Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 763 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at firstname.lastname@example.org
Important Acquisitions 541 to 555 of 763:
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|Author||Leighton, John M.|
|Title||Select views of the lakes of Scotland : from original paintings by John Fleming / engraved by Joseph Swan ; with historical and descriptive illustrations by John M. Leighton.|
|Date of Publication||1830-1833|
|Notes||This is the full set of the 16 part issues of the book published in 1834 (A.116.a.12-13) as 'The lakes of Scotland'. That it was a work of some popularity is evidenced by the lengthy subscription list in part 16, the enthusiastic reviews reprinted inside the lower cover of each part and the publication of further editions in 1836 and 1839. The 48 engraved plates contained in this set were printed on what the publisher and engraver, Joseph Swan described as 'very superior India paper, which for purity, clearness and colour, will be found equal to any which has yet met the public eye' The India proofs cost 7s. 6d. per part with Royal folio copies at 12 shillings per part and the cheapest fine impressions at 5s. 6d.
The work was aimed at 'all lovers of the fine arts' as well as 'admirers of Scotland's picturesque and romantic scenery'. According to the preface, which was written for and included in the final part in 1833, this was the first work 'entirely devoted to this branch of Scottish scenery'. Not only the well-known lakes were described but also but also those 'seldom visited and little heard of, and others which were quite terra incognita to tourists'.
Joseph Swan had previously published 'Select views of Glasgow and its environs' (1828) and 'Select views on the Clyde' (1830), both of which were collaborations with the author of this work, John M. Leighton and the artist, John Fleming. Greenock-born Fleming (1792-1845) specialized in painting mountain scenery in oils and watercolours, was a member of the West of Scotland Academy and exhibited in Glasgow.|
|Title||Faits divers, pensées diverses, et quelques réponses de sourds-muets précédés d'une gravure représentant leur alphabet manuel et de notions sur la dactylologie ou le langage des doigts, avec des détails intéresssants sur une sourde-muette-aveugle Francaise, et sur un Sourd-Muet-Aveugle Écossais.|
|Imprint||Paris: Rue Racine, 15|
|Date of Publication||1850|
|Notes||This book is the rare second edition of a selection of writings on deaf-mutes by one of the leading French educators in the field, Alphonse Lenoir. Revised and expanded here, it was first published as Dactylologie, ou Langage des Doigts (1848).
Lenoir, himself hearing-impaired, was a teacher at the Institution Nationale de Paris who did much to pioneer and advocate the education of the deaf, and was involved in the founding of the first official deaf organisation - the Societe Centrale (1838) which later became known as the Societe Universelle des Sourds-Muets in 1867. The book includes a description of sign language, with a frontispiece illustrating the signed alphabet, and descriptions of the lives and achievements of deaf-mutes. There are accounts of heroic behaviour during the events of 1848 in Paris and famous deaf mutes in the fields of literature, art, and other walks of life. Among these is an account of the Scot James Mitchell, who was brought to public attention by the Enlightenment philosopher Dugald Stewart in a paper entitled 'Some Account of a Boy born Deaf and Blind' published in the Transactions of the Royal Society of Edinburgh, 1812. Stewart had been interested in Mitchell and his family, but his paper concentrated on what Mitchell's case could teach about the development of ocular sense-perceptions: Lenoir's account emphasises how in spite of his sensory isolation, he had a fully developed moral, intellectual and emotional sensibility.
|Reference Sources||Bookseller's Catalogue; Collected Works of Dugald Stewart, vol. 4 (Edinburgh: 1854), pp.300-370.|
|Title||Six Glasgow Poems|
|Date of Publication|||
|Notes||This is the rare first edition of Tom Leonard's best known work. Written in Scots, these abrasively witty poems attempt to recreate the language of ordinary people in Glasgow. Leonard completed the work by January 1968, but had difficulty finding a printer willing to do the job. Instead, he typed the sheets himself and had them reproduced in the Glasgow University student magazine office. This counts as the first edition. The poems were subsequently published by Midnight Publications in 1969, and the Library has a copy of this second edition at shelfmark 5.4593. This edition contains at least one typographical deviation from the first edition.|
|Author||L'Heritier de Villandon, Marie-Jeanne|
|Title||The discreet princess; or, the adventures of Finetta. A Novel. |
|Imprint||Edinburgh: G. & J. Ross|
|Date of Publication||1806|
|Notes||This volume of eight chapbooks, six of which are of Scottish origin, has the bookplate of Crewe Hall Library. Of the chapbooks, the following were previously unrepresented in NLS collections in these editions: The Discreet Princess; The Valentine's Gift (Edinburgh: G. & J. Ross, 1806); The Way to be Happy: or, the History of the Family at Smiledale. To which is added, The Story of Little George (Edinburgh: G. & J. Ross, 1807); The Life and Perambulation of a Mouse. In Two Volumes (London: John Marshall, c.1805); Garden Amusements for Improving the Minds of Little Children (London, Darton and Harvey, 1806); Worlds Displayed, for the Benefit of Young People (6th edition, Edinburgh: J. Ritchie, 1804). Most of these chapbooks are illustrated with woodcuts, some with crude hand-colouring. The signature of Barbara Peddie appears on the recto of the frontispieces to The Life and Perambulation of a Mouse, vol. ii, dated January 1806, and The History of the Holy Bible Abridged, dated 1805. This may be the Barbara Peddie 'daughter of Dr. James Peddie, a family long associated with many religious movements in Edinburgh.' She married Dr. James Harper, minister of the United Presbyterian Church at North Leith and Principle of the UPC Theological College, now New College (University of Edinburgh), with whom she had fifteen children. Given the similar publication dates of most of these chapbooks, it may be that they were collected originally by Barbara Peddie.|
|Reference Sources||The Sunday At Home (1882) p.212.|
|Title||National system of poltical economy|
|Imprint||Philadelphia: J. B. Lippincott|
|Date of Publication||1856|
|Notes||Friedrich List (1789-1846) is recognized today as one of the most influential trade theorists. He is also one of the most severe critics of the classical school of economics. He denounced Adam Smith and his disciples and held that free trade was an ideal that could only be achieved in the distant future. Unlike Smith, who argued that a nation's wealth lay in its capacity for commercial interchange, List held that a nation's wealth lay in the development of its own economic and productive resources.
This is a copy of the very scarce first edition in English, and the first English translation of List's magnum opus, originally published in German in 1841.|
|Title||A most delectable and true discourse of an admired and painefnll [sic] peregrination from Scotland, to the most famous kingdomes in Europe, Asia and Affrica. |
|Imprint|| London. Printed by Nicholas Okes, dwelling in Foster-Lane.|
|Date of Publication||1623|
|Notes||This is the second edition of William Lithgow's account of his travels, covering much of the known world of his time. Lithgow (c.1582-1645) was born at Lanark, and had an unusual motivation for undertaking his travels: the brothers of a woman with whom he was involved attacked him and mutilated him. Legend has it that they cut off his ears, leading to the nickname 'Lugless Will', and he chose 'rather to seclude my selfe from my soyle ... then to have a quotidian occular inspection'. Lithgow's narratives are action-packed, including accounts of narrow escapes from torture and death. In spite of his wide travels, he retained a dislike of the Catholic and Muslim religions practiced in countries where he travelled, although he relished sights such as the Sphinx in Egypt and the architectural splendours of North Africa. Lithgow's first journey ended in 1612, and his first book was published two years later (with a reprint in 1616). This second edition adds the accounts of the two journeys he undertook afterwards. According to ESTC, this copy is the only one in Scotland.
Like its author, this book has travelled. It contains the bookplate of Howard Pease of Otterburn Tower, Northumberland, with an auction catalogue record and note to say that it was bought from the library of the collector S.R. Christie Miller at Britwell Court, sold in 1925. As acquired by the National Library, it came in a slipcase with the binder's stamp of W. Desmont & J. Macdonald Co. Norwalk, Connecticut, U.S.A. - indicating a transatlantic voyage Lithgow himself never made.|
|Reference Sources||Bookseller's Catalogue, ESTC, New DNB|
|Author||Lizars, W[illiam]. H[ome].|
|Title||[Specimen book of lithographs, engravings, copper plate and letterpress]|
|Date of Publication||[1851?]|
|Notes||This is a sample book of engravings produced in Edinburgh ca. 1851 by William Home Lizars (1788-1859). W. H. Lizars was first apprenticed to his father, the publisher and engraver Daniel Lizars, from whom he first learned engraving. He then entered as a student under John Graham (1754-1817) in the Trustees' Academy at Edinburgh, where he was a fellow-student with Sir David Wilkie. From 1808 to 1815 he was a frequent exhibitor of portraits, or of sacred and domestic subjects, at exhibitions in Edinburgh. In 1812, on the death of his father, Lizars was compelled to carry on the business of engraving and copperplate printing in order to support his mother and family. Lizars perfected a method of etching which performed all the functions of wood-engraving in connection with the illustration of books. He died in Edinburgh on 30 March 1859, leaving a widow and family. Lizars took an active part in the foundation of the Royal Scottish Academy.
This sample specimen book gives an excellent idea of the wide range of products produced by W. H. Lizars in his Edinburgh studio: business receipts, company letterheads, picturesque scenes of Scotland, bankers' notes, cheques, maps, portraits, reproductions of charters and seals, book illustrations and examples of typefaces and fonts.|
|Author||Lloyd Osbourne [et al.]|
|Title||A letter to Mr. Stevenson's friends.|
|Imprint||[Apia, Samoa: For private circulation]|
|Date of Publication||1894|
|Notes||Shortly after Robert Louis Stevenson's death in Samoa in December in 1894, his stepson, Lloyd Osbourne, organised the printing of this small pamphlet in honour of the late author. The printing was done in the town of Apia, at the office of the local newspaper, "The Samoa times". The pamphlet gives accounts of Stevenson's life on Samoa, his death and funeral, and includes items written by Osbourne, Bazett M. Haggard (the British Special Commissioner in Samoa and brother of author Henry Rider Haggard), James H. Mulligan, A.W. Mackay, and William E. Clarke. It also includes Edmund Gosse's poem "To Tusitala in Vailima", which reached Stevenson three days before his death; at the end are some verses in Samoan. The pamphlet was then sent out to various friends and acquaintances. This particular copy was sent to the Edinburgh-based advocate and writer Sir John Skelton (1831-1897). It also has the envelope in which the book was posted to Skelton from Apia, complete with Samoan stamp, and with "via San Francisco" written on it. The address is in the hand of Margaret Stevenson, Robert Louis Stevenson's mother, who was part of his extended household at the time of his death.|
|Reference Sources||Oxford Dictionary of National Biography|
|Author||London and North Western Railway|
|Title||Broadsides relating to Queen Victoria's journey by train from Ballater to Windsor.|
|Imprint||London : London and North Western Railway|
|Date of Publication||1876|
|Notes||Note: 9 broadsides showing the details of the Queen's journey on the 22nd and 23rd of November 1876. Includes; itinery of stations en route and times of arrival and departure, arrangements for telegraphing the train, arrangement of carriages, and precautions to be taken in the event of fog. Also included is a special notice announcing the postponment of the journey until the afternoon of the 23rd.
The Queen returned to Windsor amid the rising tension between the great powers over the Eastern Question of the Ottoman Empire. In a letter to the Marquis of Salisbury dated Balmoral, 18th Nov. 1876 it is stated that the Queen had at one time thought of leaving on the 17th but floods below Perth had washed away bridges. The time to repair the tracks may account for the subsequent delaying of the journey.|
|Reference Sources||Buckle, George Earle (editor). The letters of Queen Victoria. Second series. (London, 1926) (X.190.d)|
|Title||English Bards and Scotch reviewers. A satire.|
|Imprint||London: William Benbow,|
|Date of Publication||1821|
|Notes||This is one of several pirated editions of Byron's famous satirical poem "English Bards and Scotch reviewers" printed in England after 1816, when Byron had left the country, never to return. "English Bards" was first published in 1809 as a riposte from Byron to a stinging review in The Edinburgh Review of his first published volume of poetry "Hours of Idleness". Four official editions of the poem were printed by his publisher Cawthorn, between 1809 and 1811, to meet the large popular demand for it. However, by 1812, after contemplating but rejecting the publication of a fifth edition, Byron decided to remove the poem from circulation. He then decided to switch his patronage to the publisher John Murray, which led to Cawthorn continuing to print "English Bards" in defiance of his instructions, all without payment to the author. In 1816 Byron was granted an injunction preventing Cawthorn from continuing to print the work. The injunction, however, failed to stop piracies by other printers, such as this one by William Benbow, subsequently appearing on the market. Benbow (1784-c. 1852) was a political radical, who had set up in business in London in 1820 as a bookseller and publisher of pornography. During his relatively brief, but eventful, career as a bookseller and publisher, he regularly found himself in trouble with the law due to his relaxed attitude towards the laws of libel and copyright. Between 1821 and 1825 he published piracies of a number of Byron's works, including another printing of "English Bards" in 1823. In 1822 he was prosecuted, unsuccessfully, for a pirated edition of Byron's "Cain". This particular copy of Benbow's 1821 edition, of which only three copies are recorded in COPAC, also contains two MS letters connected with a former owner of it, J. Aitken. One is a letter dated August 1922 by John Murray (IV), the publisher, thanking Aitken for alerting him to the existence of the 1821 Benbow edition, which is not listed Ernest Hartley Coleridge's bibliography of the works of Byron despite Coleridge taking "infinite pains to make that bibliography complete". The other letter, from 1938, is a copy of one sent to the American librarian and bibliographer Gilbert H. Doane (1897-1980) at the University of Wisconsin. Aitken writes to Doane having been informed that the latter was preparing a bibliography of Byron (there is no record of a published bibliography by Doane). He gives details of the 1821 edition, pointing out that it has different pagination and contents to the 1823 Benbow edition (which is recorded in Coleridge's bibliography), and offers to send it to Doane to help him with the bibliography. He concludes his copy letter by announcing his intention, ultimately, to present his book to the National Library of Scotland; over 73 years later the book has finally made it to NLS.|
|Reference Sources||G. Redgrave, "The first four editions of 'English Bards and Scotch Reviewers'" in The Library series 2, v.1 (December 1899), pp. 18-25.
Oxford Dictionary of National Biography|
|Title||Marino Faliero Doge of Venice|
|Imprint||Vienna and Leipzig: Avalun-Verlag|
|Date of Publication||1922|
|Notes||This is an extremely handsome early 1920s German edition of Lord Byron's historical drama about the medieval doge who carried out an unsuccessful coup d' etat against the Venetian nobility. It is one of an edition of 275 numbered copies, which contains twelve original black and white etchings and a title page vignette by the German artist Sepp Frank (1889-1970). Frank was a leading etcher and lithographer who became famous for his work in producing ex-libris bookplates, many of which are considered masterpieces of art deco design.|
|Author||Lüder, August Ferdinand|
|Title||Über die Industrie und Kultur der Portugiesen|
|Imprint||Berlin: bei Duncker und Humblot|
|Date of Publication||1808|
|Notes||This is the first and only edition of this study of the economic, political and social situation in Portugal by Lüder, who was among the earliest popularisers of Adam Smith in Germany. It is not one of Lüder's best known texts. Only two copies have been traced, neither of which are in Britain.
In the introduction he states that he regards the book as an application of Smith's principles to the political history of Portugal. Lüder provides a summary of Portuguese history before focussing on the economic circumstances which shaped the political situation there in the early nineteenth century. The work is amply footnoted and the author supports his arguments with many statistics.
August Ferdinand Lüder (1760-1819) was Professor of History in Brunswick subsequently became Professor of Philosophy at the University of Göttingen and later honorary Professor at Jena. In his most important work Über Nationalindustrie und Staatswirtschaft (1800-1804), Lüder shows how he was influenced by Smith's ideas. He later published widely in economics and statistics, where he exposed the superficiality and narrowness of many statistical treatises.|
|Author||Lund, John [et al.]|
|Title||[Volume containing 10 18th-century plays]|
|Imprint||London, Glasgow, Dublin & Hawick|
|Date of Publication||1760-1787|
|Notes||This 'sammelband' contains 10 short plays printed in a variety of locations in the British Isles in the second half of the 18th-century. The volume contains a hitherto unrecorded 1786 printing from Hawick of a one act play "Ducks and green pease". The imprint gives no details of printer or publisher but there was only one printer known to be working in Hawick at the time, George Caw, who had started printing there in the 1780s (the first recorded book from his press dating from 1783). "Ducks and green pease", first printed in the 1770s, was the best-known work written by John Lund (1726-1786) from Pontefract in Yorkshire. Lund was a barber, wig maker and political satirist; the mildy subversive content of his play is in contrast to the largely religious works Caw was printing at the time. The volume also has an early Scottish provenance, there are inscriptions on the front pastedown "Andrew Rattray" and "Dundee 1791".|
|Title||Complaint of the Black Knight (Celebration edition 2008)|
|Imprint||Dundee: Visual Research Centre (University of Dundee), Dundee City Arts Centre|
|Date of Publication||2008|
|Notes||This portfolio commemorates the 500th anniversary of the first dated printed book in Scotland, Chepman and Myllar's edition of Lydgate's poem The Complaint of the Black Knight, which they entitled The Maying or Disport of Chaucer. On April 4th, 2008, 500 years to the day of the date in Chepman and Myllar's colophon, artists Paul Liam Harrison, Scott Hudson and Andy Rice reprinted the poem at the Visual Research Centre of the University of Dundee, Dundee City Arts Centre. However unlike Chepman and Myllar who produced their book on the then-conventional hand-press, these artists printed the text using the silkscreen method, using water-based acrylic inks, onto archival paper. The day's printing was accompanied by supporting events including a reading from the original text. NLS, whose curators supported the project from its inception, has now received number 4 of the limited edition of 18 prints, along with one of the artists' proofs produced on the day, in a cardboard portfolio. This handsome addition to our collections shows Scotland's 21st-century printers paying homage to the first printers 500 years ago.|
|Author||MacDiarmid, Hugh [C.M. Grieve]|
|Title||To circumjack Cencrastus or The curly snake.|
|Imprint||Edinburgh & London: William Blackwood, |
|Date of Publication||1930|
|Notes||The Library has a large collection of examples of fine Scottish bookbinding, from the 15th century down to the present day, and we continue to add to this collection wherever possible. We have acquired this particular copy of the first edition of Hugh MacDiarmid's epic poem because of its binding by renowned Scottish bookbinder Arthur W. Currie (b. 1922), who was overseer of bindings at the Edinburgh-based publishing firm of Oliver & Boyd before becoming a lecturer at Napier College (now Edinburgh Napier University). Currie's work is now regarded as being on a par with other major 20th-century British bookbinders such as Edgar Mansfield and Elizabeth Greenhill. He specialised in the use of coloured inks as well as gold leaf to produce his designs; this binding, dating from the 1950s?, is a blue goatskin with a serpent-like design of interlinked coils in black, blue, grey and tan morocco and with a gilt sunburst pattern. Currie's design of coils reflects the content of MacDiarmid's poem, in which the windings of a snake around the roots of the world are equalled by the tortuous windings of the poetic work. The struggle of the poet to complete a work, described in the poem, was informed by MacDiarmid's own difficulties in the 1920s in trying to produce creative work while trying to earn a living as a small town journalist in Montrose. |