Rare Books - Important Acquisitions List All

Rare Book Collections works to build up the national collections through purchases (through dealers or at auction) and donations. This directory gives details of 745 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.

Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at rarebooks@nls.uk

      

Important Acquisitions 616 to 630 of 745:

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AuthorRigaud, John Francis
TitleExecution de Marie Stuart, reine d' Ecosse, en sept estampes
Imprint[London?: s.n.]
Date of Publication[1791?]
LanguageFrench
NotesA set of 7 engraved plates, printed in brown, depicting in highly melodramatic fashion episodes in the life of Mary, Queen of Scots, from her imprisonment and execution in Fotheringhay Castle in 1587 to her burial. The plates are taken from paintings by John Francis Rigaud (1742-1810), born in Italy to French parents, who arrived in London in 1771. Rigaud became a member of the Royal Academy and made a career out of decorative painting in the country houses of the nobility and in producing depictions of classical, literary and historical subjects. The plates were engraved by William Nelson Gardiner (1766-1814) and published by Tebaldo Monzani (1762-1839) an Italian music-seller, publisher and instrument-maker in London; 4 are dated April 20 1790, the other 3 May 1, 1791. The plates appear, printed in black and in a slightly different form, in a Monzani publication entitled "A representation of the execution of Mary Queen of Scots in seven views" (ESTC T167320 & T170736) which included music composed for each view by Willoughby Bertie, Earl of Abingdon. Monzani then appears to have reissued them in this publication, this time with explanatory text in English under each engraving - the same text which appears in letter-press at the beginning of the aforementioned Abingdon book - but also with a four page brochure in French which translates the captions to each engraving. It may be that this publication was intended for export to the continent. It appears to be a very rare item, there is no record of it in ESTC (NB there are also only 5 library locations in total for ESTC T167320 & T170736). The choice of topic was especially relevant when this work was published in view of the fate of the French king, Louis XVI, who had been captured in 1791 by the French government after attempting to escape France and who would be executed in 1793. Moreover, the life and fate of Mary Queen of Scots had become a source of historical debate within late 18th-century Britain, in particular her alleged complicity in the murder of her first husband, Lord Darnley, which appeared to be confirmed by the infamous casket letters written to Lord Bothwell.
ShelfmarkRB.m.520
Reference SourcesDNB, not in ESTC
Acquired on12/10/04
AuthorRinuccini, Giovanni Battista
TitleCapucin Escossois.
ImprintAix: Jean Roize
Date of Publication1667 [1647]
LanguageFrench
NotesAn extremely rare copy of what may be the first French edition of Rinuccini's work on George Leslie, (Father Archangel) a convert to Catholicism who became a Capuchin friar. Leslie had a colourful career being in the Scots College in Rome in 1608, posting Catholic manifestos on church doors in Aberdeen in 1624 before fleeing to France around 1629. He managed to incur the wrath of Rome and had to appear before the Congregation for the Propagation of the Faith in 1631. Thanks to the testimony of Scottish Catholics he was cleared of all charges and returned to Scotland where he died in 1637. While in Rome he met Rinuccini then the Archbishop of Fermo who wrote a somewhat fantastic account of Leslie's adventures for the edification of the faithful, which was first published in Macerata, Italy in 1644. Rinuccini had employed the Scot in preaching and other pastoral work in his diocese. Editions were published in French, Latin and other European languages - the NLS holds editions printed in French in 1650, 1660, 1662 and 1664 - though no English editions were published until the 19th century. This may have been because of the fictitious nature of the work particularly in relation to Leslie's alleged aristocratic origins in Aberdeenshire. Although the date on the title page is 1667, the true date is probably 1647, which would make it the first French edition. This is the date of the Aix edition in Repertoire bibliographique des livres imprimés en France au XVIIe siècle (1996), number 540. There is also an ownership inscription on the title page from 'Convent d'Annessy', dated 'Juin 1649'. No locations are recorded but the book is known from two sources: Lexicon capuccinum 118 and a Paris bookseller's catalogue Presses provinciales.
ShelfmarkRB.s.2292
Reference SourcesDNB
Acquired on22/11/02
AuthorRob Roy [MacGregor, John]
TitleThe tail of the Beagle, ship! ahoy!
Imprint[Castle Wemyss: John Burns],
Date of Publication[1865]
LanguageEnglish
NotesEarly Scottish privately-printed books often did not come to the Library through legal deposit, so the acquisition of such books is always a bonus. This privately-printed book describes a cruise in the Western Isles of Scotland in 1864, and is taken from a tongue-in-cheek log kept by John 'Rob Roy' MacGregor (1825-1892), barrister, philanthropist, traveller and intrepid canoeist. Although born in Kent, MacGregor had Scottish parents and spent part of his childhood in Scotland, and thus regarded himself as "Scotch to the backbone". After studying law at Cambridge and training to be a barrister, he chose instead to devote himself to philanthropy, becoming involved in the provision of ragged schools (independent charity schools for the poor). He also spent a lot of time travelling, writing and illustrating books about his various expeditions and contributing articles to "Punch". In 1864 he was invited by his friend and fellow philanthropist John Burns (1829-1901), who was later to become the first Baron Inverclyde, for a cruise in the Western Isles. The cruise was the inaugural voyage of the screw-steam yacht 'Beagle' which had just been built for the shipping company owned by Burns's father. MacGregor and Burns were members of a party of eleven men, the 'Beagles', who enjoyed an eleven-day trip, starting from Burns's home at Castle Wemyss, Renfrewshire, on July 26, up to the island of Lewis, then back again. MacGregor kept a log of the cruise, written in typically whimsical and humorous style, and illustrated with pen and pencil caricatures of his fellow shipmates and of the various incidents that befell them. The following year John Burns had MacGregor's account of the trip, based on the entries in his log, printed as a book for distribution to friends and fellow Beagles under the title "The tail of the Beagle". No expense appears to have been spared for the folio-size publication, which was bound in green cloth with gilt lettering and borders and included seven photographs of pages from the original log, as well as a group photograph of the Beagles, and a map of their journey. While much of the content of the book has long since lost its relevance, MacGregor's drawings are particularly witty. Sadly the 'Beagle' did not last long after its inaugural cruise. In November 1865 it was involved in a collision with another ship near the Cumbrae islands and sank. MacGregor would go on to achieve fame for his long solo canoe journeys on the Continent, being one of the first to promote the sport of canoeing in Britain. This particular copy of the "The tail of the Beagle" includes an undated MS note which appears to be in MacGregor's hand: "Dearest Carry, I am clearing up finally at Comyn[?] House - & don't think the "Beagles" should go with the sale, so send it to you! ..."; it also has a newspaper cutting pasted on the back pastedown reporting the loss of the 'Beagle'.
ShelfmarkAB.10.210.04
Reference SourcesEdwin Hodder "John MacGregor (Rob Roy)" (London, 1894)
Acquired on14/05/10
AuthorRobert Louis Stevenson
Title[A collection of 5 items printed by Lloyd Osbourne in Davos-Platz Switzerland]
ImprintDavos-Platz: S.L. Osbourne & Co
Date of Publication1882
LanguageEnglish
NotesThis is a collection of five small items printed by Robert Louis Stevenson's stepson, (Samuel) Lloyd Osbourne (1868-1947), on a little printing press which he took with him to Davos-Platz, Switzerland when he, Stevenson, and his mother Fanny spent the winters of 1880-81 and 1881-82 there. Surviving copies of items printed on Lloyd Osbourne's press are very rare and much sought after by collectors. The items acquired are: the two collections of poems by Stevenson, both titled "Moral emblems" with woodcut illustrations by Stevenson, two single leaf advertisements for the above works, and "To M. I. Stevenson" a [4]-page pamphlet which has a woodcut and a single line quotation attributed to Stevensons father, Thomas. The Scottish author had become part of Lloyd's life when he had met Lloyd's mother, the American Frances (Fanny) Van de Grift Osbourne, in the summer of 1876 at an artists' colony in Grez, France. Fanny had given up on her unhappy marriage to Samuel Osbourne and moved to France with Lloyd and his sister, Isobel (Belle). Stevenson fell in love with her and the relationship continued despite the disapproval of Stevenson's parents and Fanny's move back to California in 1878. They were reunited the following year in the USA, and in May 1880, Fanny having obtained a divorce, they were married. At some point in 1880, before his 12th birthday in April, Lloyd was given a little portable printing press. Family tradition has attributed the gift to Stevenson, although at the time the struggling author was almost penniless, whereas Lloyd's wealthy father could easily have afforded it. Some of Lloyd's earliest blurry efforts on the press from early 1880 have survived and are now held in the Beinecke Library. They show that the boy's enthusiasm was not initially matched by his skill in using the press. In August 1880, Stevenson and Fanny moved to Scotland, the former having been reconciled with his parents, who would now support him financially. In November of that year the family was on the move again, this time on medical advice, to spend the winter in the health resort of Davos-Platz in the Swiss Alps. Stevenson was suffering from chronic lung problems which would plague him for the rest of his life, and it was thought that the clean dry air of the Alps would be better for him than a damp Scottish winter. For a 12 year-old boy Davos-Platz was hardly an enticing location; he would describe it as a "small straggling town where nearly all the shops were kept by consumptives." Lloyd had brought his printing press along to while away the hours and was soon carrying out small pieces of jobbing printing such as lottery tickets, admission tickets and concert programmes, and three issues of a newspaper "The Davos News". Back in Scotland in the summer of 1881, he visited the Edinburgh printers R. & R. Clark, who printed some of Stevenson's early works, and saw how the professionals did it. The following winter the family was back in Davos-Platz again, and once again the printing press was put to good use. This time Stevenson himself become more involved in the activities of Lloyd's printing 'firm', not only supplying text to print but also carving woodblocks with a penknife to make woodcuts to illustrate the pamphlets. Lloyd regarded his press very much as a commercial venture, giving it the following names: Osbourne and Company, S.L. Osbourne and Company, and Samuel Lloyd Osbourne and Company. He was now sufficiently confident of his skill to advertise his services as follows, "printing of all kinds done neatly and well". In this second Davos winter Lloyd printed his own mini-novel "The Black Canyon", and finished off the printing, begun in the previous winter, of a collection of poems by Stevenson, "Not I, and other poems". The four-page pamphlet "To M. I. Stevenson" was printed for his and step-family's amusement, and was not for sale. M. I. Stevenson was Stevenson's mother, Margaret Isabella, and Lloyd printed it for her 53rd birthday on February 11, 1882. Stevenson supplied a woodcut of a woman in a dress delighting in the discovery of a flower in the countryside. On the adjacent page is the caption: "THE MARGUERITE. Lawks! What a beautiful flower!! T.S", supposedly a quote from Stevenson's father, Thomas, and, according to his son, the only piece of poetry his father ever composed. This particular copy is housed a morocco case with silk folding inner liner made by the Scroll Club of New York. Lloyds next project in March 1882 was another collection of five short poems by his stepfather, "Moral Emblems", with Stevenson also supplying four basic woodcuts to accompany the poems; the fifth, depicting an elephant, was done by his mother. Ninety copies were printed and sold in Davos-Platz, and also sent to friends and family. The success of "Moral Emblems" was such that Stevenson was willing to write a second instalment, "Moral Emblems: a second collection of cuts and verses", even though he was at the time hard at work finishing off the novels "The Silverado Squatters" and "Treasure Island". The format was the same as the first collection, five poems and five woodcut illustrations, this time all done by Stevenson. Fanny had gone to the trouble of acquiring for him some pear-wood blocks, which were easier to carve, and proper engraving tools, so the illustrations were of a finer quality. Stevenson wrote in a letter to his mother, dated 20 March 1882, "I dote on wood engraving." Another print run of ninety copies was produced just over a month after the first collection and was equally successful. The items purchased for NLS include copies of both collections of "Moral Emblems", the second collection being a presentation copy from Stevenson, inscribed in ink on the front cover "S.E.P. from R.L.S.". The identity of "S.E.P." is unknown; there is no one among Stevenson's close friends and regular correspondents with these initials, it may have been one of his fellow residents of Davos-Platz. Along with the second collection there is a letter from Stevenson's friend, the writer Edmund Gosse (1849-1928), dated 17 November 1896, nearly two years after Stevenson's death. Written on Board of Trade paper, where Gosse worked as a translator, he informs his correspondent "Foote", the American banker and book collector Charles B. Foote (1837-1900), that he has managed to acquire for Foote the copy of the second collection of "Moral Emblems" with Stevenson's signature from the original owner. Gosse remarks that the owner would not part with it for less than £5, which was the sum Foote had commissioned him to pay for it. Gosse was well acquainted with "Moral Emblems"; back in March 1882 Stevenson had sent him an advertisement leaf for the first collection, noting that this was an "advertisement of my new appearance as a poet (bard, rather) and hartis [artist?] on wood." Stevenson could only send Gosse the advertisement, not the book as he declared, somewhat tongue-in-cheek, "I would send you the book; but I declare I'm ruined. I got a penny a cut and a halfpenny a set of verses from the flint-hearted publisher, and only one specimen copy, as I'm a sinner." Gosse would later remark that the pamphlets had a curious charm even if he was less convinced of Stevenson's abilities as a poet, "these volumes were decidedly occult. A man might build upon them a reputation as a sage & but hardly as a poet." Gosse and his wife did, however, receive copies of "The Black Canyon" and "Not I and other poems". The advertisement leaves for both collections of "Moral Emblems" are among the items acquired here; the leaf for the first collection contains Stevenson's woodcut to accompany his poem 'The hero and the eagle', and promises an edition deluxe priced 9 pence, the illustrations marking "a new departure in the business of Osbourne & Co." The advertisement leaf for the second collection shows Lloyd developing his entrepreneurial skills to offer a deluxe edition for 10 pence, and a "popular edition for the million" with the "cuts slightly worn", for the bargain price of 8 pence. In a letter of April 1882 Stevenson mentioned his stepson's printing activities (calling him by his first name), "Sam I believe is to be a printer". However, Lloyd's printing activities were in fact over for good. That same month the family moved back to Britain, where Lloyd was sent to a private tutor. He was reunited later in the summer with his family and his printing press in Kingussie in the Highlands, but his attempts to begin printing again were scuppered as the press was broken, possibly damaged in transit from Switzerland to Scotland, and could not be repaired. The next publication of Samuel Osbourne & Co., "The Graver and the Pen", another collection of Stevenson poems with woodcut illustrations had to be printed on a press in Kingussie. A further collection of poems was planned to be printed in Edinburgh later that year, "Robin and Ben: or, The pirate and the apothecary". Stevenson wrote the text and carved three wood blocks for it, but it was never published. The family moved to the south of France in the winter of 1882, as Stevenson could not bear the thought of another stay in Switzerland, and Lloyd was sent off to school where he developed new interests. These surviving publications of his press are a fascinating reminder of an important chapter in his and Stevenson's life, where they collaborated to produce works which may have lacked literary and typographical polish, but more than made up for it in homespun charm. Lloyd's printing press is now on display in the Writers' Museum in Edinburgh.
ShelfmarkIN PROCESS
Reference SourcesJ.D. Hart, "The private press ventures of Samuel Lloyd Osbourne and R.L.S." (San Francisco, 1966); Oxford DNB; B.A. Booth and E. Mehew (eds)"The letters of Robert Louis Stevenson" (New Haven, 1995-1996)
Acquired on16/05/14
AuthorRobert, J.S.
TitleLife and explorations of Dr. Livingstone
ImprintNottingham: Haslam
Date of Publicationc. 1880
LanguageEnglish
NotesJohn S. Roberts's biography of David Livingstone first appeared in the 1870s and was immediate success, contributing to the image of the Scots explorer as a saintly and indefatigable figure, a true Victorian hero whose exploits were studied by schoolchildren all over the Empire. The work was published by Adam & Co. of London and Newcastle-upon-Tyne and contained colour lithographic plates depicting in vivid detail scenes from Livingstone's life. It appears to have been reissued by provincial booksellers, who inserted an additional title page. This large-format copy was published by Haslam of Nottingham presumably for the local market.
ShelfmarkAB.9.209.03
Acquired on16/02/09
AuthorRoberton, John.
TitleInstitutes of health.
Imprint[London]. Printed for J. J. Stockdale.
Date of Publication1817
LanguageEnglish
NotesThe Scottish physician John Roberton (1776-1840) was a radical and controversial figure in the medical profession. The true extent of his medical qualifications remains in doubt. He started off as a general practitioner in Edinburgh who specialised in sexually transmitted diseases. In 1809 his first major work, advocating the founding of a medical police force, "A treatise on the medical police, and on diet, regimen, &c." was published in Edinburgh. In the same year he was expelled from the Royal Medical Society for disgraceful conduct and moved to London in 1810, where he published his most famous and controversial work on reproductive system "On diseases of the generative system" the following year. Owing to his reputation and the somewhat sensational nature of the work along with its explicit illustrations, Roberton had some difficulty in finding a publisher for the work, eventually turning to John Joseph Stockdale, who himself had something of a reputation for publishing risqué material. Stockdale guaranteed the salacious reputation of the work when over the next few years he published further editions (sometimes under the pseudonym of Thomas Little), himself interpolating still more sensational illustrations, with a fourth edition appearing in the year of the present work. Having ostracised himself from the Edinburgh medical fraternity and fallen foul of most of polite society, Roberton's published work was aimed at the general public who were not put off by poor reviews. "Institutes of health" was written with the same readership in mind and published by Stockdale, but has absolutely no salacious content. The author stresses his belief that the medical writer should be of service to the wider community and notes that the work has been divested of 'professional obscurities and unnecessary technical terms' in an effort to make it more accessible. Divided into seven chapters, Roberton warns against the dangers of excess in all areas of life, with sections on the perils of excessive drinking and eating, including a section on dangers of indulging in draught London porter and ale prepared for pot-houses (pubs) which Roberton suspects is adulterated with "other deleterious substances". He concludes with a section on the use of mercury for the treatment of liver complaints.
ShelfmarkAB.3.210.50
Reference SourcesBookseller's notes. Wikipedia.
Acquired on08/10/10
AuthorRoberts, David
TitlePicturesque sketches in Spain taken during ye years 1832 & 1833
ImprintLondon
Date of Publication1837
NotesThis volume of tinted lithographs was David Roberts's first published set of views. After working as a house painter in Edinburgh he became a scene painter at theatres in Edinburgh, Glasgow, Carlisle and London. He began travelling on the continent in the 1820s and visited Spain and Tangier on the recommendation of his fellow Scottish artist David Wilkie. Roberts's skill as a draughtsman and his love of architecture are clearly to be seen in this work. Though not as well-known as his later sketches of the Holy Land and Egypt, these lithographs helped to establish Roberts as a topographical artist and aided his election as a Royal Academician in 1841. Roberts being dissatisfied with the quality of many of the lithographs, worked on many of the lithographic stones himself, erasing some of the original engravings. Instead of taking two months, this work took seven months. It is perhaps significant that Roberts's later work was lithographed by Louis Haghe and printed by Day and Haghe, rather than Charles Hullmandel, who printed 'Picturesque sketches'. Although Roberts received £350 for the drawings, he felt he had been cheated by Hodgson and Graves, the publishers. They sold the drawings to Colnaghi for £300 and sold the book of the prints for four guineas. According to James Ballantine, Roberts's first biographer, 'the views … when they were published had an enormous sale, and since then the work has gone through more printings than any work in lithography ever published'. Within 2 months they had sold 1,200 copies and reprints were still selling twenty years later. Only copies in UK at BL and V&A (imperfect).
ShelfmarkRB.l.113
Acquired on22/05/01
AuthorRobertson, Dionysius
TitlePferd-Artzney-Kunst, oder, Gruendlicher Unterricht, die aeusserliche und innerliche Gebrechen der Pferde aus dem Grund zu heilen
ImprintStuttgart: Johan Nicolaus Stoll
Date of Publication1753
LanguageGerman
NotesThis is the first edition of an important 18th-century German-language text on horses written by a Scottish horse doctor. The author, Dionysius Robertson, was a man of seemingly humble origins who became one of the leading men in his field in Europe. Little is known of his life apart from the information he provided in the preface to later editions of this work. From an early age he appears to have worked with horses as a groom, which also gave him the opportunity to learn about the diseases of horses; in later life, his military service also gave him experience of treating bullet wounds in horses. In 1735 he entered into the service of lieutenant-general Sir James Campbell of Lawers, Perthshire. Four years later he left Scotland to travel with his master. In 1742 Campbell was sent to Flanders in charge of the British cavalry, when the British army started a military campaign against the French in the War of the Austrian Succession. Robertson accompanied Campbell and was present at the battle of Dettingen. After his master was killed at the battle of Fontenoy in 1745, Robertson went on to serve the Austrian general Graf von Burghausen. He stayed on the continent when the War ended in 1747 and worked for Friedrich, Margrave of Bayreuth-Brandenburg, in Bayreuth. The following year he became the veterinary surgeon and equerry of Friedrich's son-in-law, Duke Carl Eugen of Wuerttemberg, where he stayed until 1753. In that same year, in response to what he regarded as the relative lack of written knowledge relating to breaking in horses and their medical treatment, he published "Pferde-Artzney-Kunst" in Stuttgart, dedicating the work to Carl Eugen. The book was a success and at least eight German-language editions were published in the 18th century. Robertson then went on to serve Friedrich Augustus II, Elector of Saxony and King of Poland. In 1757 he left the Elector and eventually settled in the Prussian city of Landsberg on the river Warthe (now Gorzow Wielkopolski in western Poland), where he practised his veterinary skills. He travelled widely in northern Germany during this period and became particularly renowned for his skill in castrating stallions, introducing the practice of cauterisation to Germany, which was the subject of another published work in 1770. This particular copy of the first edition is from the famous Bibliotheca Tiliana, a collection of c. 12,000 books on hunting and related subjects, assembled by the German collector Kurt Lindner, which was dispersed after his death in 1987.
ShelfmarkAB.1.208.004
Reference SourcesLouis Georges Neumann Biographies veterinaires (Paris, 1896), available at http://web2.bium.univ-paris5.fr/livanc/?cote=extalfo00016&do=livre
Acquired on26/11/07
AuthorRobertson, Dionysius
TitleLeichte und ganz neue Art Pferde zu englisiren [sic] [+ 1 other work]
ImprintArnheim: Felix Grundlieb
Date of Publication1770
LanguageGerman
NotesThis volume contains the second work by the 18th-century Scottish horse doctor, Dionysius Robertson, which the Library has acquired in recent years (the other being the first edition of his ground-breaking work "Pferde-Artzney-Kunst" AB.1.208.004). Nothing is known of his early life, but we do know that in 1735 he entered into the service of lieutenant-general Sir James Campbell of Lawers, Perthshire. In the 1740s he served with the British army on the Continent in the War of the Austrian Succession. Robertson stayed on the continent when the War ended in 1747. He later worked for Friedrich, Margrave of Bayreuth-Brandenburg, in Bayreuth and for Friedrich's son-in-law, Duke Carl Eugen of Wuerttemberg. In 1753, in response to what he regarded as the relative lack of written knowledge relating to breaking in horses and their medical treatment, he published in Stuttgart his work "Pferde-Artzney-Kunst". Robertson then went on to serve Friedrich Augustus II, Elector of Saxony and King of Poland. In 1757 he left the Elector and eventually settled in the Prussian city of Landsberg on the river Warthe (now Gorzow Wielkopolski in western Poland), where he practised his veterinary skills. He travelled widely in northern Europe during this period and became particularly renowned for his skill in castrating stallions and for introducing the practice of cauterisation to Germany. In this work of 1770 he describes how cosmetic surgery could be carried out on horses to improve their appearance. He outlines the process of 'Anglicising', i.e. docking, the tail of a horse by cutting and raising the tail of a horse while the animal is kept in its stall. By using a system of weights and pulleys the docked tail could be pulled upwards until it had a pleasing erect appearance. He Robertson then gives directions on how to carry out an operation to reduce the size of a horse's ears, as well as tips and recipes on curing common ailments which afflicted horses. The tail and ear operations are illustrated with folding engraved plates. Bound in with Robertson's work is another anonymous German work of 1774, "Von der lieflaendischen Pferdezucht und einigen bewaehrten Pferdecuren" on horse-breeding as practised in Liefland (i.e. Livonia - a Baltic state now incorporated into Estonia and Latvia) and on various cures for horse ailments.
ShelfmarkAB.1.209.013(1)
Acquired on09/03/09
AuthorRobertson, Hannah
TitleThe Young Ladies [sic] School of Arts. Containing, a great variety of practical receipts. ...
ImprintEdinburgh: printed for Robert Jameson
Date of Publication1777
LanguageEnglish
NotesHannah Robertson's practical handbook of 'the nice arts for young ladies' advocates that instead of concentrating on needlework, girls engage in a range of handicrafts like shellwork and painting, and provides recipes for everything from invisible ink to gin. She aims the book equally at impoverished young ladies, who may be able to make a living through their handiwork, and at cookmaids who need to know how to clean a spit with sand and water. This book was first printed in Edinburgh in 1766 by Walter Ruddiman, and sold by the author herself at Perth, as well as by other booksellers. Second and third editions followed, also by Ruddiman for Robertson, the second with an additional engraved title page. This rare edition (this copy is the only one recorded in Scotland) proclaims itself as a 'new edition, corrected', but is really a corrected edition of the second edition of 1767, with the engraved title page altered to include the new date. Both title pages now state that this edition was printed for the Edinburgh bookseller Robert Jameson; it may well have been printed by the Ruddiman firm. This copy contains three plates, and an early owner has used the blank space for their own pencil artwork. The front pastedown bears the inscription 'Cathrine Stewart hir Book Doune July 23 1813', testifying like NLS copies of other editions, which also carry inscriptions by female owners, to the use of Robertson's work by contemporary Scottish 'young ladies'.
ShelfmarkRB.s.2655
Reference SourcesESTC; bookseller's catalogue; other NLS copies.
Acquired on11/04/07
AuthorRobertson, William
TitleHistoire de l'amerique
ImprintMaestricht: Jean-Edme Dufour & Philippe Roux
Date of Publication1777
LanguageFrench
NotesThe historian William Robertson was one of the many writers of the Scottish Enlightenment whose works attracted interest on the continent of Europe. As part of its mission to document the influence of Scots on the rest of the world, the Library purchases versions of Scottish works printed and translated abroad. Among Robertson's popular works is the History of America, which explores the conquest of America by the European powers. This early translation into French is by Marc-Antoine Eidous. This is a particularly attractive copy, bound in contemporary patterned paper boards.
ShelfmarkRB.s.2285
Acquired on04/06/03
AuthorRoe, Thomas
TitleNegotiations of Sir Thomas Roe, in his embassy to the Ottoman Porte, from the year 1621 to 1628 inclusive
ImprintPrinted by Samuel Richardson at the expence of the Society for the Encouragement of Learning
Date of Publication1740
LanguageEnglish
NotesThis is the diplomatic correspondence of Thomas Roe (1581?-1644) during the time that he was ambassador to the Ottoman Porte between the years 1621 and 1628. Roe was one of the most distinguished and successful diplomats of his day as well as being an accomplished scholar and a patron of learning. He was knighted in 1605 and was made an MP for Tamworth in 1614 and later for Cirencester in 1621. His permanent reputation was mainly secured by the success that attended his embassy in 1615 - 1618 to the court at Agra of the Great Mogul, JahangIr, the principal object of the mission being to obtain protection for an English factory at Surat. Upon becoming ambassador to the Porte in 1621 he distinguished himself with further successes. He obtained an extension of the privileges of the English merchants, concluded a treaty with Algiers in 1624, by which he secured the liberation of several hundred English captives, and gained the support, by an English subsidy, of the Transylvanian Prince Bethien Gabor for the European Protestant alliance and the cause of the Palatinate. The volume is bound in plain leather covers with an elaborately decorated spine featuring gilt floral patterns and gilt depictions of small garden animals such as bees, flies, spiders, snails and worms. Although the preface indicates that this is the first volume of the letters and negotiations of Sir Thomas Roe, no more volumes were actually published. An armorial bookplate on the verso of the t.p. indicates that it belonged to the Right Honourable Charles Viscount Bruce of Ampthill who was the son and heir of Thomas Earl of Ailesbury (1655? - 1741).
ShelfmarkRB.l.116
Reference SourcesESTC T33247
Acquired on08/05/02
AuthorRowlandson, Thomas.
TitleThis print representing in one view the manual & the ten divisions of the Highland broad sword. As practised by the dismounted troops of the Light Horse Volunteers of London & Westminster ... at a review on Wimbledon Common on the 10th of July 1800.
Imprint[London: s.n.]
Date of Publication[1800?]
LanguageEnglish
NotesThis is an unrecorded single sheet item which contains 148 figures drawn and etched by the artist Thomas Rowlandson (1757-1827), depicting the various positions in the use of the Highland broadsword (basket-hilted claymore). The work was published on behalf of Henry Angelo (1756-1835), a member of a famous family of Italian fencing masters, who began publishing posters on use of the Highland broadsword in the late 1790s, as well as the works "The Guards and Lessons of the Highland Broadsword" and "The Hungarian and Highland Broad Sword" in 1799. In his memoirs Angelo claimed to have practised using the broadsword at Newgate prison in 1798 with a Scottish friend and expert swordsman James Perry, the owner of the "Morning Chronicle" who was then in prison for libelling the House of Lords. The name 'broadsword' applied to all early military swords of the late 17th early 18th centuries. It was the favoured weapon of the Highland clans and with the formation of Highland Regiments in the 18th century it was introduced into the British army. Angelo adapted and developed sword techniques in earlier written treatises into a series of military drills and exercises, which became the standard training for the British army infantry, cavalry and Royal Navy.
ShelfmarkRB.el.220
Acquired on04/09/09
AuthorRoyal Company of Archers
Title[An engraved membership certificate on vellum, admitting Andrew Duncan to the Company of Archers on 13 July 1771]
Imprint[Edinburgh?: s.n.]
Date of Publication[1771?]
LanguageEnglish
NotesThis certificate is printed on vellum. It is completed in manuscript with Andrew Duncan's details and signed by James Hardie, S.G.R.S. The remains of a papered wax seal are attached. The seal shows an archer with bow and arrow beneath a tree; on the verso is cupid with a bow and arrow. The Royal Company of Archers was formed in 1676. In 1822 it was appointed as the Sovereign's 'Body Guard in Scotland'. Membership is by election. Members need to be Scots or at least have strong Scottish connections. Andrew Duncan, the elder (1744-1828), became Professor of Theory of Medicine at Edinburgh University as well as President of the Royal College of Physicians in 1790. Having witnessed the poor treatment of the mentally ill, he proposed the erection of a public Lunatic Asylum, which was built in 1807 and eventually grew into the Royal Edinburgh Hospital.
ShelfmarkRB.m.654
Acquired on15/08/07
AuthorRushbrook, Alfred Henry
TitleCollection of photographs of the south side of Edinburgh
Imprint[Edinburgh]
Date of Publication1929
NotesThese 138 silver gelatin prints form an invaluable record of the St. Leonards area of Edinburgh, largely swept away by slum clearance programmes. The photographer, Alfred Rushbrook, was commissioned by the City of Edinburgh Improvement Trust to record this area prior to its redevelopment. The photographs are part of the same photographic tradition as Thomas Annan and Archibald Burns, who both worked on similar civic projects in Glasgow and Edinburgh respectively during the late nineteenth century. Most of the images record the buildings and street life of the city and are fascinating for recording contemporary shop front design and advertising hoardings. Rushbrook worked as a photographer in Edinburgh from about 1900 to the late 1930s and when these pictures were taken he was working out of 92-96 Nicolson Street.
ShelfmarkPhot.med.35
Acquired on02/07/02
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