Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 754 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at email@example.com
Important Acquisitions 121 to 135 of 754:
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|Title||Representation of the high-landers, who arrived at the camp of the confederated army, not far off the city of Mayence the 13th of August 1743.|
|Imprint||Norimberga: Excudit Christoph: Weigely Vidua.|
|Date of Publication||1743|
|Language||English / German / French|
|Notes||This is an important acquisition for several reasons. It consists of an engraved title-page and five leaves of plates with engravings of highland soldiers in various supposedly characteristic postures. The plates are signed ''V. G. del', which is believed to be John or Gerard van der Gucht. These brothers, both artists, were working in London in 1743, when the Black Watch regiment was sent to the English capital. At this date (two years before the 1745 Jacobite rebellion), highland dress and manners were unfamiliar to many southerners. Various prints were made of the Black Watch troops.
In 1743, Britain was involved in the War of the Austrian Succession. The Black Watch, who had been told that they were simply going to London to see the King, realised that they might be sent to Flanders. A mutiny took place in May 1743 and a number of soldiers tried to return to Scotland. Three were eventually executed, causing much resentment and possibly contributing to the strength of the Jacobite rebellion. The regiment was indeed sent to Flanders where they distinguished themselves at the battle of Fontenoy.
The Black Watch were the first kilted troops to be seen on the continent, and the interest created probably explains why this publication of plates based on the van der Gucht drawings is trilingual and printed in Nuremberg. (The English is rather unorthodox). These plates were the basis for several other publications, such as the plates engraved by John Sebastian Muller.
This copy comes from the Library of the 17th Earl of Perth (lot 201 at the auction on 20 November 2003 by Christie's).|
|Reference Sources||Eric and Andro Linklater, 'The Black Watch', 1977
John Telfer Dunbar, 'History of Highland Dress', 1979
Colas, 'Bibliographie generale du costume', 1933, 2543
Lipperheide, 'Kostumbibliothek', 1963, 2262|
|Title||Psalterium Sancti Ruperti (Vollstandige Faksimile-Ausgabe im Originalformat des Manuale) |
|Imprint||Graz, Austria : Akademische Druck- u. Verlagsanstalt|
|Date of Publication|||
|Notes||This is a facsimile of the miniature codex 'Psalterium Sancti Ruperti' from the library foundation of St. Peter in Salzburg. The pages measure only 37 x 31 mm in size and the Carolingian minuscule is easily legibile in spite of a font size of 1.5mm and a maximal line-spacing of only 1.2mm The original Psalterium was most likely written in the third-quarter of the 9th century in north-eastern France. All 117 folios of the facsimile are according to the original border cuttings. The binding closely follows the details of the original and feature front and back book covers out of wood, two authentic, bicoloured trusses and a hand-stitched headband with exposed book spine. |
|Title||The Holy Bible, containing the Old and New Testaments. With arguments to the different books; and moral and theological observations, illustrating each chapter, and shewing the use and improvement to be made of it: composed by the Reverend Mr. Ostervald, Professor of Divinity, and one of the ministers of the Church at Neufchatel in Swisserland: translated at the desire of, and recommended by, the Honble. Society for Propagating Christian Knowledge.|
|Imprint||London: Printed by J. Murray, no. 32, Fleet-street.|
|Date of Publication||1777|
|Notes||This is a unique and unrecorded Old Testament and Apocrypha printed by John Murray. No bibliographic record can be found for it in ESTC, COPAC, Darlow & Moule and it is also not recorded in the checklist of Murray publications found in Zachs' 'The First John Murray and the Late Eighteenth-Century Book Trade' (Oxford University Press, 1998). It is accompanied by the New Testament of our Lord and Saviour Jesus Christ which has new signatures and a different imprint: Edinburgh: Printed by William Darling, 1776. The New Testament is also not listed in ESTC. Arrayed throughout the entire Bible are 9 engraved maps and 82 full-page engraved plates by Charles Grignion (1721-1810). Grignion was born in London to Huguenot refugees and had a successful career as an historical engraver and book illustrator. He was regarded by many contemporaries as the 'Father and Founder of the English school of Engraving'. The plates are inscribed or presented to various bishops by William Rider (1723-1785). Rider published 'The Christian Family's Bible' in three large folio volumes between 1763 and 1767 and the plates may have initially appeared in those volumes. |
|Reference Sources||Not in ESTC
Not in Darlow & Moule|
|Title||Edinburgh and Port-Patrick time-bill.|
|Date of Publication||c.1790|
|Notes||This is a timetable for the Edinburgh to Portpatrick mail-coach, printed during the 1790s. It sets out the time and the distance for each stage of the journey, along with the name of the contractor responsible for each portion of the journey. The distance covered by the route, which took in places including Moffat, Dumfries, Newton Stewart, Glenluce and Stranraer, was 156 miles. The coach took 23 hours and 20 minutes to cover this distance, allowing for 30 minutes of 'office business' at Stranraer. This was considerably slower than the average royal mail coach, which moved at 11 mph in around 1800, and is indicative of the poor state of Scottish roads at the time.A weekly mail service from Portpatrick to Donaghadee in Co. Down (a distance of 21 miles) was established in 1662. In 1790 a daily mail service was introduced with the Post Office using its own vessels. Previously the mail had been carried by contract in privately owned ships. Portpatrick was also used as a port for sending troops and cattle to and from Ireland. The Portpatrick-Donaghdee route was superceded by the Stranraer-Larne crossing in the 1860s.
A regular coach travel for passengers between England and Scotland was only introduced in the 1750s. The journey from London to Edinburgh/Glasgow took 10 or 12 days depending on the season. By the 1780s this had been reduced to 4 days. Within Scotland there were coaches operating between Edinburgh and Glasgow from 1749 and from Edinburgh to Perth and Stirling by 1767. The use of mail coaches, which also catered for passengers, only began in Scotland in 1786 with the London-Edinburgh mail coach which travelled via the Great North Road. Edinburgh-Portpatrick followed in 1790 and Edinburgh-Aberdeen in 1798. However the heyday of the mail coach was short-lived. It was superceded by the railway in most parts of Scotland by the mid-19th century.|
|Reference Sources||Cunningham, R.R. Portpatrick through the ages. (1974)
Gordon, Anne. To move with the times: the story of transport and travel in Scotland (1988)|
|Title||The Holy Bible.|
|Imprint||Edinburgh: Alexander Kincaid,|
|Date of Publication||1762|
|Notes||This Edinburgh Bible, which belonged to the Rev. James Oliphant, (1734-1818) is of interest for a number of reasons. Oliphant was lampooned by Robert Burns in his 1786 poem 'The ordination' for his booming voice. The Bible also contains at the front of the volume a list of the texts on which Oliphant preached, together with the dates of the sermons between 1761 and 1781. During this time he was minister at Kilmarnock and Dumbarton. Some of this information appears to have been written in a form of shorthand.
Oliphant was a somewhat controversial figure during his lifetime. His adoption of a certain kind of Calvinist theology attracted the hostility of colleagues in the Church of Scotland. In 1773 his Kilmarnock opponents even hired a man to walk the streets of Dumbarton to make fun of him.
|Reference Sources||Oxford DNB|
|Imprint||Edinburgh: Sir D. Hunter Blair and J. Bruce|
|Date of Publication||1807|
|Notes||This Bible was owned by Jane Baillie Welsh, who was to marry Thomas Carlyle and launch one of the greatest exchanges of correspondence in English. The book is bound for travelling, in red morocco with a fold-over flap to protect it. Inside, the flap is lined with green leather, and it is gilt-stamped 'J. B. Welsh 1814'. It is also signed 'Jane Baillie Welsh' on a flyleaf. In 1814 Jane was just thirteen and being tutored at home, in Haddington, East Lothian. The book clearly stayed with her, as Thomas Carlyle later added his own bookplate to the volume. There are remains of manuscript notes which someone has attempted to erase, but which could be reconstructed.
In 1997, the library acquired a copy of Schiller's 'Don Karlos' (Leipzig, 1804), which also has Jane's inscription and Thomas's bookplate. This latest acquisition is particularly interesting as it has this smart binding - which suggests that books were already prized by Jane as a young teenager.
|Title||The Holy Bible containing the Old and New Testaments.|
|Imprint||Glasgow: David Bryce and Son|
|Date of Publication||1901|
|Notes||The publisher David Bryce of Glasgow first published a complete miniature Bible in 1896. This edition is a 1901 reprint with the date no longer on the title page as in the 1896 edition, but on the license leaf on the verso of the title page. The date which in its original form reads in print 'eighteen hundred and ninety' has been altered in ink to '29th day of March nineteen hundred and one' before being handed over to the lithographers.
The Bible is bound in light brown calf which has been blind-stamped to imitate a 16th or 17th century centre-diamond binding with clasps. A removable magnifying glass is located in the back cover. The Bible is accompanied by a brass book stand in the form of a bust of an 18th century gentleman, perhaps Samuel Johnson.
Bryce published a number of variants of his miniature Bible. This copy is often referred to as the 'Bryce Shakespeare Bible' because the work entitled 'Note on the Shakespeare Family Records' by W. S. Brassington, has has been interpolated between the Old and the New Testaments.
Bryce was active around the turn of the 19th century and took an active interest in the latest technological advances in photolithography and electroplates to allow larger volumes to be reduced to the smallest imaginable size. The texts of his works are prized for their clarity and legibility.
|Reference Sources||Bondy p. 110|
|Title||Stevensoniana: being a reprint of various literary and pictorial miscellany associated with Robert Louis Stevenson the man and his work|
|Imprint||New York: Bankside Press|
|Date of Publication||1900|
|Notes||This rare item is, indeed, a collection of miscellaneous items by and about Robert Louis Stevenson: it includes texts such as Stevenson's article on Beranger in the Encyclopaedia Britannica and a poem about Stevenson by W.E. Henley, and illustrations including facsimile title pages and reproductions from earlier editions. It is a fine example of American private press de luxe publication of the period, one of a series of such literary productions by the Bankside Press at this time, with M.F. Mansfield accredited as the publisher and Blanche McManus responsible for the illustrations. Originally published in 6 parts (12 are advertised in this volume, but only 6 were produced), the whole, including the original paper covers, has been rebound in contemporary maroon half morocco with black and pink marbled boards and endpapers.|
|Reference Sources||Beinicke Stevenson bibliography vol. 1 item 1425; bookseller's catalogue|
|Title||The complete pocket book or, gentleman and trademan's daily journal, for the year of our Lord 1764.|
|Imprint||London: Printed for J. Johnson|
|Date of Publication||1763|
|Notes||This work, of which only one copy is recorded in the UK, contains a fascinating record of accounts and appointments of a relative or employee of James Duff, the second Earl of Fife (1729-1809). This unnamed individual seems to have been based in London sorting out the business affairs of Lord and Lady Fife. He records his correspondence with them and the payments he makes on their behalf.
The Earl of Fife was MP for Banff between 1754 and 1780. He married Lady Dorothea Sinclair (Lady Fife) in 1759. In 1763, the year in which this volume was published, he succeeded his father in the title and estates, mainly in Aberdeen and Moray. The Earl devoted himself to the improvement of the property, which he greatly increased by the purchase of land in the north of Scotland.
Most of the entries, however, concern the expenses of the Earl's man in London. For example, he was a frequent visitor to the Smyrna Coffee House in Pall Mall, a popular meeting place for Whigs during this period. He also went regularly to the theatre and the opera - both Drury Lane and Covent Garden are mentioned throughout. This was a man who was also concerned with his appearance: nosegays, shaving powder and toothpicks as well as payments to his hairdresser are recorded. He hired coaches and chairs, the 18th-century equivalents of black cabs. He also bought snuff, gloves, sealing-wax, fruit, woodcocks, teal and turkey and gave money to charity almost on a weekly basis.
|Title||Theatre Royal, Adelphi. Unparalleled attraction!|
|Imprint||Glasgow: Robert Donaldson, printer and lithographer|
|Date of Publication||1844|
|Notes||A mid 19th-century theatre poster (50cm x 25cm) for the Theatre Royal, Adelphi in Glasgow. The poster advertises a July 2, 1844 production of 'Aladdin, or The Wonderful Lamp' with the word 'Aladdin' formed from the bodies of 12 Chinese figures in traditional oriental dress. The poster is in excellent condition in spite of its fragility.
Near the bottom of the broadside the proprietor is listed as Mr. David Prince Miller. Miller (1809?-1873) was a travelling entertainer who came to Glasgow with his family in the late 1830s. He was well known in Glasgow for his productions of popular entertainment on Glasgow Green. He was briefly jailed for performing without a licence.
In 1842 Miller built and became manager of the Adelphi Theatre, a wooden building on the Green, opposite the Jail, at the foot of Saltmarket. It was also known as the Theatre Royal Adelphi, or the Sans Pareil Pavilion and was one of two licensed theatres in Glasgow during the first half of the 19th century. The Adelphi was extremely popular. However, the uninsured theatre burned down in 1848 and Miller ran into other business difficulties. He went back on the road as a travelling showman, returning to Glasgow only near the end of his life.
|Title||Act of council, regulating the manner of carrying chairs.|
|Date of Publication||1749|
|Notes||In modern times, local government concerns itself with seemingly banal regulations concerning parking, litter or public lighting. There is nothing new in this - perceived 'over regulation' was alive and well in Edinburgh over 250 years ago, as this broadside demonstrates. The city authorities were forced into action to ask 'chairmen' - those who carried sedan chairs and their occupants around the city - to ensure their chairs had 'a light fixed upon one of the fore-poles of the chair'. This apparently followed a number of incidents resulting in 'many hurts and inconveniences that have happened to the inhabitants & by the chairmen carrying or resting their chairs without lights under cloud of night'. Furthermore all chairs had to be numbered. If these regulations were not followed, chairmen faced being fined a shilling, imprisonment, loss of hire and the chair impounded!
The first sedan chairs for public hire were introduced into Edinburgh in 1687. Horse drawn coaches were often unsuited to the narrow closes and steep hills of Edinburgh's Old Town. In 1687 there were only 6 chairs available but by 1779 there were 180 hackney-chairs and 50 private chairs in Edinburgh. The table of fairs introduced in the regulation dated 1738, referred to in this broadside, specified 6d a trip within the city, 4s for a whole day's rental, and 1s 6d for a journey of half a mile outside town. The majority of the chairmen were Highlanders and this was reflected in the use of tartan for their uniforms.
|Title||The state of Kelso Dispensary opened for the admission of patients, on the 5th of December, 1777.
|Imprint||Newcastle: Printed at the Union Press, by J. Palmer|
|Date of Publication||1788|
|Notes||This is a very rare and unrecorded work on the Kelso Dispensary, the first hospital in the town and only the second in Scotland (after the Edinburgh Royal Public Dispensary). The Kelso establishment was founded by the Earl of Haddington in 1777. Dispensaries were served to a large degree by free student labour, and costs were kept down too through a high (working-class) patient turnover. This pamphlet provides us with a lot of information on health care in a provincial town in the late 18th century. We see, from the list of subscribers, that the great and the good gave money to support the dispensary; there is a list of regulations, treasurer's report, a most informative table detailing the diseases of the patients treated (consumption and fever were the most common causes of mortality) and a table of the parishes 'from which patients had been admitted'.
Inserted into the pamphlet is a printed circular letter dated 31 October 1788, with a manuscript note from Thomas Scott reminding an eminent subscriber (addressed as your Lordship) that his subscription of 14 guineas was overdue.
|Reference Sources||http://www.archiveshub.ac.uk/news/03101401.html; |
|Title||De Hollandsche Wysgeer.|
|Imprint||Te Amsterdam : By Dirk onder de Linden, Bybel- en Boekverkooper, in de Kalverstraat, over de Nieuwezyds Kapel.|
|Date of Publication||1759|
|Notes||This is the complete run of an unusual and rare Dutch periodical. It covers a wide variety of subjects including natural history (with hand-coloured plates), foreign literature, the latest murder cases and developments in science and technology. The translations of literature include some Scottish texts. Most significantly there are references to James Macpherson's Europe-wide success for Ossian. Volume V contains a poetic description of the climate and landscape of the Scottish Highlands which prepares the reader for the first Dutch edition of a selection of 'Oscian' in volume VI (pp. 66-69). The translator Egbert Buys is known to have compiled at least two Dutch-English dictionaries, one of which specialized in terms used in art.|
|Title||El Grafico, 16 Junio 1923|
|Date of Publication||1923|
|Notes||This Argentinian weekly sporting magazine contains a double page spread on Third Lanark's first game of their South American tour in the summer of 1923. Thirds were in fact the first Scottish side, strengthened by some guest players, to visit South America.
They lost this encounter against an 'Argentine Select' 1-0 in front of 20,000 screaming fans in the Palermo Stadium in Buenos Aires. What the brief report does not mention was that at one point after Thirds had been awarded a corner, missiles - including knives and live ammunition - were thrown onto the pitch. The Scots walked off in protest but were later persuaded to return and finish the game.
In all Third Lanark (who are not named in the magazine) played eight matches in Argentina and Uruguay, winning four of them.
Third Lanark Athletic Club were formed in 1872 by members of Third Lanark Rifle Volunteers and was one of Scotland's foremost football clubs until they went into liquidation in 1967.|
|Reference Sources||Bell, Bert. Still seeing red: a history of Third Lanark A.C. Glasgow, 1996.|
|Imprint||Edinburgh: Alexander Alison|
|Date of Publication|||
|Notes||This is an interesting piece of printed ephemera from mid-18th century Edinburgh. In Britain printed funeral invitations - called burial letters - are known from at least the late seventeenth century. Many, like this, exhort the reader to 'Memento mori' - remember that you must die. Usually printers would produce ready-printed non-specific invitations on which the name of the deceased and the time and place of the funeral would be entered by hand. Mr. Simson must have reasonably well-off to have been able to afford to have his invitations fully printed . These invitations were usually hand-delivered by servants or people specially employed for the task. In large burghs delivering such letters became a recognized occupation.
Woodcut invitations such as this tended to use stock narrative or allegorical compositions. The images - the grim reaper, the skull and crossbones, the cortege - relate not only to the death of the person in question but also as reminder of one's own mortality.
Little is known of David Simson apart from the fact that he was employed in the legal profession.
The Library holds another example of such woodcut imagery (without letterpress but in manuscript) at APS.el.150.|
|Reference Sources||Llewellyn, Nigel, The art of death. (London, V&A, 1991)
Hatches, matches and despatches: catalogue of exhibition held at General Register House 1996-97.
Gordon, Anne. Death is for the living. (Edinburgh, 1984)