Rare Books - Important Acquisitions List All

Rare Book Collections works to build up the national collections through purchases (through dealers or at auction) and donations. This directory gives details of 752 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.

Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at rarebooks@nls.uk

      

Important Acquisitions 571 to 585 of 752:

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AuthorTopham, E.
TitleAbyssinian traveller
ImprintLondon: M. Darly,
Date of Publication1775
LanguageEnglish
NotesThis is a rare print of an engraving of the explorer James Bruce, 1730-1794. It was drawn by the caricaturist Edward Topham (1751-1820) who worked for the engraver and printseller Matthew Darly of the Strand, London in the 1770s. Darly's printshop was known as 'The Macaroni Print shop' as he was the printer par excellence of prints of macaronies (fops) very much in vogue from 1771 to 1773. This print of Bruce was first sold as an individual print but later published as part of a series of caricatures published by Darly in 1776. The only other known copy of the print is held in the Department of Prints at the British Museum. A giant of a man for the time at 6 ft. 4, James Bruce was born in Kinnaird, Stirlingshire and educated at Harrow. After studying law, he developed an interest in archaeology and ancient languages. He served as the British consul in Algiers from 1763-1765 after which he explored the Roman ruins in North Africa (known then as Barbary). Further adventures followed during which he was shipwrecked and attacked by the Arabs. Bruce made his name as the explorer of Abyssinia and the Nile between 1769 and 1772. He is credited with the discovery of the source of the Blue Nile, though he himself thought he had discovered the White Nile ('the Nile of the ancients'). Feted on his return to Britain in 1775 - at the time this print was produced - his popularity rapidly waned. This was due to his very candid description of some of the customs of the Abyssinians including cutting meat from a live animal and eating it - which he admitted to indulging in! He retired to his ancestral home in Scotland and his account of his travels was eventually published in 5 vols in 1790 as 'Travels to discover the source of the Nile'.
ShelfmarkRB.m.505
Reference SourcesDNB Dictionary of 19th century British book illustrators British Museum, Department of Prints and Drawings: catalogue of political and personal satires vol V 1771-1783, no.5317
Acquired on20/03/03
TitleWild Roses
ImprintLondon: b. T. Maiden f. Ann Lemoine
Date of Publication[1806-9]
NotesHere are two finely-bound volumes of novellas and poems, most with a strong Gothic flavour. The titles give the game away ('The Tomb of Aurora', 'The Midnight Hour', 'The Mysterious Spaniard'). 'Gothic' literature in English includes some of the most important early novels, such as Matthew Lewis' 'The Monk' and Mary Shelley's 'Frankenstein'. Gothic writing is characterised by a fascination with the medieval period from which it takes its name, an obsessive interest in the supernatural, an exploration of the emotions tending towards the sensual, and an appreciation of wild and romantic landscapes. There were many who had concerns about the influence of Gothic writing, such as Jane Austen who parodied the conventional Gothic narrative in 'Northanger Abbey'. 'Wild Roses' feels the need to open with a declaration that the editors have sought 'to prune from them every Luxuriance which might justly offend the Breast of Morality.' The blood-soaked pages which follow explain why such a disclaimer was felt necessary. Although many of the main 'Gothic writers' were English, the genre had a major impact on Scotland (part of 'Frankenstein' is actually set in Scotland), and on Scottish writers such as Burns, Hogg and Scott. Many of Walter Scott's 'historical' novels show traces of Gothic influence, and one of the most important features of 'Wild Roses' is the fact that it includes a poem by Scott. 'The Maid of Toro', which appears at the end of 'The Captive Prince' in vol. 2, presents the despair of a medieval maiden hiding in a wood, who learns of the slaughter of her champion in battle, despite her prayers to the Virgin. It is a highly appropriate inclusion. Intriguingly, this printing of the poem was not recorded by Todd and Bowden in their Scott bibliography, which notes the first printing of the poem in 1806 (Todd 21Aa). The works collected in these volumes seem to have been printed in 1806-1809, judging by the dates on the numerous engraved plates. The title-pages are undated. The items seem to have been printed as chapbooks in blue wrappers, a fragment of which adheres to the verso of the plate illustrating 'Livonia of Venice' in vol. 2. However, they were clearly intended to be bound up as a collection, as the signatures are continuous, and the final page in each volume gives the correct number of pages in each. The whole set is in excellent condition, bound in half red roan and red grained paper, with gilt-tooled spines bearing green leather labels. Both volumes have the bookplate of the Bibliotek Tido.
ShelfmarkRB.s.2284
Reference SourcesTodd & Bowden. Todd 21Aa http://www.cf.ac.uk/encap/corvey/articles/printer/cc09_n03.html
Acquired on18/03/03
TitleQueensland Scottish Advocate
ImprintBrisbane
Date of Publication1908-1911
LanguageEnglish
Notes'The official organ of the Queensland Scottish Union', this journal does not appear in COPAC, OCLC, or the catalogues of the National Library of Australia or of Queensland State Library. It provides a fascinating insight into the Scottish community in Brisbane at the start of the twentieth century, with photographs of 'our Queensland Scottish' in full Scottish costume, articles about local and Scottish current affairs (including at least one by Lord Rosebery), Scottish history, Scots poetry and songs (again by locals as well as traditional ballads). There are also reports of the activities of Caledonian Societies and Burns Nights throughout the region, articles on Scottish history and culture, 'household hints' and recipes, and advertisements with a Scottish theme (many for Scotch whiskey). Bought from an Australian bookseller, this copy is probably the only one in Scotland, and almost certainly the only one in public hands in the UK. Nothing is known to us about the Queensland Scottish Union other than what appears in this bound volume, containing Vol. 1.1 to 3.12, and we do not know if any further issues were produced.
ShelfmarkDJ.m.2373
Reference SourcesCatalogue
Acquired on12/03/03
TitleHoly Bible.
ImprintLondon: John Field
Date of Publication1653
LanguageEnglish
NotesThis is a beautifully bound Bible in two volumes with the second volume also containing The Psalms of David in Meeter ... Allowed by the Authority of the General Assembly of the Kirk of Scotland. According to the British Library Catalogue 'a spurious edition, not printed by Field.' Field is designated Printer to the Parliament on the general title page and 'one of His Highness's Printers' on the New Testament title. An inscription on the flyleaf of the 2nd vol. Reads: Janet Mitchel/ hir Booke/ 1730 aged 13 the 30th/ of January. The binding is early 18th century Scottish red morocco elegantly gilt in 'herring-bone' style featuring a variety of floral emblems. The spines are tooled in gilt between raised bands with green patterned pastedowns and free flyleaves. The library has a similar, though not identical, binding. This is excellent example of an early 18th century Scottish binding.
ShelfmarkBdg.s.890(1)
Reference SourcesWing B2240
Acquired on11/03/03
AuthorBuchanan, George
TitleEuripidis poetae tragici Alcestis ... Tum ... Jepthes, Tragoedia
ImprintArgentorati Excudebat Josias Rihelius
Date of Publication1567
LanguageLatin
NotesThis item is a significant addition to the Library's holdings of Buchanan's writings. It seems to be the only copy of this edition in Scotland, although we and other libraries have various separate editions of Jephthes and Alcestis. Buchanan was a leading figure in the divine poetry movement, and this rare publication of his own biblical tragedy Jephthes side by side with his translation of a classical drama indicates the complex relationship between sacred and secular literature for Buchanan and his wider Protestant humanist circle. The editor, Joannes Sturm, talks in his preface of Buchanan's talent and his own pleasure in reading him, and hopes that his publication will spread Buchanan's fame through France and Germany. The sacred and secular theme is continued in the other two items bound with this work - the neo-classical comedy Acolastus, and the 'sacred comedy' Joseph, by the Renaissance scholars Cornelius Gnapheus and Cornelius Crocus. The three items may first have been put together by the 'M. Boereau' whose signature appears on the Buchanan and Crocus works, on which the name 'Geo. King' also appears. But in their current state they were bound together for the 18th-century English scholar-collector Michael Wodhull, whose arms are on the binding. Wodhull translated Euripides into English himself, and he may have used Buchanan's work for reference, two hundred years after it was first published.
ShelfmarkRB.2305(1)
Reference SourcesDurkan: Bibliography of George Buchanan 1994 no.61
Acquired on06/03/03
AuthorWatt, James and John Robison
TitleArticles Steam and Steam-Engines
Imprint[Edinburgh]
Date of Publication[1817-1818?]
LanguageEnglish
NotesThis is one of the most important books dealing with the ground-breaking inventions of the Scottish engineer James Watt. Watt's steam engine made the railway revolution possible, and it is remarkable that this publication seems to be very rare. The book is a separate edition of John Robison's articles on Watt's discoveries written for the Encyclopedia Britannica, printed here with extensive and critical footnotes by James Watt himself. This appears to be the only time Watt ventured into print to discuss his inventions. Eight folding plates in good condition illustrate the processes described (designed by William Creighton and engraved by Lizars of Edinburgh). This is a nice presentation copy, with an inscription to a Dr. Hope in Watt's hand: the book later passed to the Hope Trust, an Edinburgh-based society for the promotion of temperance. The trust's bookplate is inside the front board.
ShelfmarkRB.m.492
Acquired on03/03/03
TitleQueen's Arctic Theatre. H.M.S. Assistance ... Commander. G.H. Richards, of the Royal Arctic Navy ... has the honour to acquaint, the nobility, and gentry, of North Cornwall that he has ... engaged a highly select, and talented, corps dramatique, and has entirely rebuilt, and re-embellished, the Queens, Arctic Theatre, and that ... will be performed ... the inimitable comedy, of The Irish tutor
ImprintNorthumberland Sound, 1852.
Date of Publication1852
LanguageEnglish
NotesA rare and very attractive example of on-board silk printing from the Arctic. In an attempt to maintain crew morale during the long winter freeze, many of the naval expeditions searching for Rear Admiral Sir John Franklin, staged impromptu plays and music-hall type entertainments. Printed records of these amusements are extremely scarce particularly so when printed on the more demanding silk medium.
ShelfmarkGB/C.219
Acquired on17/02/03
TitleCatalogue of books in quires, which will be offered to a select company of booksellers, at Hunter's Tavern, Edinburgh on Tuesday, October 21. 1794.
ImprintEdinburgh, [William Creech],
Date of Publication[1794]
LanguageEnglish
NotesAn unrecorded catalogue of a book sale conducted by William Creech (1745-1815). The sale consisted of 348 lots arranged alphabetically by author or title, with each lot containing anything from a single copy for multi-volume works (e.g. Baronage of Scotland) to 50 copies (Ruddiman's Rudiments of the Latin tongue). All the books were offered unbound ('in quires'), a practice not unknown in the 18th century. The NLS also holds other catalogues of sales conducted by Creech 6.740(1) (1791) at Bdgs.89 (1793). The very large format of this catalogue is unusual and may account for its rarity. Creech was known throughout his career for his disorganized finances; and this sale was perhaps intended as a method of reducing an overlarge inventory or improving cash flow. Successful bidders were offered extended payment terms, depending on the size of purchase. He was also known as being a sociable character - the sale was preceded by 'dinner on the table at three o'clock' with the sale beginning immediately afterwards. William Creech was apprenticed to the Edinburgh booksellers Kincaid and Bell before learning more of the trade in London and on the continent. He established his own premises in the Luckenbooths in 1773 and remained in business there until his death in 1815. Creech was a member of the Town Council and served as Lord Provost from 1811-13.
ShelfmarkRB.l.133
Reference SourcesSBTI
Acquired on20/01/03
TitleCatalogue of books belonging to the library of St. Andrew's Chapel, Aberdeen.
ImprintAberdeen: printed by George Cornwall
Date of Publication1839
LanguageEnglish
NotesThis pamphlet adds significantly to the Library's holdings of works providing information about the history of libraries and collecting in Scotland. St. Andrew's Chapel in Aberdeen was built in 1816 and opened in 1817 as a meeting-place for the Episcopalian congregation. It was raised to the dignity of a Cathedral church in 1914. The chapel library was apparently formed in 1831, and according to the preface in this work, several catalogues had already been issued before 1839. It would seem that the library was well-organised (at least on paper!): the preface discusses the collection development policy and notes that the holdings of serials are particularly strong. Detailed rules and regulations are given before the catalogue itself. Naturally, the books are mainly theological, and particularly relate to the cause of the Episcopal Church. What is particularly notable is the number of early works, including several seventeenth-century Scottish books (Aldis items). There are also novels, biographies and collections of pamphlets. It would be interesting to know more about the ways in which this collection was formed (and, indeed, its eventual fate).
ShelfmarkAPS.3.203.06
Reference Sourceshttp://www.ifb.net/webit/standys.htm http://www.aberdeen.anglican.org/Cathedral.htm http://www.cathedral.aberdeen.anglican.org/
Acquired on07/01/03
AuthorGrant, James
TitleBothwell or the days of Mary Queen of Scots
ImprintLondon
Date of Publication1870?
LanguageEnglish
NotesPurchased with a selection of other yellowbacks by two popular Scottish authors. Yellowbacks (less commonly called 'mustard-plaster' novels) was the name given to the form of cheap fiction developed from the late 1840s and competed with the 'penny dreadful' as an accessible source of entertaining reading. The distinctive brightly coloured covers made the books very attractive for a growing reading public encouraged by the spread of education and the expansion of the railways. Routledges in establishing their 'Railway Library' in 1849, were the first of many publishers to target a new reading public with yellowbacks. This series ran to 1,277 titles, ending in 1899. Most works of fiction in this format were stereotyped reprints of earlier cloth editions. By the end of the 19th century, sensational fiction and adventure stories in addition to more 'educational' manuals, handbooks and cheap biographies were being published in this manner. These yellowback novels of Grant and Stevenson were typical of those published at this time. Edinburgh-born, James Grant (1822-1887), a distant relation of Sir Walter Scott, was a prolific author, writing some 90 books. Many of his 56 novels deal with key characters and events in Scottish history. In 1853 he founded the National Association for the Vindication of Scottish Rights. Grant is best remembered today as an historian - his thoroughly-researched 'Old and new Edinburgh' was published in 1880.
ShelfmarkABS.1.201.016
Acquired on05/01/03
AuthorStevenson, Robert Louis
TitlePrince Otto
ImprintLondon
Date of Publication1888
LanguageEnglish
NotesPurchased with a selection of other yellowbacks by two popular Scottish authors. Yellowbacks (less commonly called 'mustard-plaster' novels) was the name given to the form of cheap fiction developed from the late 1840s and competed with the 'penny dreadful' as an accessible source of entertaining reading. The distinctive brightly coloured covers made the books very attractive for a growing reading public encouraged by the spread of education and the expansion of the railways. Routledges in establishing their 'Railway Library' in 1849, were the first of many publishers to target a new reading public with yellowbacks. This series ran to 1,277 titles, ending in 1899. Most works of fiction in this format were stereotyped reprints of earlier cloth editions. By the end of the 19th century, sensational fiction and adventure stories in addition to more 'educational' manuals, handbooks and cheap biographies were being published in this manner. These yellowback novels of Grant and Stevenson were typical of those published at this time. Edinburgh-born, James Grant (1822-1887), a distant relation of Sir Walter Scott, was a prolific author, writing some 90 books. Many of his 56 novels deal with key characters and events in Scottish history. In 1853 he founded the National Association for the Vindication of Scottish Rights. Grant is best remembered today as an historian - his thoroughly-researched 'Old and new Edinburgh' was published in 1880.
ShelfmarkABS.2.201.011
Acquired on05/01/03
AuthorStevenson, Robert Louis
TitleNew Arabian nights
ImprintLondon
Date of Publication1885
LanguageEnglish
NotesPurchased with a selection of other yellowbacks by two popular Scottish authors. Yellowbacks (less commonly called 'mustard-plaster' novels) was the name given to the form of cheap fiction developed from the late 1840s and competed with the 'penny dreadful' as an accessible source of entertaining reading. The distinctive brightly coloured covers made the books very attractive for a growing reading public encouraged by the spread of education and the expansion of the railways. Routledges in establishing their 'Railway Library' in 1849, were the first of many publishers to target a new reading public with yellowbacks. This series ran to 1,277 titles, ending in 1899. Most works of fiction in this format were stereotyped reprints of earlier cloth editions. By the end of the 19th century, sensational fiction and adventure stories in addition to more 'educational' manuals, handbooks and cheap biographies were being published in this manner. These yellowback novels of Grant and Stevenson were typical of those published at this time. Edinburgh-born, James Grant (1822-1887), a distant relation of Sir Walter Scott, was a prolific author, writing some 90 books. Many of his 56 novels deal with key characters and events in Scottish history. In 1853 he founded the National Association for the Vindication of Scottish Rights. Grant is best remembered today as an historian - his thoroughly-researched 'Old and new Edinburgh' was published in 1880.
ShelfmarkABS.2.201.009
Acquired on05/01/03
AuthorGrant, James
TitleDuke of Albany's Own Highlanders
ImprintLondon
Date of Publication1881
LanguageEnglish
NotesPurchased with a selection of other yellowbacks by two popular Scottish authors. Yellowbacks (less commonly called 'mustard-plaster' novels) was the name given to the form of cheap fiction developed from the late 1840s and competed with the 'penny dreadful' as an accessible source of entertaining reading. The distinctive brightly coloured covers made the books very attractive for a growing reading public encouraged by the spread of education and the expansion of the railways. Routledges in establishing their 'Railway Library' in 1849, were the first of many publishers to target a new reading public with yellowbacks. This series ran to 1,277 titles, ending in 1899. Most works of fiction in this format were stereotyped reprints of earlier cloth editions. By the end of the 19th century, sensational fiction and adventure stories in addition to more 'educational' manuals, handbooks and cheap biographies were being published in this manner. These yellowback novels of Grant and Stevenson were typical of those published at this time. Edinburgh-born, James Grant (1822-1887), a distant relation of Sir Walter Scott, was a prolific author, writing some 90 books. Many of his 56 novels deal with key characters and events in Scottish history. In 1853 he founded the National Association for the Vindication of Scottish Rights. Grant is best remembered today as an historian - his thoroughly-researched 'Old and new Edinburgh' was published in 1880.
ShelfmarkABS.2.201.010
Acquired on05/01/03
TitleOde to hope
ImprintEdinburgh: Printed and sold by T. and J. Ruddiman
Date of Publication1789
NotesThis is an anonymous and unrecorded poem printed in Edinburgh the early days of 1789. No copies have been traced anywhere nor is it mentioned in Jackson's 'Annals of English verse 1770-1835' or the 'English poetry full text database'. The only clue to the authorship is the dedication to Mr. Henry Erskine of Newhall possibly the one time Lord Advocate and Dean of the Faculty of Advocates who lived from 1746 to 1817. He also penned a few poems. This rather gushing poem deals with the inspiring effects of hope amid scenes of poverty, starvation, death and despair. There seems also to be a political connotation with references to General Wolfe, 'Bourbon's legions', 'the plains of Cressy' and Britons being roused to arms. It was printed by the brothers Thomas and John Ruddiman, part of the Edinburgh family involved in the book trade during the 18th century. Thomas (1755-1825) who became a partner in his father's printing business in 1772, was a biographer of the poet Robert Fergusson, who died in 1774. The Ruddimans published many of Fergusson's poems in 'The Weekly Magazine'. Incidentally one of Fergusson's poems published in 1773 was entitled 'Ode to hope' but it is shorter and differs in content to the 1789 item. John Ker Ruddiman became a partner with his brother Thomas in 1789, and died in Fisherrow, near Musselburgh in 1816. The brother seem to have neglected their business, which was wound up in 1798.
ShelfmarkRB.m.506
Reference SourcesSBTI
Acquired on13/12/02
TitleCL. Psalmes of David in Meeter. With an exact Kalendar, also morning & evening prayers.
ImprintEdinburgh, Printed by James Bryson, and are to bee sold at his shop, a little above the Kirk-stile at the signe of the golden angel.
Date of Publication1640
LanguageEnglish
NotesThis is a beautiful and important book: both the text and the binding are new to our collections. It is an edition of the metrical Psalms printed in Edinburgh in 1640 and contained in a silver binding, decorated with a design of birds and flowers. The leaf edges are gilt and decorated with a stamped design of dots and crosses. The first blank pastedown has the pencil note 'Hamilton Bruce' (probably the collector some of whose books the Library already has). The recto of the following blank has a pasted-on slip with the ink inscription 'This Edition of the Psalms was sold at 4..4 plain binding / Lowndes' (William Thomas Lowndes the bibliographer?) The text appears to be an unrecorded Aldis item, apparently in 32o. Aldis 975 (Cwn.651) is quarto; Aldis 976 (Cwn.483(2)) is duodecimo; Aldis 977 (Cwn.49) is printed by R. Bryson; Aldis 978 (Hall.191.k) has a variant title and is 16o. This edition is not mentioned in W. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13). No examples have been traced in STC or ESTC. It seems that the binding is contemporary. The thin-gauge silver, which is not hallmarked, is overlapped by the old endpapers. One would expect a Victorian binding to have new endpapers, and, indeed, to be more artistically confident. The blackening of the silver where it has not been touched, and the loss of the clasps, also suggest an earlier binding. The Sotheby's sale of silver and enamel bindings of 10 May 1985 does not provide any definitive answers, nor does J. F. Hayward's Silver Bindings from the J. R. Abbey Collection. No. 38 in the Sotheby's catalogue shows a seventeenth-century English silver binding with a bird and flowers: evidently British craftsmen were doing work of this quality in the seventeenth century. Various silver experts were consulted about this work, and there are different opinions. Some suggest the binding is Dutch or German (perhaps a luxury binding for a member of the Scottish reformed communities in the Low Countries?), some suggest that the style is more likely to be British.
ShelfmarkBdg.s.888
Reference SourcesW. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13). Sotheby's sale of silver and enamel bindings, 10 May 1985. J. F. Hayward, Silver Bindings from the J. R. Abbey Collection.
Acquired on09/12/02
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