Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 766 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at email@example.com
Important Acquisitions 46 to 60 of 766:
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|Title||1759 : Burns' Centenary : 1859|
|Date of Publication||[n.d.]|
|Notes||A most unusual Robert Burns item, which seems to have belonged to Burns' descendants. This volume contains an ode to the poet ('Ye beauteous stars, which ever shine above us'), which is bound up with a variety of photographic and manuscript material. At the head of the title-page is the manuscript note 'Presented to the sons of the Poet by the author, Washington Moon.' This may be the minor poet George Washington Moon (1823-1909). There are manuscript corrections to the poem which appear to be in the same hand. Many poems were produced to commemorate the centenary of Burns' birth, but there does not seem to be any record of this work as an independent publication. Perhaps it was printed privately, or extracted from a larger anthology as a presentation copy.
Perhaps it was Burns' sons who had the volume made up as it currently stands: Moon's poem was bound in gilt maroon morocco, and had a number of blank leaves bound in after it which were used to attach various items relating to Burns. First is a photograph of a portrait of Burns, produced by John Ross, an Edinburgh photographer, with manuscript notes on the back and on the page indicating that it was presented by the poet's grand-daughter Mrs. Hutchinson in 1870. There is a photograph of the Burns' monument in Edinburgh, and another of a picture, possibly a scene of the 'Cottar's Saturday Night' produced by a Cheltenham photographer, G. Bartlett. Below this last photograph is a manuscript note dated 'Aug 14 / 08' [1808?]. Then follows a letter from one of the Hutchinsons to a Mrs Lamb about the 'Cottar's Saturday Night'. Next is a copy of a letter apparently given in Lockhart's Life of Burns, and a fragment of another Hutchinson letter. Finally is what purports to be an actual example of Burns' wax seal.
A clue to the construction of the volume is given by a note on the recto of the flyleaf before the title-page: 'To Mrs Kershaw Lamb, as a small remembrance of her friends Col. William Nicol Burns, and Lt. Col. James Glencairn Burns.' This is dated 'April 18th 1872', from '3 Berkeley Street, Cheltenham'. These are both recorded as sons of the poet, and both are known to have lived in Cheltenham. Below this inscription, in a different hand, is the statement 'Presented by Mrs. Hutchinson Grandaughter of the Poet the same who as a child is represented in the Portrait of Mrs. Burns as her favourite grandchild.' Mrs. Hutchinson is presumably Sarah Hutchinson, (1821-1909), the daughter of James Glencairn Burns, who also lived in Cheltenham.
A possible explanation, therefore, is that the poet George Washington Moon presented his verses to Burns' sons William and James; they added the photographs and letters with help from Sarah Hutchinson. The volume was presented to Mrs. Kershaw Lamb: does the final inscription on the flyleaf indicate that it was presented by Mrs. Hutchinson as well as Burns' sons, or that the volume passed from Mrs. Lamb back to Mrs. Hutchinson, who then passed it to someone else? There is plenty of material here to keep Burns researchers happy for some time.|
|Title||Marie der Koenigin auss Schotlandt eigentliche Bildtnuss.|
|Imprint||[Cologne: Johann Bussemacher]|
|Date of Publication|||
|Notes||This is a fascinating broadside commemorating the execution of Mary Queen of Scots from a German Catholic perspective. The German text gives an account of her parentage and life, mentioning the role of Darnley, George Buchanan and Mary's son King James VI. There is an emphasis on Mary's European connections, and above all on her martyrdom for the Catholic faith. At the head of the text is a large and striking engraving by Johann Bussemacher; the central image is of Mary, wearing her crucifix and depicted with the arms of France and Scotland. Outside the border, which contains Latin phrases, are smaller images of her decapitation, and at the head of the engraving are (presumably cherubic) hands presenting a quill and the victor's laurels. This is in better condition than the only other known copy, in the British Library, which was David Laing's copy and has been cut up into four pieces. However, the British Library copy preserves some Latin verses which have been lost from the foot of our copy. These verses, by William Crichton or George Crichton, are as follows: 'Illo ego, quae Fata sum regali stirpe parentum, / Hoc tumulo parva contumulata tegor. / Hucque meo constans generoso in pectore virtus, / Prissacque me torfit, nec temeranda fides / Stemmata nil faciunt, nil prosunt sceptra, sed una, / Dum vixit, pietas, gloria nostra fuit. / Vtque Petri cathedram revereri discas, ob illam, / En mea martyris colla refecta vides' Despite this loss, this is a very desirable addition to our strong holdings of MQS material.|
|Reference Sources||Allison & Rogers, Contemporary Literature of the English Counter-Reformation, I, no. 805
BMSTC (German), p. 599|
|Title||Holy Bible [with Holy Bible. London, 1772 and Psalms. Edinburgh: b. Colin Macfarquhar, 1771]|
|Imprint||Oxford: b. Thomas Baskett|
|Date of Publication||1755|
|Notes||These nice examples of mid-eighteenth century Scottish binding come with significant Scottish provenance. The first Bible, bound in one volume, was owned by the Veitch family, who achieved prominence in the eighteenth century when the learned lawyer and MP James Eliock (1712-1793) was appointed judge, with the title Lord Eliock. This volume has Lord Eliock's bookplate, and manuscript notes on the front flyleaves record births, baptisms and deaths in the Veitch family into the nineteenth century. The actual binding is of very dark blue morocco, the boards decorated with a wheel design; the gold tooling in very good condition, as are the gilt green endpapers.
A rather unexpected feature of this Bible is the note on the last free blank, which reveals that this was held up as exhibit A in a trial at the High Court of Justice in 1876. This trial related to the estate of Ann Clementina Wilson, deceased, and it seems likely that the annotations in the Bible were used as evidence. A note reads 'This is the Bible marked A referred to in the affidavit of Harry Veitch Hunter sworn in this matter before me this 15th day of March 1877'.
The second Bible is bound in two volumes; although it lacks a title-page, the colophon gives the imprint as London, 1772, and the Psalms which follow the Bible has a title-page with the imprint Edinburgh, 1771. Both volumes are inscribed by 'G. Dundas Sept. 22nd. 1778.' This is a member of the famous Dundas family of Arniston. Further manuscript notes explain that the Bible was presented to Grace Dundas by Robert Colt at their wedding, and other notes record the fortunes of the Colt family into the twentieth century. Both volumes have the bookplate of Grace Colt. Various sentimental greetings cards are tipped in. The binding is of red morocco, with a design in the 'herring-bone' tradition, with some interesting stipple tooling and a fine border roll; our collections do not seem to have anything similar from this period.|
|Reference Sources||DNB, Bindings rubbings|
|Title||CL. Psalmes of David in Meeter. With an exact Kalendar, also morning & evening prayers.|
|Imprint||Edinburgh, Printed by James Bryson, and are to bee sold at his shop, a little above the Kirk-stile at the signe of the golden angel.|
|Date of Publication||1640|
|Notes||This is a beautiful and important book: both the text and the binding are new to our collections. It is an edition of the metrical Psalms printed in Edinburgh in 1640 and contained in a silver binding, decorated with a design of birds and flowers. The leaf edges are gilt and decorated with a stamped design of dots and crosses. The first blank pastedown has the pencil note 'Hamilton Bruce' (probably the collector some of whose books the Library already has). The recto of the following blank has a pasted-on slip with the ink inscription 'This Edition of the Psalms was sold at £4..4 plain binding / Lowndes' (William Thomas Lowndes the bibliographer?)
The text appears to be an unrecorded Aldis item, apparently in 32o. Aldis 975 (Cwn.651) is quarto; Aldis 976 (Cwn.483(2)) is duodecimo; Aldis 977 (Cwn.49) is printed by R. Bryson; Aldis 978 (Hall.191.k) has a variant title and is 16o. This edition is not mentioned in W. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13). No examples have been traced in STC or ESTC.
It seems that the binding is contemporary. The thin-gauge silver, which is not hallmarked, is overlapped by the old endpapers. One would expect a Victorian binding to have new endpapers, and, indeed, to be more artistically confident. The blackening of the silver where it has not been touched, and the loss of the clasps, also suggest an earlier binding. The Sotheby's sale of silver and enamel bindings of 10 May 1985 does not provide any definitive answers, nor does J. F. Hayward's Silver Bindings from the J. R. Abbey Collection. No. 38 in the Sotheby's catalogue shows a seventeenth-century English silver binding with a bird and flowers: evidently British craftsmen were doing work of this quality in the seventeenth century. Various silver experts were consulted about this work, and there are different opinions. Some suggest the binding is Dutch or German (perhaps a luxury binding for a member of the Scottish reformed communities in the Low Countries?), some suggest that the style is more likely to be British.|
|Reference Sources||W. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13).
Sotheby's sale of silver and enamel bindings, 10 May 1985. J. F. Hayward, Silver Bindings from the J. R. Abbey Collection.|
|Title||Ode to hope|
|Imprint||Edinburgh: Printed and sold by T. and J. Ruddiman|
|Date of Publication||1789|
|Notes||This is an anonymous and unrecorded poem printed in Edinburgh the early days of 1789. No copies have been traced anywhere nor is it mentioned in Jackson's 'Annals of English verse 1770-1835' or the 'English poetry full text database'. The only clue to the authorship is the dedication to Mr. Henry Erskine of Newhall possibly the one time Lord Advocate and Dean of the Faculty of Advocates who lived from 1746 to 1817. He also penned a few poems.
This rather gushing poem deals with the inspiring effects of hope amid scenes of poverty, starvation, death and despair. There seems also to be a political connotation with references to General Wolfe, 'Bourbon's legions', 'the plains of Cressy' and Britons being roused to arms.
It was printed by the brothers Thomas and John Ruddiman, part of the Edinburgh family involved in the book trade during the 18th century. Thomas (1755-1825) who became a partner in his father's printing business in 1772, was a biographer of the poet Robert Fergusson, who died in 1774. The Ruddimans published many of Fergusson's poems in 'The Weekly Magazine'. Incidentally one of Fergusson's poems published in 1773 was entitled 'Ode to hope' but it is shorter and differs in content to the 1789 item. John Ker Ruddiman became a partner with his brother Thomas in 1789, and died in Fisherrow, near Musselburgh in 1816. The brother seem to have neglected their business, which was wound up in 1798.|
|Title||Catalogue of books belonging to the library of St. Andrew's Chapel, Aberdeen.|
|Imprint||Aberdeen: printed by George Cornwall|
|Date of Publication||1839|
|Notes||This pamphlet adds significantly to the Library's holdings of works providing information about the history of libraries and collecting in Scotland. St. Andrew's Chapel in Aberdeen was built in 1816 and opened in 1817 as a meeting-place for the Episcopalian congregation. It was raised to the dignity of a Cathedral church in 1914. The chapel library was apparently formed in 1831, and according to the preface in this work, several catalogues had already been issued before 1839. It would seem that the library was well-organised (at least on paper!): the preface discusses the collection development policy and notes that the holdings of serials are particularly strong. Detailed rules and regulations are given before the catalogue itself.
Naturally, the books are mainly theological, and particularly relate to the cause of the Episcopal Church. What is particularly notable is the number of early works, including several seventeenth-century Scottish books (Aldis items). There are also novels, biographies and collections of pamphlets. It would be interesting to know more about the ways in which this collection was formed (and, indeed, its eventual fate).|
|Title||Narrative of the loss of the Abeona, which was destroyed by fire, on the 25th of November, 1820 ... Compiled by some of the survivors.|
|Imprint||Second edition. Glasgow.|
|Date of Publication||1821|
|Notes||This narrative follows in a long tradition of providing an 'eye witness' account of a disaster and publishing it in pamphlet form. In this case, it provides a vivid description of the horrendous consequences of a sailor drawing rum from a barrel using a candle to light his way and resulting in a conflagration that devoured the Abeona and killed 112 passengers, most of them settlers who had embarked at Greenock with the intention of establishing a settlement at Algoa Bay near the Cape of Good Hope.
There seem to have been two substantially different versions published in 1821: the present version Narrative of the loss of the Abeona, which was destroyed by fire, on the 25th November, 1820 ... when one hundred and twelve individuals perished. Compiled by some of the survivors. Second edition. Glasgow: Printed by James Starke, for Chalmers and Collins, 1821 (APS.2.200.002) and A brief narrative of the loss of the Abeona. Written chiefly by one of the survivors, A Sabbath school teacher on Board. Glasgow: Printed by Young & Gaillie for Archibald Lang, Bookseller, 1821 (APS.1.78.132). The first edition is shorter than the second and is written by a single author 'a sabbath school teacher' while the second and longer version seems to be the work of the original author and other survivors. It is substantially different and takes a more secular approach whilst the first is laced with that author's ecclesiastical leanings and imagery. Both are fascinating accounts, and complementary, the second edition providing a completely revised, extended and fuller text.|
|Title||Short address to the weavers of Paisley and the neighbourhood : (suggesting a plan for their relief.) by an Inhabitant.
An answer to the address (lately sold at three-pence) "by a Burgess," (on the road to preferment) to the feuars and burgesses of Paisley by "Shifty". Paisley, 1817.
And 3 others|
|Date of Publication||1819|
|Notes||A collection of five rare tracts published variously in Ayr, Paisley and Glasgow between 1817 and 1819 and bound in one volume. The tone is radical and reforming reflecting the appetite for electoral and civic reform in the industrial west in the years after Waterloo.|
|Title||Central India photographs|
|Date of Publication||1863|
|Notes||19 albumen prints by an unknown photographer in a portfolio. From the collection of Victor Alexander Bruce, 9th Earl of Elgin.
An important group of early photographs assembled between 1850 and 1867 by James Bruce, 8th Earl of Elgin, and his son Victor Alexander Bruce, the 9th Earl, providing a visual record of the distinguished careers of the two earls as diplomats, military strategists, and politicians in India and the Far East. The four albums form a valuable source for the study of colonial and imperialist expansion, global commercial travel, and, not least, the rapid growth of commercial photography. The purchase was made possible by generous contributions from the Heritage Lottery Fund (National Heritage Memorial Fund) and the National Art Collections Fund.|
|Title||Holy Bible, containing the old and new testaments|
|Date of Publication||1769|
|Notes||A contemporary Scottish binding in fine condition of brown morocco, gilt tooled with a herringbone design in the centre of both boards; this is contained within a rectangular panel displaying elaborate tooling in gilt of thistles, arabesque, annular and plain dots, and fleurons. With worn marbled endpapers and corners bumped. Otherwise a very good example of an 18th-century Scottish binding.|
|Title||Catalogue of books in quires, which will be offered to a select company of booksellers, at Hunter's Tavern, Edinburgh on Tuesday, October 21. 1794.|
|Imprint||Edinburgh, [William Creech],|
|Date of Publication|||
|Notes||An unrecorded catalogue of a book sale conducted by William Creech (1745-1815). The sale consisted of 348 lots arranged alphabetically by author or title, with each lot containing anything from a single copy for multi-volume works (e.g. Baronage of Scotland) to 50 copies (Ruddiman's Rudiments of the Latin tongue). All the books were offered unbound ('in quires'), a practice not unknown in the 18th century. The NLS also holds other catalogues of sales conducted by Creech 6.740(1) (1791) at Bdgs.89 (1793). The very large format of this catalogue is unusual and may account for its rarity.
Creech was known throughout his career for his disorganized finances; and this sale was perhaps intended as a method of reducing an overlarge inventory or improving cash flow. Successful bidders were offered extended payment terms, depending on the size of purchase. He was also known as being a sociable character - the sale was preceded by 'dinner on the table at three o'clock' with the sale beginning immediately afterwards.
William Creech was apprenticed to the Edinburgh booksellers Kincaid and Bell before learning more of the trade in London and on the continent. He established his own premises in the Luckenbooths in 1773 and remained in business there until his death in 1815. Creech was a member of the Town Council and served as Lord Provost from 1811-13.|
|Title||Queen's Arctic Theatre. H.M.S. Assistance ... Commander. G.H. Richards, of the Royal Arctic Navy ... has the honour to acquaint, the nobility, and gentry, of North Cornwall that he has ... engaged a highly select, and talented, corps dramatique, and has entirely rebuilt, and re-embellished, the Queens, Arctic Theatre, and that ... will be performed ... the inimitable comedy, of The Irish tutor ?|
|Imprint||Northumberland Sound, 1852.|
|Date of Publication||1852|
|Notes||A rare and very attractive example of on-board silk printing from the Arctic. In an attempt to maintain crew morale during the long winter freeze, many of the naval expeditions searching for Rear Admiral Sir John Franklin, staged impromptu plays and music-hall type entertainments. Printed records of these amusements are extremely scarce particularly so when printed on the more demanding silk medium.|
|Imprint||London: John Field|
|Date of Publication||1653|
|Notes||This is a beautifully bound Bible in two volumes with the second volume also containing The Psalms of David in Meeter ... Allowed by the Authority of the General Assembly of the Kirk of Scotland. According to the British Library Catalogue 'a spurious edition, not printed by Field.' Field is designated Printer to the Parliament on the general title page and 'one of His Highness's Printers' on the New Testament title. An inscription on the flyleaf of the 2nd vol. Reads: Janet Mitchel/ hir Booke/ 1730 aged 13 the 30th/ of January.
The binding is early 18th century Scottish red morocco elegantly gilt in 'herring-bone' style featuring a variety of floral emblems. The spines are tooled in gilt between raised bands with green patterned pastedowns and free flyleaves. The library has a similar, though not identical, binding. This is excellent example of an early 18th century Scottish binding.|
|Reference Sources||Wing B2240|
|Title||Queensland Scottish Advocate|
|Date of Publication||1908-1911|
|Notes||'The official organ of the Queensland Scottish Union', this journal does not appear in COPAC, OCLC, or the catalogues of the National Library of Australia or of Queensland State Library. It provides a fascinating insight into the Scottish community in Brisbane at the start of the twentieth century, with photographs of 'our Queensland Scottish' in full Scottish costume, articles about local and Scottish current affairs (including at least one by Lord Rosebery), Scottish history, Scots poetry and songs (again by locals as well as traditional ballads).
There are also reports of the activities of Caledonian Societies and Burns Nights throughout the region, articles on Scottish history and culture, 'household hints' and recipes, and advertisements with a Scottish theme (many for Scotch whiskey).
Bought from an Australian bookseller, this copy is probably the only one in Scotland, and almost certainly the only one in public hands in the UK. Nothing is known to us about the Queensland Scottish Union other than what appears in this bound volume, containing Vol. 1.1 to 3.12, and we do not know if any further issues were produced.|
|Imprint||London: b. T. Maiden f. Ann Lemoine|
|Date of Publication||[1806-9]|
|Notes||Here are two finely-bound volumes of novellas and poems, most with a strong Gothic flavour. The titles give the game away ('The Tomb of Aurora', 'The Midnight Hour', 'The Mysterious Spaniard'). 'Gothic' literature in English includes some of the most important early novels, such as Matthew Lewis' 'The Monk' and Mary Shelley's 'Frankenstein'. Gothic writing is characterised by a fascination with the medieval period from which it takes its name, an obsessive interest in the supernatural, an exploration of the emotions tending towards the sensual, and an appreciation of wild and romantic landscapes. There were many who had concerns about the influence of Gothic writing, such as Jane Austen who parodied the conventional Gothic narrative in 'Northanger Abbey'. 'Wild Roses' feels the need to open with a declaration that the editors have sought 'to prune from them every Luxuriance which might justly offend the Breast of Morality.' The blood-soaked pages which follow explain why such a disclaimer was felt necessary.
Although many of the main 'Gothic writers' were English, the genre had a major impact on Scotland (part of 'Frankenstein' is actually set in Scotland), and on Scottish writers such as Burns, Hogg and Scott. Many of Walter Scott's 'historical' novels show traces of Gothic influence, and one of the most important features of 'Wild Roses' is the fact that it includes a poem by Scott. 'The Maid of Toro', which appears at the end of 'The Captive Prince' in vol. 2, presents the despair of a medieval maiden hiding in a wood, who learns of the slaughter of her champion in battle, despite her prayers to the Virgin. It is a highly appropriate inclusion. Intriguingly, this printing of the poem was not recorded by Todd and Bowden in their Scott bibliography, which notes the first printing of the poem in 1806 (Todd 21Aa).
The works collected in these volumes seem to have been printed in 1806-1809, judging by the dates on the numerous engraved plates. The title-pages are undated. The items seem to have been printed as chapbooks in blue wrappers, a fragment of which adheres to the verso of the plate illustrating 'Livonia of Venice' in vol. 2. However, they were clearly intended to be bound up as a collection, as the signatures are continuous, and the final page in each volume gives the correct number of pages in each. The whole set is in excellent condition, bound in half red roan and red grained paper, with gilt-tooled spines bearing green leather labels. Both volumes have the bookplate of the Bibliotek Tido.|
|Reference Sources||Todd & Bowden. Todd 21Aa