Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 834 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at email@example.com
Important Acquisitions 271 to 285 of 834:
Ordered by title |
Order by author
| Order by date
|Title||Epoques et faits memorables de l'histoire d'Angleterre|
|Date of Publication||1820|
|Notes||Although the Library has a number of bindings by Alexander Banks jnr (for example, NC.314.a.10; Hall.1.f ; ABS.2.80.64) we do not have one on green leather. His entry in SBTI reads: BANKS, Alexander junior bookbinder 5 North Bridge 1833-45 and stationer 29 North Bridge 1850. Green leather, covers with a gilt and blind roll-tooled design on the border of the covers. The spine is decorated in gilt to an arabesque design; oval morroco label with letters in gilt.
The binding is signed in the lower margin of the upper inner board.|
|Title||Erin's hope. The end and the means.|
|Imprint||Rutherglen: P. Walsh|
|Date of Publication||[1900?]|
|Notes||This was the first separate publication of the Irish socialist and revolutionary James Connolly (1868-1916), who was born and brought up in Edinburgh. "Erin's hope" was first published in 1896 in Dublin by the Irish Socialist Republican party, which Connolly had founded that year after moving to Ireland. The pamphlet was Connolly's first major attempt to express in print his views on the Irish question and the future of socialism. The work was republished in serial form in the "Worker's Republic", and the text reprinted several times in the USA. This cheap (2d.) Scottish printing was done by Patrick Walsh, who was working in Rutherglen, a town in South Lanarkshire, in the 1890s and early 1900s and who appears to have specialised in selling and publishing cheap reprints of pro-socialist, Irish texts. A surviving letter of his of 1911 to the famous naturalist Alfred Russell Wallace, asks permission to reprint Wallace's work "Land nationalisation" for its account of the Highland clearances and Irish land evictions. Walsh reveals that he has been selling socialist literature for the last 18 years.|
|Reference Sources||Bookseller's notes|
|Title||Esposizione della contestazione insorta fra il Signor Davide Hume e il Signor Gian Jacopo Russo.|
|Imprint||[Venice] : Appresso Luigi Pavini,|
|Date of Publication||1767|
|Notes||The quarrel between the two 18th-century philosophers, David Hume and Jean-Jacques Rousseau, is one of the famous incidents in the history of Enlightenment Europe. In 1763 Hume had gone to Paris as under-secretary to the newly appointed British ambassador, Lord Hertford. He quickly became a celebrity in the French capital, moving in court circles and among the literary salons. In 1765 he offered to find a home in England for Rousseau, as the latter found himself persecuted in France and his native Switzerland for his radical views. The two men met for the first time in December 1765, and Rousseau accompanied Hume on his journey home to England. Initially both philosophers were full of admiration for each other, but once in England the relationship quickly soured, despite Hume's efforts to secure him a royal pension and suitable residence. At their final meeting in March 1766, the notoriously belligerent Rousseau accused Hume of conspiring against him. In June he wrote to Hume, accusing the Scot of bringing him to England to dishonour him. Hume, sensing that Rousseau would try to destroy his reputation in France, fought back angrily in a war of words. He then collected his correspondence with Rousseau, had copies made, and sent one set over to Paris, where in October that year was published, the "Expose succinct de la contestation qui s'est elevee entre M. Hume et M. Rousseau". An English version appeared the following month, and this very rare Italian translation, by an unknown translator, appeared the following year. Baron von Grimm, a German man of letters based in France, famously remarked 'A declaration of war between two great European powers couldn't have made more noise than this quarrel'. Hume was later to regret publication of the work, as public opinion was largely on the side of Rousseau, who returned to France in 1767.|
|Reference Sources||Oxford Dictionary of National Biography|
|Author||Quentin Craufurd, 1743-1819|
|Title||Essais sur la Litterature Francaise, ecrits pour l'usage d'une Dame etrangere compatriote de l'auteur|
|Date of Publication||1803|
|Notes||This is an extremely rare edition of only 100 copies to have been distributed among the friends of the author. The first part, taking up the entirety of the first volume and pages 1 to 289 of the second, examines various French literary styles and their most representative authors. Craufurd was particularly critical of Voltaire. The rest of the second volume gathers the essays of such French authors as Montesquieu, Voltaire, Diderot, Rousseau, Raynal, Mably, Condillac and D'Alembert, etc. This work was republished in 1815 and 1818 with additions.
Quentin Craufurd, the younger brother of Baronet Sir Alexander Craufurd, was born on 22 Sept. 1743 at Kilwinnock, Renfrewshire. He entered the East India Company's service at a young age, and after making a large fortune returned to Europe in 1780. He eventually settled in Paris where his wealth allowed him to become an active collector of books, pictures, prints and manuscripts. He was a loyal friend and supporter of the French royal family after the revolution of 1789, and was received with favour at the court of the Bourbons after the Restoration on account of his behavior between the years 1789 and 1792. He published his first work in 1790 and over eight others followed. He died in Paris on 23 Nov. 1819.|
|Title||Essais sur le commerce, le luxe, l'argent, l'interet de l'argent, les impots, le credit public, etc.|
|Imprint||Paris: Chez Guillaumin et Cie Libraires|
|Date of Publication||1847|
|Notes||This is a French translation of the essays by David Hume first published in Political Discourses (1752). Hume's essays were first published in France soon after their original appearance in English: this edition is part of the series Collection des principaux economistes edited by Eugene Daire and G. de Molinari, and appears in a volume in that series with the half-title Melanges d'Economie Politique (volume 1). Also in the volume are works by Forbonnais, Condillac, Condorcet, Lavoisier, and Benjamin Franklin. De Molinari contributes a general introduction to the volume which praises Hume's economic ideas; Daire writes a 'Notice sur D. Hume', which discusses Hume's life. He explains the history of the translations of the Political Discourses, saying that this volume uses the translation of Mademoiselle de La Chaux with some corrections from the translation of L'abbe Blanc. He also states that Of the Jealousy of Trade, originally published in 1760, is translated here for the first time. |
|Reference Sources||Bookseller's Catalogue; Internet Encyclopaedia of Philosophy (http://www.iep.utm.edu/h/humeessa.htm)|
|Author||Tytler, Alexander Fraser, Lord Woodhouselee|
|Title||Essay on Military Law|
|Imprint||Edinburgh: b. Murray & Cochrane f. T. Egerton|
|Date of Publication||1800|
|Notes||This copy of the first edition of Tytler's work on military law is particularly important as it was owned and corrected by the author. It has his initials on the title-page, and extensive ink annotations throughout, sometimes on inserted pages. There is also a printed correction slip pasted to the verso of the title-page. The second edition, for which the author's corrections were apparently made, appeared in 1806.
Tytler (1747-1813) was professor of history at the University of Edinburgh, then judge-advocate for Scotland, and eventually a lord of the Court of Session. This copy shows that he was a careful editor and reviser. A detailed comparison between these corrections and the printed text of the second edition would reveal how many of the author's changes were actually incorporated.|
|Title||Essay on the memory and character of Dorophagus, the great patriot of the North.|
|Date of Publication||[1743?]|
|Notes||This anonymous satirical pamphlet is a savage attack on 'Dorophagus' (from the Greek for 'devourer of [financial] gifts') a.k.a. John Campbell, second Duke of Argyll and Duke of Greenwich (1680-1743). Argyll had a long military and political career, which was marked by several quarrels not just with his political enemies, but also with family and friends. As early as 1714, a contemporary who knew him personally, George Lockhart of Carnwath, wrote in his "Memorials Concerning the Affairs of Scotland" that Argyll "was not, strictly speaking, a man of sound understanding and judgement; for all his natural endowments were sullied with too much impetuosity, passion, and positiveness". This pamphlet, presumably printed after Argyll's death in October 1743, is a lot harsher in its criticism of his character. The author depicts Argyll as man without principle and motivated only by financial gain, concluding that, "upon the whole: a character more compleatly [sic] immoral never appeared in this part of the world." |
|Reference Sources||Oxford Dictionary of National Biography|
|Title||Essay on the origin and principles of Gothic architecture|
|Imprint||From the transactions of the Royal Society of Edinburgh|
|Date of Publication||1797|
|Notes||Sir James Hall (1761-1832) gave this paper to the Royal Society of Edinburgh on 6 April 1797. A geologist and chemist, who was actually President of the Royal Society, Hall argued that the characteristic shapes of Gothic architecture had their roots in the forms of nature. The plates which illustrate this volume show Hall's attempts to demonstrate the evolution of design from simple construction based on the natural forms of wood to the elaboration of Gothic stone arches. Hall went as far as to experiment with building a miniature Gothic church out of pieces of wood, which took root and grew. Such interdisciplinary work, of relevance to the arts and the sciences, is now seen as highly important.
This is an uncommon book (the expanded version of 1813 seems to be more common). Our copy is particularly fine, being a presentation copy inscribed to the Bishop of Durham, and bearing the bishop's bookplate. Bound in tree calf, with the spine gilt with various architectural tools.|
|Reference Sources||ESTC T101922|
|Author||Hall, James, Sir|
|Title||Essay on the origin, history and principles of Gothic architecture|
|Imprint||Edinburgh: Printed by Andrew Balfour|
|Date of Publication||1813|
|Notes||This is an unrecorded copy of Hall's privately published influential work on Gothic architecture. An edition (with 150 p. as opposed to 74 p. in this edition) was also published in London by John Murray in the same year. The etched frontispiece is signed 'W. & D. Lizars Edinr.' and shows a miniature Gothic cathedral built by Hall in wattle-work.
The first exposition of his theory - that the origins of Gothic architecture can be traced to simple wattle buildings - was published as a 27 p. paper with 6 plates read before the Royal Society of Edinburgh (of which he was also President) in 1797.
Hall was born in Dunglass, East Lothian in 1761. He studied as geologist for many years on the continent and submitted papers to the Royal Society of Edinburgh on the subject. Between 1807 and 1812 he was an MP for a borough in Cornwall.|
|Author||Headrick, Rev. James|
|Title||Essay on the various modes of bringing waste lands into a state fit for cultivation and improving their natural productions.|
|Imprint||Dublin: Printed by H. Fitzpatrick|
|Date of Publication||1801|
|Notes||This is a survey of various techniques of land improvements and reclamation, with details of experiments carried out by the author in Lanarkshire, Renfrewshire, Ayrshire, Dumfries, Galloway and other parts of Scotland. James Headrick later became a clergyman, and published a study of the geology and agriculture of the island of Arran. Headrick states that the majority of his findings were from his own observations and experiments rather than from secondary sources.
Headrick's work has been bound with the 3rd edition of William Curtis's Practical observations on the British grasses, especially such as are best adapted to the laying down or improving of meadows and pastures. Curtis's treatise began as a four-page folio contribution to the sixth fascicle of his Flora Londiniensis, which was printed in 1787. An expanded second edition was published as a pamphlet in 1790. The verso of the final leaf ends with an advertisement for 'the packet of seeds, recommended in this pamphlet, [which] may be had where the pamphlet is published, and at the Botanic Nursery, Bromton, price ten shillings and sixpence.'|
|Title||Etat general des dettes de l'Etat|
|Imprint||Paris: Antoine-Urbain Coustlier|
|Date of Publication||1720|
|Notes||These items are useful additions to the Library's holdings of publications relating to the career and policies of John Law, the Scot turned economist and banker who became controller-general of finances in France. The first item announces the success of the reform of the French financial system, which Law had directed (although these reforms were shortly to result in the disastrous collapse of the 'Mississippi bubble' which ruined numerous investors). Law's biographer Antoin Murphy describes this work as 'Law at his disingenuous best'. The second item is an attempt to justify the measures of 22 May 1720, which had involved a reduction in the price of the paper currency which Law had introduced. Both items are anonymous, but seem likely to be by Law or commissioned by him: certainly they relate to the radical policies which originated with Law. Law eventually fled France in disgrace, and died in exile. His ideas are now considered to have been ahead of their time. See Antoin E. Murphy, John Law (1997), pp. 293+, 244+. These two books are good copies in modern boards.|
|Author||Sir David Young Cameron (1865-1945)|
|Title||Etchings in North Italy|
|Imprint||Glasgow : William B. Paterson|
|Date of Publication||1895-96|
|Notes||The National Library of Scotland has acquired a complete set of David Young Cameron's 'Etchings in North Italy'. Published in Glasgow by William B. Paterson between 1895 and 1896, it consists of a signed engraved title page and 26 signed etchings. Originally issued in a portfolio, this set has been presented in modern mounts and placed within a specially made solander case backed in green morocco. The North Italian etchings are a highlight of Cameron's early career and include some of his greatest prints. Only about 25 sets were published and complete sets are now extremely rare.
Sir D Y Cameron (1865-1945) was born in Glasgow and studied at the Glasgow School of Art between 1881 and 1884, and later at the Trustees' Academy in Edinburgh where he remained until 1887. In 1886 he exhibited for the first time at the Royal Scottish Academy and the Glasgow Institute of the Fine Arts.
Cameron began etching at 18 and became known for etched views of architecture and drypoints of mountain and moorland scenery. He would eventually produce around 520 etchings and drypoints of which at least 300 were done before 1900. In a career that spanned forty-five years, he would become with fellow Scots Muirhead Bone and James McBey one of the foremost British etchers of the etching revival of 1880-1930. On the strength of his print 'A Perthshire Village' (1888) he was elected an associate of the Society of Painter-Etchers in 1889 at the age of twenty-three, becoming a fellow six years later.
Cameron's great skill was in the depiction of architectural subjects, conveying not only the beauty of a building but also something of its history and 'soul'. Blessed with superb draughtsmanship and technique, he was a master of detail, mood, shadows and light. Although he was a fine oil and watercolour painter, it is felt that his artistic gifts and abilities are best presented in his etchings.
Following are the contents of the set, together with the corresponding reference numbers from Frank Rinder's 'Illustrated catalogue of Cameron's etchings and dry-points, 1887-1932': (202) North Italian Set, portfolio label; (203) North Italian Set; title page;
(204) St. Mark's, Venice, no. 1; (205) Veronica; (206) The Monastery; (207) A Venetian Convent; (208) Paolo Salviati; (209) Tintoret's House; (210) A Venetian Fountain; (211) Via ai Prati Genoa; (212) The Confessional; (213) San Giorgio Maggiore; (214) Two Bridges; (215) The Butterfly; (216) A Soldier of Italy; (217) A Lady of Genoa; (218) Two Monks;
(219) Church Interior, Venice; (220) Venice from the Lido; (221) Sketch of Venice; (222) Farm Gateway, Campagnetta; (223) The Bridge of Sighs, Venice; (224) The Ponte Vecchio, Florence; (225) The Palace Doorway (Palazzo Dario, Venice); (226) Porta del Molo, Genoa; (227) The Wine Farm; (228) Pastoral; (229) Landscape with Trees
|Reference Sources||The etchings of DY Cameron by Arthur M Hind (London, 1924);
D.Y. Cameron: an illustrated catalogue of his etchings and dry-points, 1887-1932 by Frank Rinder (Glasgow: 1932)|
|Imprint||Oxford: Henry Cripps,|
|Date of Publication||1634|
|Notes||This is an early English edition of the works of Scottish author John Barclay (1582-1621) which consists of five separate works: both parts of his satirical work "Euphormionis Lusinini Saytricon", the "Apologia" he wrote to defend the work, his "Icon Animorum", and the "Veritatis Lachrymae", an attack on the Jesuit order, which was actually written by the French author Claude-Barthélemy Morisot. The book has been bought for its provenance. As well as marginal readers' marks, it has annotations in a 17th-century hand on the front and back pastedowns and final leaf which show that the book was also used for the conveying of messages between Scotland and England. The back pastedown has a MS list of towns in South West Scotland and North West England (presumably stops on a drove road, the distances between each of the towns in miles appear to be written next to them) and an inscription on the final leaf informs a Robert Watson that a John Andrew will be arriving in Carlisle with a "8 or 9 pack[s]" but will not be arriving until Friday, so Watson is asked to keep any packs destined for Scotland until he arrives.|
|Title||Euphormionis Lusinini Satyricon.|
|Imprint||Paris: Franciscum Huey, |
|Date of Publication||1605|
|Notes||This is the extremely rare first edition (or at least the first surviving edition) of John Barclay's best-selling picaresque novel 'Euphormionis Lusinini Satyricon', a work dedicated to King James VI/I. Only two other copies have been recorded, both in Germany: one in Schwerin, in the Landesbibliothek Mecklenburg-Vorpommern, and the other in Weimar, in the Herzogin Anna Amalia Bibliothek; however, the latter is assumed to have been destroyed in the fire there in 2004. The author John Barclay (1582-1621) was born in Lorraine, France, where his father, a Scot, worked as professor of civil law. Barclay appears to have been very proud of his Scots ancestry and is today commonly regarded as a Scottish author. He was educated at a Jesuit school in France, but he later became hostile to the order which eventually led him to write the irreverent satire 'Euphormionis Lusinini Satyricon' in c. 1605. Written in elaborate Latin prose, Barclay's first major work deals with the story of Euphormio, a citizen of an ideal realm who arrives in 17th-century Europe, and his subsequent adventures. The characters he encounters are based on contemporary figures: Neptune, a benevolent and powerful figure in the novel, is thought to be James VI/I, and Acignius, an anagram for 'Ignacius' (Ignacius Loyola) represents the Jesuits. The 'Satyricon' is now regarded as one of the most important works of prose fiction published in Europe in the early 17th century. Barclay produced a second part in 1607 with further racy adventures of Euphormio. The work was immediately successful; within his lifetime six editions of the first part and five editions of the second part appeared. Indeed around fifty editions have been identified, printed in the major countries of Europe for well over a hundred years after the initial publication date. This copy shows the text in its earliest form (there have been claims that an edition was printed in London in 1603 but no copy has been discovered). What is traditionally described as the first edition in scholarly works on Barclay is another from the same press issued in the same year, with a different pagination and the statement on the title page reading "Nunc primum recognitum, emendatum, et variis in locis auctum" (i.e. revised and enlarged). The success of the Satyricon enabled Barclay to ingratiate himself at the court of James VI/I in London, where he continued to write and act on behalf of James in literary matters. Barclay left England in 1615 to move to the papal court in Rome. He died there in 1621, in the same year his most famous and popular work, the romance 'Argenis', was published in Paris.|
|Reference Sources||Oxford Dictionary of National Biography;
D.A. Fleming, "Euphormionis Lusinini Satyricon (Euphormio's Satyricon 1605-1607)"
|Title||Euripidis poetae tragici Alcestis ... Tum ... Jepthes, Tragoedia|
|Imprint||Argentorati Excudebat Josias Rihelius|
|Date of Publication||1567|
|Notes||This item is a significant addition to the Library's holdings of Buchanan's writings. It seems to be the only copy of this edition in Scotland, although we and other libraries have various separate editions of Jephthes and Alcestis.
Buchanan was a leading figure in the divine poetry movement, and this rare publication of his own biblical tragedy Jephthes side by side with his translation of a classical drama indicates the complex relationship between sacred and secular literature for Buchanan and his wider Protestant humanist circle. The editor, Joannes Sturm, talks in his preface of Buchanan's talent and his own pleasure in reading him, and hopes that his publication will spread Buchanan's fame through France and Germany.
The sacred and secular theme is continued in the other two items bound with this work - the neo-classical comedy Acolastus, and the 'sacred comedy' Joseph, by the Renaissance scholars Cornelius Gnapheus and Cornelius Crocus.
The three items may first have been put together by the 'M. Boereau' whose signature appears on the Buchanan and Crocus works, on which the name 'Geo. King' also appears. But in their current state they were bound together for the 18th-century English scholar-collector Michael Wodhull, whose arms are on the binding. Wodhull translated Euripides into English himself, and he may have used Buchanan's work for reference, two hundred years after it was first published.|
|Reference Sources||Durkan: Bibliography of George Buchanan 1994 no.61|