciences, foreign books (from 1807 - mainly French) and the general library. In the 1812 supplementary catalogue, there is even a list of books in the juvenile library. In addition to the subscribers, scholars in the Mathematical school and 'any other respectable inhabitant' of Greenock could have access to the books relating to the 'arts and sciences'.
Catalogues also on microfilm at Mf.51(7)|
|Reference Sources||Kaufman, P. 'The rise of community libraries in Scotland', p.254 in Papers of the Bibliographical Society of America vol.59, 1965.
Kelso, William. The James Watt story. Greenock, 1997.
|Title||The Holy Bible, containing the Old and New Testaments: newly translated out of the original tongues; and with the former translations diligently compared and revised.|
|Imprint|| Edinburgh: Printed by Alexander Kincaid|
|Date of Publication||MDCCLXXIII |
|Notes||This is a two-volume contemporary Scottish binding in green morocco. Both volumes feature a centre floral emblem surrounded by gilt leaves, swirls and corner floral emblems. The edges of the boards are gilt-tooled.
The spine is divided into five panels with one panel incorporating a gilt volume number, and the others with identical gilt floral emblems. The edges of the text-blocks are stained yellow and the endpapers are floral patterned Dutch gilt. Both volumes are accompanied by contemporary custom sewn leather pouches.
|Title||The King Emperor's Indian Durbar tour 1911-1912|
|Date of Publication|||
|Notes||'Durbar' is a Persian term that was adopted in India to refer to a ruler's court. It could also be used to refer to a feudal state council or to a ceremonial gathering. The term was used during the British Raj for special royal occasions. Three imperial Durbars were held in Delhi: the first, held in 1877, marked the proclamation of Queen Victoria as Queen Empress of India; the second, held in 1902-03, marked the coronation of King Edward VII. The last, held on 12 December 1911, marked the coronation of King George V as 'King-Emperor' of India, and was the only Durbar that the ruler attended in person. The 1911 Durbar was "the most spectacular ceremony in the history of the British empire" (ODNB); it cost over £1 million to mount, and was over a year in preparation. Over 200,000 people attended the events taking place in Delhi's Coronation Park, which were captured in print, photography and the relatively new technology of film. As well as providing a clear sign of Britain's commitment to maintaining its grip on India, the Durbar was also used for particular political purposes. George announced the reversal of the unpopular 1905 decision that had partitioned Bengal. He also declared Delhi the new capital and laid its foundation-stone (soon after moved when New Delhi was re-sited). The Durbar was followed by a shooting expedition in Nepal and a visit to Calcutta (Kolkatta), the former capital of British India. The royal party returned home the following year, reaching Portsmouth on 5 February 1912. This lavishly-produced photo album was produced to commemorate King George's Durbar and subsequent tour through India. There are 208 photographic prints with printed letterpress captions pasted beneath them, bound in a full red morocco album with gilt lettering on the front cover. The photographs cover not just the Durbar but the whole of the royal tour, from the departure from Portsmouth, on 11 November 1911, to the thanksgiving service at St. Paul's, London, in February 1912 to mark the safe arrival home of the king and queen. The album also contains a number of memorable images of the elaborate hunting trip in Nepal and of Indian royalty. The photographs are not attributed to anyone but the person taking them clearly had very good access to the royal party. It is possible that the photographer was Ernest Brooks (b. 1878), who photographed the British royal family during this period and who during the War, in 1916, became the first official photographer to the Western Front appointed by the British military (many of his photographs are preserved in the Haig papers in NLS's manuscript collections). It is not known how many copies were produced and whether they were ever intended for public sale; a likely explanation is that a few copies were compiled for people travelling with the royal party as a souvenir of the tour.|
|Reference Sources||Oxford Dictionary of National Biography|
|Title||Observations on the culture of the tobacco-plant... adapted to the climate of the west of Scotland. |
|Imprint||Glasgow: Printed by Robert Chapman and Alexander Duncan|
|Date of Publication||1782|
|Notes||During the 18th century, Glasgow was a centre for trade between Scotland and North America. This pamphlet, printed just after the American Revolution, shows that Scots were keen to learn from America. The anonymous writer suggests that if the right location can be found, it should be possible to grow tobacco in Scotland as successfully as in Virginia. The book discusses growing the plants, harvesting the crop and curing the tobacco. It suggests that for extra flavour, you should sprinkle the tobacco 'with a little white wine or cider'. There is a long tradition of literature about smoking and tobacco; one of the earliest contributions was by a Scot: King James VI's Counterblaste to Tobacco (1604).
This is a good copy of a very rare book; it is not listed in the English Short-Title Catalogue (ESTC), and only one other copy in the UK is recorded, in Glasgow University Library.
|Imprint||Edinburgh: C. Elliot|
|Date of Publication||1787|
|Notes||This book of psalms in Gaelic has been bound in the style of William Scott, probably not long after it was published in 1787. The ornament at foot of the spine is identical to that reproduced by W.S. Loudon as W.12 in his work on the Edinburgh binders William and James Scott. As a binder William was not as prolific as his father James. It is known that William was binding books in Edinburgh from 1785-1787 and possibly into the early 1790s. A larger version of this particular design can be seen on the spine of Samuel Charter's Sermons, published in Edinburgh in 1786. Another piece of evidence pointing to the possibility of this having been bound by William Scott is the fact that this book was printed for Charles Elliot. Scott printed bound at least 3 works printed for Elliot. However it has to be said that evidence linking Scott with this binding is somewhat tenuous. Most of Scott's bindings were far more elaborate - the covers were usually of tree calf and none of them have this simple border. The text is John Smith's revision of the Gaelic Psalter, published by the Synod of Argyll. Smith was assistant minister of the parish of Kilbrandon and Kilchatten and subsequently minister at Campbeltown. The front flyleaf is signed 'Duncan Campbell' which may be Duncan Campbell, the clerk of the Synod of Argyll.|
|Reference Sources||Loudon, J.H. James and William Scott, bookbinders. London : Scolar Press, 1980.|
|Title||Act of council, regulating the manner of carrying chairs.|
|Date of Publication||1749|
|Notes||In modern times, local government concerns itself with seemingly banal regulations concerning parking, litter or public lighting. There is nothing new in this - perceived 'over regulation' was alive and well in Edinburgh over 250 years ago, as this broadside demonstrates. The city authorities were forced into action to ask 'chairmen' - those who carried sedan chairs and their occupants around the city - to ensure their chairs had 'a light fixed upon one of the fore-poles of the chair'. This apparently followed a number of incidents resulting in 'many hurts and inconveniences that have happened to the inhabitants & by the chairmen carrying or resting their chairs without lights under cloud of night'. Furthermore all chairs had to be numbered. If these regulations were not followed, chairmen faced being fined a shilling, imprisonment, loss of hire and the chair impounded!
The first sedan chairs for public hire were introduced into Edinburgh in 1687. Horse drawn coaches were often unsuited to the narrow closes and steep hills of Edinburgh's Old Town. In 1687 there were only 6 chairs available but by 1779 there were 180 hackney-chairs and 50 private chairs in Edinburgh. The table of fairs introduced in the regulation dated 1738, referred to in this broadside, specified 6d a trip within the city, 4s for a whole day's rental, and 1s 6d for a journey of half a mile outside town. The majority of the chairmen were Highlanders and this was reflected in the use of tartan for their uniforms.
|Title||The state of Kelso Dispensary opened for the admission of patients, on the 5th of December, 1777.
|Imprint||Newcastle: Printed at the Union Press, by J. Palmer|
|Date of Publication||1788|
|Notes||This is a very rare and unrecorded work on the Kelso Dispensary, the first hospital in the town and only the second in Scotland (after the Edinburgh Royal Public Dispensary). The Kelso establishment was founded by the Earl of Haddington in 1777. Dispensaries were served to a large degree by free student labour, and costs were kept down too through a high (working-class) patient turnover. This pamphlet provides us with a lot of information on health care in a provincial town in the late 18th century. We see, from the list of subscribers, that the great and the good gave money to support the dispensary; there is a list of regulations, treasurer's report, a most informative table detailing the diseases of the patients treated (consumption and fever were the most common causes of mortality) and a table of the parishes 'from which patients had been admitted'.
Inserted into the pamphlet is a printed circular letter dated 31 October 1788, with a manuscript note from Thomas Scott reminding an eminent subscriber (addressed as your Lordship) that his subscription of 14 guineas was overdue.
|Reference Sources||http://www.archiveshub.ac.uk/news/03101401.html; |
|Title||De Hollandsche Wysgeer.|
|Imprint||Te Amsterdam : By Dirk onder de Linden, Bybel- en Boekverkooper, in de Kalverstraat, over de Nieuwezyds Kapel.|
|Date of Publication||1759|
|Notes||This is the complete run of an unusual and rare Dutch periodical. It covers a wide variety of subjects including natural history (with hand-coloured plates), foreign literature, the latest murder cases and developments in science and technology. The translations of literature include some Scottish texts. Most significantly there are references to James Macpherson's Europe-wide success for Ossian. Volume V contains a poetic description of the climate and landscape of the Scottish Highlands which prepares the reader for the first Dutch edition of a selection of 'Oscian' in volume VI (pp. 66-69). The translator Egbert Buys is known to have compiled at least two Dutch-English dictionaries, one of which specialized in terms used in art.|
|Title||Signal [+ misc. other French-language periodicals from World War II from 1940-44]|
|Imprint||Berlin: Deutscher Verlag|
|Date of Publication||1941-44|
|Notes||A collection of periodicals relating to the Second World War in France. Apart from the English-language 'Life', the periodicals are all in French. The collection consists of:
'Life'- 20 November 1944, 'La Semaine'- 23 April 1942, 'Match' - 15 February 1940;
and the following Nazi propaganda publications:
'Le Cahier Jaune'- 2 Dec 1941 (A French anti-Semitic publication), 'Dieppe 1942' (a news sheet published in response to the failed Allied raid on the port of Dieppe in August 1942), 'Der Adler' ('The Eagle' -Luftwaffe propaganda magazine)-20 May 1941; 29 July 1941; 24 March 1942: 19 Oct 1943 and 71 issues of 'Signal' from May 1941 to September 1944.
'Signal' was a key part of Nazi war propaganda: a magazine created in an effort to win over other European nations to the Nazi cause, and to promote and justify German hegemony over Europe. It was based on the format of the 'Berliner Illustrirter Zeitung' (BIZ), the leading picture and news magazine in Germany, and was first published on in April 1940 by the Deutscher Verlag in Berlin. It subsequently appeared on a fortnightly basis, and at its peak it reached a maximum circulation of 2,500,000 copies per issue, appearing in over 20 different languages.
Due to its central role as a propaganda tool, the reporting of current affairs in 'Signal' had to fit in with the official Nazi line, and from 1943 onwards, as the war began to go badly for Germany, the focus of the magazine shifted more to celebrity gossip, sporting events and fashion. No expense was spared on illustrations, 'Signal' boasted full-page colour plates, and colour covers from 1944 onwards. With articles by an elite group of staff authors and war correspondents, the magazine quickly established itself as the number one propaganda publication in wartime Europe. The magazine continued to be produced well into 1945, but distribution was by then extremely limited due to the Allied advance into continental Europe.
|Reference Sources||"Hitler's Wartime Picture Magazine" (ed. S.L. Mayer) London, 1978|
|Imprint||Edinburgh: Alexander Alison|
|Date of Publication|||
|Notes||This is an interesting piece of printed ephemera from mid-18th century Edinburgh. In Britain printed funeral invitations - called burial letters - are known from at least the late seventeenth century. Many, like this, exhort the reader to 'Memento mori' - remember that you must die. Usually printers would produce ready-printed non-specific invitations on which the name of the deceased and the time and place of the funeral would be entered by hand. Mr. Simson must have reasonably well-off to have been able to afford to have his invitations fully printed . These invitations were usually hand-delivered by servants or people specially employed for the task. In large burghs delivering such letters became a recognized occupation.
Woodcut invitations such as this tended to use stock narrative or allegorical compositions. The images - the grim reaper, the skull and crossbones, the cortege - relate not only to the death of the person in question but also as reminder of one's own mortality.
Little is known of David Simson apart from the fact that he was employed in the legal profession.
The Library holds another example of such woodcut imagery (without letterpress but in manuscript) at APS.el.150.|
|Reference Sources||Llewellyn, Nigel, The art of death. (London, V&A, 1991)
Hatches, matches and despatches: catalogue of exhibition held at General Register House 1996-97.
Gordon, Anne. Death is for the living. (Edinburgh, 1984)
|Title||The Edinburgh Almanack and Scots Register for 1807|
|Imprint||Edinburgh: David Ramsay & Son|
|Date of Publication||1807|
|Notes||This Edinburgh Almanack belonged to Fletcher Norton (1744-1820), second son of Fletcher Norton, first Baron Grantley, Speaker of the House of Commons. 'Fletcher Norton, Abbey Hill, Edinburgh' as he signs himself in this book, was appointed one of the Barons of the Scottish Exchequer in 1776 and set up residence in the Scottish capital. According to James Grant's book Old and New Edinburgh, Norton 'stood high in the estimation of all' as 'husband, father, friend, and master'. A founding member of the Royal Society of Edinburgh, Norton was a supporter of Scottish culture, playing a key role in ensuring the publication of Albyn's Anthology, an important collection of Scottish music. Norton gave his name to East and West Norton Place, Abbeyhill, the streets now located on the site of his old Edinburgh home.
This almanac, whose blank pages were used by Norton to keep a record of his expenditure, provide an interesting insight into the daily life of a member of Edinburgh's social and cultural elite in the early 19th century, recording the 18 shillings spent on tooth powder, and the £2.9.0 spent on a chaise to London, among other notes. Our perception of movement between England and Scotland during this period is largely one of Scots emigrating - this book bears witness to an Englishman who successfully moved to Scotland and integrated himself with its cultural life.|
|Reference Sources||Oxford DNB; James Grant, Old and New Edinburgh, vol.5 chapter 13 (http://www.oldandnewedinburgh.co.uk/volume5/page138/single)|
|Title||[211 nineteenth century pamphlets on education]|
|Date of Publication||19th century|
|Notes||This is a collection of 12 bound volumes containing 211 nineteenth century pamphlets on topics related to education. They were at one time in the library of the Educational Institute of Scotland. The Educational Institute of Scotland was founded in 1847 and is the oldest teaching union in the world. Queen Victoria granted a Royal Charter to the EIS and among the powers conferred was the power to award a degree of Fellow of the Institute. The EIS remains the only trade union that awards degrees. Liverpool and Scotland feature strongly in the collection and there are also items from the United States, Wales and other parts of England. Items produced by the pupils on their press in an Edinburgh disabled pupils school are particularly interesting. Important authors represented include William Godwin and Thomas Chalmers among others. |
|Title||Sailm Dhaibhidh a meadar dhana Gaoidheilg|
|Imprint||Dun Edin [Edinburgh]: Aindra Ainderson|
|Date of Publication||1707|
|Notes||This is a fine copy of the very rare fifth edition of the Psalms in Gaelic. Only one other copy in recorded in public collections and Donald Maclean in 'Typographia Scoto-Gadelica' described this edition as 'excessively rare'. The Psalms were first translated into Gaelic by the Synod of Argyle in 1659. Also printed as part of the book was an edition of the Westminster Shorter Catechism 'Foirceadul aithghear cheasnuighe'. This book formed part of the library of the Earls of Macclesfield at Shirburn Castle, Oxfordshire. The first Earl of Macclesfield, Thomas Parker (1666-1732) was deeply interested in theological works and it is likely that he purchased this item in the early 18th century. The Macclesfield bookplate is on the front pastedown with a library label dating from 1860 on the front free endpaper.|
|Reference Sources||Scottish Gaelic Union Catalogue (Edinburgh, 1984) Maclean, Donald. Typographia Scoto-Gadelica (Edinburgh, 1915)|