Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 835 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at firstname.lastname@example.org
Important Acquisitions 631 to 645 of 835:
Ordered by date acquired |
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|Title||His Royal Highness, William Duke of Cumberland|
|Imprint||London: Bernard Baron|
|Date of Publication||1747|
|Notes||This engraving was executed by B. Baron after a painting by John Wootton (ca. 1686-1765). This pose has been reproduced in a number of other paintings and engravings of Cumberland. The BM catalogue of British engraved portraits (Vol.4, 1914, p.495) lists 43 engraved portraits in total of the victor of Culloden.
The artist John Wootton was a popular painter of landscapes, topographical views, battle and sporting scenes but he was best known as an equestrian artist. He was the first Englishman to paint horses and he worked at Newmarket for a while. The engraving shows Cumberland in complete control of proceedings at Culloden with an unfortunate Jacobite swordsman cowering at his feet.
This is a significant addition to the National Library's holdings of Jacobite material, notably to the Blaikie prints on deposit at the Scottish National Portrait. There are nearly 20 other engravings of Cumberland held there.|
|Reference Sources||Sharp, Richard. The engraved record of the Jacobite movement. Scolar Press, 1996. HP4.97.202|
|Title||Battle of Culloden|
|Imprint||London: Laurie & Whittle|
|Date of Publication||1797|
|Notes||This original image for this was drawn by 'A. Heckel', probably the German artist Augustin Heckel, 1690-1770 and engraved by 'L.S.'. It depicts the battle of Culloden with William, Duke of Cumberland in the foreground. The fact that it was published over 50 years after the battle demonstrates how evocative the Jacobite rebellion was for many people many years afterwards. The Scottish National Portrait Gallery holds the original engraving which was 'printed for and sold by Tho. Bowles, May 1, 1747'.
There is no copy of this print in the Blaikie Collection at the SNPG.
The use of prints in the political process had been established for many years in Britain, in effect since the Civil War. Although a huge number of the prints produced were aimed at the large constituency of Jacobite sympathizers at home and especially abroad, the victors at Culloden also wished to get their message across in graphic form. This image is a case where the polemical function of the image is further enhance by the inclusion of text in the print itself. The rebels' 'rashness met with its deserved chastisement ? from Munro's intrepid regiments'. The rebels are also described as 'disturbers of the publick repose'.|
|Reference Sources||Sharp, Richard. The engraved record of the Jacobite movement. Scolar Press, 1996. HP4.97.202|
|Author||Murray, W., Leut.-Col., of Ochtertyre|
|Title||Scenery of the Highlands and islands of Scotland, lithographed by S. Leith, Banff, from drawings in outline, by Lieut. Colonel W. Murray, Younger of Ochtertyre|
|Imprint||Perth : D. Morison, Junr. & Co.|
|Date of Publication||[181-?]|
|Notes||This is a rare book of letterpress and lithographs by S. Leith from drawings by Lieut.-Colonel W. Murray, Younger of Ochtertyre. Although there is no publication date on the title page, there is a textual reference to a letter from Sir Walter Scott which was written in 1812. No biographical information was found for Lt.-Col. Murray. Although the title page indicates that this is "Part 1" there is no indication that any further volumes were published.
There are 26 leaves of plates and also a variety of smaller engravings situated throughout the text. Scottish scenes featured include: Loch Maree; Scuir of Eigg; Loch Awe; Loch Alsh; Ben Venue and the Trossachs; North East coast of Skye; The Red Head, Angus; Dunottar Castle; Coir-Urchran; Perth; The Hebrides; Ben Arthur; Doune Castle; Dunblane Cathedral; St. Andrews; Dunsinnane and Abbotsford.
Compare Murray, 'Sketches in Scotland', , ABS.8.202.26. This appears to have some, but not all, of the same plates.
The title-page with 'Scenery of the Highlands' is probably a survivor of the original title-pages that were issued with each part: most of the plates do not relate to the highlands. Perhaps this should be regarded as a different edition of 'Sketches in Scotland', lacking the main title page?|
|Reference Sources||Schenck, Directory of the Lithographic Printers of Scotland, p.66|
|Author||Howe, James (1780-1839)|
|Title||Portraits of Highland Society prize cattle and others of distinguished merit. Part II|
|Imprint||Edinburgh: Printed by Ballantyne and Company, MDCCCXXXII |
|Date of Publication||1832|
|Notes||James Howe, James was born 30 Aug. 1780 at Skirling in Peeblesshire, where his father, William Howe, was minister. After attending the parish school Howe was apprenticed to a house-painter at Edinburgh, but his interest was in picture painting and his particular talent was for animals. Howe eventually obtained a great reputation for his skill in drawing horses and cattle.
Between 1830 and 1831 he was employed in drawing portraits of well-known animals for a series of illustrations of British domestic animals published by the Highland Society of Scotland in order to help stimulate breeding. A series of forty-five engravings of horses and cattle was later published in 1832. Part I -- of which the National Library does not own a copy -- presumably presented portraits of various horse breeds. Part II gives 10 portraits of prize cattle: Ayrshire heifer; Highland heifers; Galloway heifer; Arran ox; Aberdeenshire horned ox; Aberdeenshire Polled cow; Pilton ox; Angus heifer; West Highland ox, Princess (short horned cow).
Howe came once to London to paint the horses of the royal stud, but resided principally at Edinburgh, where he was a frequent exhibitor at the Edinburgh exhibitions, Royal Institution, and Royal Scottish Academy from 1808 to the time of his death. Howe died at Edinburgh, 11 July 1836.|
|Reference Sources||A Dictionary of Sporting Artists 1650-1990 / Mary Ann Wingfield
The Dictionary of British Equestrian Artists / Sally Mitchell|
|Author||Scott, Robert Eden (1770-1811)|
|Title||Elements of Rhetoric|
|Imprint||Aberdeen: b. J. Chalmers|
|Date of Publication||1802|
|Notes||Robert Eden Scott was an important figure in the Aberdeen Enlightenment. Born in 1769 or 1770, he studied at Aberdeen and Edinburgh (where he was taught by Dugald Stewart, among other notables), eventually returning to his native Aberdeen to teach at King's College. Scott taught a wide range of topics, including mathematics and geology, moral philosophy and rhetoric - he even became involved in the Ossian controversy. Scott was well informed and interested in new scientific developments, but his traditional Christian beliefs led him to take a stand against many new theories. He associated the theory that the earth was older than the traditional interpretation of Genesis would permit with the violence of the French revolution.
Scott became the first Professor of Moral Philosophy at King's, and this work seems to have arisen from private classes he held while in that position. Scott analyses the workings of language, style, taste, and the different effects of different kinds of writing. The book is extremely rare, with two copies at Aberdeen University Library only. As Scott's first published work, it is an important addition to our holdings of Scottish philosophy and literary theory.|
|Reference Sources||Jessop, Bibliography of David Hume, 1938, p. 169.
Wood, Paul B., The Aberdeen Enlightenment, 1993
|Title||My Bible. Embellished with engravings|
|Imprint||Edinburgh: John Elder|
|Notes||This is a rare edition of a chapbook where the leaves are printed on one side only, although the pagination is continuous. It contains four-line verses, all ending with the line "My Bible" and paraphrasing different passages from the Bible. It was published between 1837 and 1844 by John Elder, who is also known for printing a slip ballad called "Alice Grey".
The chapbook contains 8 wood-engraved illustrations which are hand-coloured in green and yellow. It is in its original printed wrappers with wood engravings to both covers.|
|Title||History of Master Jackey and Miss Harriot|
|Imprint||Glasgow: A. Paterson|
|Notes||This is a lovely chapbook in very good condition. It was published by Archibald Paterson, an engraver and copperplate printer in Glasgow. Between 1820 and 1825 he published a number of small children's books with high quality engravings. "The history of Master Jackey and Miss Harriot" contains 9 wood-engraved illustrations and is in its original printed wrappers with wood engravings to both covers.|
|Title||History of King Pippin|
|Imprint||Glasgow: A. Paterson|
|Notes||This is a delightful chapbook in very good condition. It was published by Archibald Paterson, an engraver and copperplate printer in Glasgow. Between 1820 and 1825 he published a number of small children's books with high quality engravings. "The history of King Pippin" contains 10 wood-engraved illustrations and is in its original printed wrappers with wood engravings to both covers.|
|Title||Works of the Reverend and pious Mr. Thomas Gouge, late Minister of the Gospel.|
|Imprint||Whitburn : Printed by and for J. Findlay and J. Main|
|Date of Publication||1798|
|Notes||This is one of only three known Whitburn (West Lothian) imprints extant and is not recorded in ESTC. In the late 1790s the minister Rev. Archibald Bruce (1746-1816) set up his own printing press in Whitburn as he was unable to find anyone who would publish his books and pamphlets (because of their content). In 1786 Bruce had been appointed Professor of Divinity by the Anti-Burgher Secession Synod and the church at Whitburn became a theological college as well. He bought a printing press in Edinburgh, had it transported to Whitburn and hired an old printer to work it. 'The printing was bad, the paper was execrable, but the matter made amends' (quoted in Brucefield Church, see above). The printer was possibly James Findlay, a librarian and stationer, who was working in Edinburgh in 1789-90.
The Anti-Burgher Church was an off-shoot of the Secession Church which developed in the 1730s from dissatisfaction with the Church of Scotland on matters of patronage and doctrine. A Secession church was founded in Whitburn in 1766 as a result of the frustration of the parishoners who had contributed financially to the building of the church, but were not permitted to have any say in choosing their minister.
The book itself contains the works of Thomas Gouge (1609-1681), a Non-Conformist divine and philantrophist, who spent much of his life evanglising Wales. At the end of the volume is a 5 page list of subscribers, with the names of people mainly from Whitburn, Bathgate, Linlithgow and the surrounding areas.|
Brucefield Church, Whitburn: a history of the congregation, 1857-1957 (HP2.91.5154)|
|Title||Histoire de l'amerique|
|Imprint||Maestricht: Jean-Edme Dufour & Philippe Roux|
|Date of Publication||1777|
|Notes||The historian William Robertson was one of the many writers of the Scottish Enlightenment whose works attracted interest on the continent of Europe. As part of its mission to document the influence of Scots on the rest of the world, the Library purchases versions of Scottish works printed and translated abroad. Among Robertson's popular works is the History of America, which explores the conquest of America by the European powers. This early translation into French is by Marc-Antoine Eidous. This is a particularly attractive copy, bound in contemporary patterned paper boards.|
|Title||Bunch o' gatherings glean'd from the two past generations consisting of eight-page ballads, songs, tales, elegies, executions, &c., mostly poetical ?|
|Imprint||Paisley: William Anderson|
|Date of Publication||1860|
|Notes||These two volumes of chapbooks were compiled by the Paisley 'broker and bookseller' William Anderson. Apparently he had come across a pile of undistributed chapbooks languishing in a Paisley warehouse. He then had them bound up into collections and issued them in volumes of between 30-100 chapbooks as is stated on the title page. Both these volumes containing 53 and 56 items were issued with a frontispiece of Robert Tannahill the Paisley poet/song-writer. Only one other copy - in Cleveland Public Library - has been traced.
Most of the chapbooks date from the 1820s and were printed in towns throughout Scotland including Glasgow, Edinburgh, Stirling, Falkirk and Paisley. Most of them are already included in the National Library's collections, but there are a number of additions to the collection including 'The news to which is added, the humours of Glasgow Fair' printed by R. Hutchison at the Saltmarket, Glasgow and the wonderfully titled Paisley chapbook 'The wonderful advantages of drunkenness'
Included in the second volume are a number of issues of the Paisley Repository published in the early decades of the 19th century. Anderson had published issues of a penny periodical called the 'New Paisley Repository' between 1852 and 1853.|
|Title||Edinburgh the twenty day of May|
|Imprint||Edinburgh: by John Moncur|
|Date of Publication||1726|
|Notes||This broadside announces the annual Edinburgh archery competition, founded in 1709, for which the prize was a silver arrow. The contest was to take place at Leith Links, in July 1726. Only members of the Royal Company of Archers, a patriotic society with strong Jacobite leanings, were eligible to take part. The winner was to keep the silver arrow for a year, and have his badge fixed to it with the badges of previous winners. When he returned the arrow at the end of that year, he was to receive five pounds. It seems that John Earl of Wigtown was the winner in 1726.
The woodcut headpiece shows the arms and motto of the City of Edinburgh, with the doe and maiden supporters (but not the coronet and anchor). Together with the large historiated initial, this adds to the attraction of a most interesting single-sheet item. Only one other copy of this broadside has been traced.|
|Reference Sources||ESTC T32423
Old Leith at leisure, James Scott Marshall (1976) HP1.77.865
Sports and pastimes of Cotland, Fittis (1975). H2.88.473|
|Title||[The last words of James, El. Of Derwentwater]|
|Date of Publication|||
|Notes||This is a remarkable broadside (68 x 50 cm) probably produced shortly after the execution in 1716 of the Jacobite leaders. It is engraved throughout and consists of the oval portraits of eight of the leaders and the last words of six of them. The British Museum Catalogue of Prints and Drawings lists a much smaller print (without any text) depicting 7 oval portraits - James III in the centre surrounded by Kenmure, Bruce, Collingwood, Paul, Hall and Gascoigne. One can only speculate on who produced this grand work and why. Presumably it was to keep alive the memory of the Jacobite leaders among their supporters in Scotland or abroad. It is however, likely that the proceeds from the sale of such a print were devoted to the relief of the executed mens' families.
After the 'Old Pretender' scuttled back to France in early February 1716, the rebellion collapsed. Most of the Jacobite noblemen made their way to the continent and of those noblemen condemned to death, only Derwentwater and Kenmure actually paid the penalty. Both had been captured in the course of the skirmish at Preston. The original sentence involved them being hanged but before they died they were to be disembowelled (with the bowels burned before their faces) then beheaded and quartered. But because of their social status a mere beheading, which took place on Tower Hill in February 1716, sufficed. The fact that there was considerable sympathy, though not active support, for the Jacobite cause in Scotland, meant that the rebels were dealt with relatively leniently with many being 'allowed' to escape.
The only other known copy is held by the Drambuie Liqueur Company, Edinburgh.|
|Reference Sources||Kemp, Hilary. Jacobite rebellion. (London, 1975)
Sharp, Richard. The engraved record of the Jacobite movement. Scolar Press, 1996. H4.97.202|
|Author||Clarke, R. M., Captain.|
|Title||The angler's desideratum, containing the best and fullest directions for dressing the artificial fly; with some new and valuable
|Imprint||Edinburgh: Printed by M. Anderson|
|Date of Publication||1839|
|Notes||The author, Captain R.M. Clarke, wrote this work from his own personal experience of over fifty years of angling in the United Kingdom. Clarke felt that while other arts have been progressively improving, that of angling seems to have retrograded. He attributes this partly to the poor state of contemporary angling literature and indicates that in writing the Angler's Desideratum he was trying to address the faults and shortcomings of publications in this genre.
He attributes the poor state of angling literature to two factors: firstly, the fact that many fishermen jealously want to guard their angling secrets and thus are loath to put anything in print. Secondly, the observation that those who do publish have very little, if any, actual experience of fishing and that they are primarily plagiarizing and/or summarizing Izaak Walton's (1593-1683) classic Compleat Angler of 1653.
Topics covered include the rod, hooks, fly-casting, and the manner of tying a variety of flys. Both the preface and the conclusion state that this work is only "the precursor of another, more copious, and of consequence more efficient work" that is apparently in a state of being "far advanced." This larger work does not seem to have ever been published.|
|Title||[Greenock Library catalogues].|
|Date of Publication||[1808-1820]|
|Notes||This bound volume containing 8 catalogues and supplements to the catalogues of the subscription library at Greenock (known today as the Watt Library) is an important addition to the Library's holdings of material relating to library history in Scotland. The catalogue comes from the family library of James Watt (1736-1819) the engineer and includes a note in Watt's hand preceding the supplement for 1815.
The library was established in 1783 when a number of gentlemen organized a library 'to save themselves the expence of purchasing many books, and to avert the fatal effects which are sometimes occasioned by circulating libraries'. What these 'fatal effects' were is a moot point, but the subscription libraries, were, in contrast to the circulating libraries, organized on a not-for-profit basis.
Watt, born in Greenock and educated at the Grammar School there, lived in the town until he was 18, when he left to go to Glasgow (and later London) to to become an apprentice to a mathematical instrument maker. In spite of the fact that he lived and worked in Birmingham from 1773, Watt retained his links with the west of Scotland throughout his life, with frequent holidays in Glasgow and Greenock as well as overseeing a new harbour in his home town.
After he retired from his firm Boulton & Watt in 1800, he continued to demonstrate his interest in Greenock, mainly as a subscriber to the library. In 1816 he gave the library the princely sume of £100 'to fom the beginning of a scientific library, for the instruction of the youth of Greenock' . By 1818, when Watt was on the 'Committee of the Greenock Library of Arts and Sciences' there were three parts to the library - arts and sciences, foreign books (from 1807 - mainly French) and the general library. In the 1812 supplementary catalogue, there is even a list of books in the juvenile library. In addition to the subscribers, scholars in the Mathematical school and 'any other respectable inhabitant' of Greenock could have access to the books relating to the 'arts and sciences'.
Catalogues also on microfilm at Mf.51(7)|
|Reference Sources||Kaufman, P. 'The rise of community libraries in Scotland', p.254 in Papers of the Bibliographical Society of America vol.59, 1965.
Kelso, William. The James Watt story. Greenock, 1997.