Rare Books - Important Acquisitions List All

Rare Book Collections works to build up the national collections through purchases (through dealers or at auction) and donations. This directory gives details of 761 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.

Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at rarebooks@nls.uk

      

Important Acquisitions 346 to 360 of 761:

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AuthorByron, George Gordon, Lord
TitleWaltz: an apostrophic hymn. By Horace Hornem, Esq. (The author of Don Juan.)
ImprintLondon: Benbow
Date of Publication1821
LanguageEnglish
NotesThis rare pirate edition contains not only Byron's poem 'Waltz', first printed in 1813, but also five more of his poems, including 'To Jessy' ('addressed by Lord Byron to his Lady, a few months before their separation'), 'Adieu to Malta', and 'On the Star of the Legion of Honour'. The poems 'Lines to Tom Moore' and 'Lines to Hobhouse', both occasional verse, were first published in this edition or in the other pirate edition of 'Waltz' produced in the same year by T. Clark (NLS shelfmark AB.3.86.15) - it is unknown which was first printed. Unlike the Clark edition, this Benbow edition is not included in the standard Byron bibliography by T.J. Wise. This copy is in the original paper covers, with an inscription dated London, April 1822 on the title page. There were many pirate editions of Byron's poems in the early nineteenth century. William Benbow, who also printed other poems by Byron and Shelley, was a radical bookseller who 'seized on pirating as a form of proto-class warfare' (Neil Fraistat, 'Illegitimate Shelley: Radical Piracy and the Textual Condition as Cultural Performance, PMLA 109(3), 409-423). Presumably he approved of the satirical 'Waltz', written in the persona of a smug 'country gentleman' but full of Byron's political wit.
ShelfmarkRB.s.2679
Reference SourcesBookseller's catalogue
Acquired on23/08/07
AuthorRoyal Company of Archers
Title[An engraved membership certificate on vellum, admitting Andrew Duncan to the Company of Archers on 13 July 1771]
Imprint[Edinburgh?: s.n.]
Date of Publication[1771?]
LanguageEnglish
NotesThis certificate is printed on vellum. It is completed in manuscript with Andrew Duncan's details and signed by James Hardie, S.G.R.S. The remains of a papered wax seal are attached. The seal shows an archer with bow and arrow beneath a tree; on the verso is cupid with a bow and arrow. The Royal Company of Archers was formed in 1676. In 1822 it was appointed as the Sovereign's 'Body Guard in Scotland'. Membership is by election. Members need to be Scots or at least have strong Scottish connections. Andrew Duncan, the elder (1744-1828), became Professor of Theory of Medicine at Edinburgh University as well as President of the Royal College of Physicians in 1790. Having witnessed the poor treatment of the mentally ill, he proposed the erection of a public Lunatic Asylum, which was built in 1807 and eventually grew into the Royal Edinburgh Hospital.
ShelfmarkRB.m.654
Acquired on15/08/07
AuthorBarrie, J. M.
TitlePeter Pan.
Date of Publicationc.1914
LanguageEnglish
NotesTwenty large-format cards tell the story of Peter Pan. This rare set of cards may be associated with 'Peter Pan's ABC' published by Hodder and Stoughton with illustrations by Flora White around 1914. The only other known set is held at the British Library. Little is known about Flora White. Between 1915 and 1925 she illustrated other children's books, usually depicting fairies, as well as postcards with pictures of children. 'Peter Pan, or the boy who never grew up' was written by the Kirriemuir-born author J.M. Barrie and first published in 1904.
ShelfmarkRB.m.655
Acquired on06/08/07
AuthorWilliam Smellie (1697-1763)
TitleTraite de la theorie et pratique des accouchemens, et observations sur les accouchemens ...
ImprintParis : Delaguette
Date of Publication1754-1765
LanguageFrench
NotesThis is a three-volume French translation of William Smellie's classic 'Treatise of the Theory and Practice of Midwifery' published between 1754 and 1768. The man-midwife, William Smellie, was born in the parish of Lesmahagow, Lanarkshire on 5 February 1697 and died in 1763. His medical training was prolonged and peripatetic: he received some medical instruction from John Gordon, a Glasgow surgeon and also spent time serving as a naval surgeon (March 1720-November 1721) on the Sandwich before setting up as an independent apothecary in Lanark in 1722. He remained in practice in Lanark for the next fifteen years and it was during this time that Smellie gained practical experience in midwifery. On 5 May 1733 he became a member of the Faculty of Physicians and Surgeons of Glasgow. However, it was not until 18 February 1745, at the age of 48, that he was awarded his MD degree by Glasgow University. Stimulated by his desire for further education, Smellie moved to London in 1739 and set himself up as a teacher with his lectures specializing in all aspects of pregnancy and labour. Over the next ten years he taught over 900 male students and an unknown number of female ones. Based upon records of his cases, Smellie published in 1752 'A Treatise of the Theory and Practice of Midwifery'. This was supplemented two years later by a volume of illustrations entitled 'A Set of Anatomical Tables, with Explanations'. Smellie's treatise describes the physiology of pregnancy and the mechanisms of both normal and abnormal labour with far more exactitude than any previous writer. In addition to French, the work was later translated into German and Dutch and became a classic in obstetric literature thus making Smellie the best-known name in 18th century midwifery.
ShelfmarkRB.s.2670
Reference SourcesDNB
Acquired on05/07/07
AuthorAdam Smith
TitleThe works of Adam Smith
ImprintLondon: T. & J. Allman
Date of Publication1825
LanguageEnglish
NotesThis is the third collected edition of Smith's works, following on from editions published in 1811/12 and 1822. It is published in a smaller, pocket-size, format and unlike the previous two collected editions, it contains a translation of Germain Garnier's 'Short view of the doctrine of Smith compared with that of the French economists', which appeared in the 1802 French edition of the 'Wealth of Nations'.
ShelfmarkAB.1.207.055
Acquired on02/07/07
AuthorList, Friedrich
TitleNational system of poltical economy
ImprintPhiladelphia: J. B. Lippincott
Date of Publication1856
LanguageEnglish
NotesFriedrich List (1789-1846) is recognized today as one of the most influential trade theorists. He is also one of the most severe critics of the classical school of economics. He denounced Adam Smith and his disciples and held that free trade was an ideal that could only be achieved in the distant future. Unlike Smith, who argued that a nation's wealth lay in its capacity for commercial interchange, List held that a nation's wealth lay in the development of its own economic and productive resources. This is a copy of the very scarce first edition in English, and the first English translation of List's magnum opus, originally published in German in 1841.
ShelfmarkRB.s.2668
Acquired on02/07/07
AuthorKelly, Isabella.
TitleRuthinglenne; or the critical moment. A novel.
ImprintDublin: G. Burnet [et al],
Date of Publication1802
LanguageEnglish
NotesThis is the very rare Dublin edition of a gothic novel by the Scottish poet and novelist Isabella Kelly (1759-1857). First published at the Minerva Press in London in 1801, the book is a horrifying saga of the House of Ruthinglenne set in the north of England. Isabella Kelly (née Fordyce) was born at Cairnburgh Castle, Aberdeenshire in 1759. She was married twice - firstly to Robert Hawke Kelly in 1789, who died in Madras in 1807. Her second husband was Joseph Hedgeland, whom she married in 1816. However he had died by 1820, possibly having lost money in speculation. Kelly wrote 10 gothic novels, primarily to support her children, between 1794 and 1811. They were moderately successful, receiving cautiously approving reviews in 'The Critical Review'. She also compiled a French grammar and a collection of miscellaneous information, 'Instructive Anecdotes for Youth'.
ShelfmarkRB.s.2671
Reference SourcesOxford DNB
Acquired on02/07/07
TitleThe Holy Bible.
ImprintEdinburgh: Alexander Kincaid,
Date of Publication1762
LanguageEnglish
NotesThis Edinburgh Bible, which belonged to the Rev. James Oliphant, (1734-1818) is of interest for a number of reasons. Oliphant was lampooned by Robert Burns in his 1786 poem 'The ordination' for his booming voice. The Bible also contains at the front of the volume a list of the texts on which Oliphant preached, together with the dates of the sermons between 1761 and 1781. During this time he was minister at Kilmarnock and Dumbarton. Some of this information appears to have been written in a form of shorthand. Oliphant was a somewhat controversial figure during his lifetime. His adoption of a certain kind of Calvinist theology attracted the hostility of colleagues in the Church of Scotland. In 1773 his Kilmarnock opponents even hired a man to walk the streets of Dumbarton to make fun of him.
ShelfmarkRB.m.653(1)
Reference SourcesOxford DNB
Acquired on25/06/07
Author[Barbour, Margaret Frazer].
TitleThe Way Home.
ImprintEdinburgh: Printed by John Greig & Son
Date of Publication1855
LanguageEnglish
NotesThis appears to be the first, privately-printed edition of Barbour's account of a family tragedy. In late 1852 or early 1853, her family was travelling from Edinburgh to Manchester, when the train met with an accident; her son Georgy was killed instantly and her son Freddy died a few days later. This book gives an account of their lives and grapples with the significance of their loss from the point of view of her evangelical Christianity. The text begins with a dramatic account of the accident. Barbour then meditates on the tragedy through prose and poetry, and finally recounts episodes in her children's lives which she feels reveal the workings of divine grace. Barbour's motives for writing were no doubt partly therapeutic - to try to make sense of the disaster, and to create for herself an imaginative portrait of her children in heaven. However, she was also determined to use her story to promote missionary work in China. The missionary William Chalmers Burns had seen Freddy as a baby in Edinburgh, and thereafter the family always had an interest in the missions. The children gave another missionary, Mr. Johnston, some money to buy Bibles, and this led Johnston to found the Children's Chinese Bible Fund of the English Presbyterian Church. An appendix appeals for funds for this cause. A book like this does not conform to modern tastes. The author's sentimental piety can strike a jarring note to the modern reader. The book is also fiercely anti-Catholic, particularly in its description of the family's tours in Italy. However, it is still moving in its descriptions of the children's upbringing, seen from the perspective of their early deaths. This copy includes 9 tipped-in albumen photographs, mainly, it would seem, of Scottish missionaries in China. This is thus an important addition to our collections relating to foreign missions by the Scottish churches. A substantially revised public edition was published in 1856; we have a copy at shelfmark VV.6/2.
ShelfmarkRB.s.2666
Acquired on21/06/07
AuthorGoldicutt, John
TitleHeriot's Hospital Edinburgh.
Imprint[London]: [John] Murray et al, printed by W. Turner
Date of Publication1826
LanguageEnglish
NotesThis is a fine and rare set of 8 lithographic plates drawn by Goldicutt and printed by C. Hullmandel. John Goldicutt (1793-1842) was a talented architect who won various prizes and exhibited at the Royal Academy. Charles Joseph Hullmandel (1789-1850) was an outstanding lithographic printer. According to the Oxford Dictionary of National Biography, "Most of the major improvements made to lithography in Britain in the 1820s and 1830s can be attributed to Hullmandel, and in this period he was also the most prolific printer of pictorial lithographs in the country." This publication is a study of the architecture of Heriot's Hospital, Edinburgh, now George Heriot's School. The school was founded in 1628, so perhaps this was published to commemorate the 200th anniversary.
ShelfmarkRB.m.652
Reference SourcesDNB; http://www.george-heriots.com
Acquired on21/06/07
AuthorCollins, F. Howard
TitleAuthor & Printer
ImprintSecond impression. London: Henry Frowde
Date of Publication1905
LanguageEnglish
NotesThis copy of the guide for authors, editors, printers and compositors was owned by the Scottish printer John Birkbeck, who dated it on the flyleaf 26 September 1931. The book is heavily annotated in his hand, and includes numerous newspaper cuttings, cartoons and even a poem. It is a working copy, and Birkbeck has added many words difficult to spell to the printed lists. However, some of the stuck-in items were clearly included for humour's sake. For example, one printed note headed 'Please pass round - hygiene' reads 'Some person unknown has fouled one of the seats in the lavatories. Will the person concerned please take greater care in the direction of his evacuation. And, in any case, when there is an accident will he please clean the seat. January 11, 1956. J.R., Father.' Does this come from an irate school headmaster?
ShelfmarkHB1.207.7.113
Acquired on19/06/07
AuthorWilliam Blackwood (firm)
Title[Printing blocks]
Date of Publication[1840-1890?]
Notes64 blocks from the Edinburgh printing and publishing firm of William Blackwood, with 43 proofs recently printed at the Tragara Press, in excellent condition. Some blocks have a base of wood, some of metal, but all have a good-quality metal (mainly copper) surface. The images include scenes from a printer's workshop, steam trains and steam agricultural vehicles, landscapes, birds and animals, towns and harbours. Many are signed or initialled by the designer. They probably date from the mid-to-late 19th century.
ShelfmarkRB.s.2729
Acquired on19/06/07
AuthorMackenzie, Isobel
TitleCaberfeigh
Imprint[Gollanfield House, Invernessshire]
Date of Publication1874
LanguageEnglish
NotesThis is an extraordinary example of private printing. Isobel Mackenzie (1852-1880) was given a Berri's People's Printing Press by her parents - illustrated in the frontispiece sketch. She used it to print six issues of Caberfeigh: A Magazine of Polite Literature, while suffering from tuberculosis at Gollanfield House. Despite the subtitle, however, this is not a typical example of Victorian family literature; it is actually very entertaining and full of satirical humour. 'Cabear fèidh' is the Gaelic for 'deer antler' and it is the war cry of the Clan Mackenzie. Isobel was evidently determined to cheer herself and her family with stories, jokes, poems and quizzes. She describes visits to England with witty and precise language. The standard of the printing is good for a private family press. Additional interest is supplied by the fact that Isobel was the niece of the writer Robert Michael Ballantyne (1825-1924), best known today for his swashbuckling yarn The Coral Island (1858). He contributed two articles to Caberfeigh ("From our African correspondent" in issue 1 and "Buncle's experiences on the Continent" in issue 6). For this copy, he also supplied the water-colour volume title-page and two highly dramatic pen and ink drawings for Isobel's own story "R-R-R Remorse! A Tale of Love! Murder! and Death!!!" in issue 5. This bound set of the magazine was presented to Isobel as a Christmas present for 1874. As well as the Ballantyne illustrations, and another colour illustration of Isobel's cat Nixie, there are 14 tipped-in albumen photographs, mainly of family and friends; there are photographs of Isobel and her uncle Robert ('Bob'), as well as an image of Gollanfield House. In this copy there are manuscript additions, probably in Isobel's hand, which identify the writers of various anonymous articles (e.g. on p. 13 of issue 1, a poem is ascribed to 'Mamma'). This copy comes from the library of the Ballantyne bibliographer Eric Quayle, sold at auction in March 2006. There are a couple of imperfections; pp. 7-8 of issue 6 are missing, and pp. 16-18 may also be missing (although this may just be a numbering error  another copy also lacks pages 16-18). Two other sets of this magazine are currently known, one in private hands, one at the University of Texas at Austin, USA. This is, apparently, the only copy of Caberfeigh in public ownership in Scotland.
ShelfmarkRB.s.2669
Reference SourcesEric Quayle, R. M. Ballantyne: a bibliography of first editions, London: 1968, p. 122.
Acquired on19/06/07
AuthorTaylor, Elizabeth
TitleThe lady's, housewife's, and cookmaid's assistant: or, the art of cookery, explained and adapted to the meanest capacity
ImprintBerwick: Printed and sold by R. Taylor
Date of Publication1778
LanguageEnglish
NotesElizabeth, née Nealson, was a Berwick resident who married the printer and bookbinder Robert Taylor. She drew extensively on Hannah Glasse's Art of Cookery made plain and simple (London, 1747), adapting it for the tastes of Northumberland and southern Scotland. There are many more recipes for fish than in Glasse, reflecting Berwick's status as a fishing port. Taylor also tells her readers how to boil an egg, which Glasse did not, perhaps assuming that her metropolitan audience would already be familiar with this technique. (Taylor, p. 185) There are a number of recipes for using birds of the upland moors and wetlands, such as dotterels and ruffs. As is common with early cookery books, there are a number of interesting stains suggesting that it was put to practical use. For example, on p. 241 the section on how 'To preserve Apricots' has some colourful smears that may come from the fruit. This second edition is very rare and not recorded in the English Short Title Catalogue. There is a copy at the Brotherton Library in Leeds University. Although there are few changes from the first edition, it is a useful acquisition showing how the work was a commercial success. There was also a 1795 edition. With this copy we have purchased a facsimile of the 1769 edition of the Art of Cookery published by the Berwick History Society in 2002, with a useful introduction by David Brenchley about Elizabeth Taylor.
ShelfmarkRB.s.2665
Reference SourcesMaclean, Virginia. A short-title catalogue of household and cookery books published in the English tongue 1701-1800, London: 1981, p. 140.
Acquired on14/06/07
AuthorMetastasio, Pietro.
TitleAlessandro nell'Indie. Artaserse. Didone abbandonata. Demetrio.
ImprintRome: Zempel
Date of Publication[1730-1732]
LanguageItalian
NotesThis is a very rare set of four librettos by Pietro Metastasio. The first two are dedicated to the Old Pretender (James VIII of Scotland, James III of England and Scotland) and his queen Maria Clementina. Both had been prominent patrons of the opera scene since their marriage in 1719. All four operas were performed during carnival at Teatro del Dame, the most prestigious of the Roman opera houses. Between 1721 and 1724, each opera season opened with a pair of operas, one dedicated to James and one to Maria Clementina. The Old Pretender (1688-1766) eventually arrived in Rome in 1717 following the collapse of the Jacobite Rebellion of 1715-1716. There he married Maria Clementina Sobieski, grand-daughter of the Polish king. Pietro Metastasio (1698-1782) is regarded as possibly the greatest Italian poet and playwright of the 18th century. He composed no less than 1,800 pieces, including 28 grand operas, music for numerous ballets and celebrations of festivals. He borrowed his subjects almost indiscriminately from mythology or history. The music to 'Alessandro nell'Indie' and 'Artaserse' was composed by Leonardo Vinci (1696-1730), a Neapolitan composer closely associated with Metastasio.
ShelfmarkRB.s.2667(1-4)
Acquired on12/06/07
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