Rare Books - Important Acquisitions List All

Rare Book Collections works to build up the national collections through purchases (through dealers or at auction) and donations. This directory gives details of 749 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.

Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at rarebooks@nls.uk

      

Important Acquisitions 691 to 705 of 749:

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AuthorAdam Smith
TitleThe works of Adam Smith
ImprintLondon: T. & J. Allman
Date of Publication1825
LanguageEnglish
NotesThis is the third collected edition of Smith's works, following on from editions published in 1811/12 and 1822. It is published in a smaller, pocket-size, format and unlike the previous two collected editions, it contains a translation of Germain Garnier's 'Short view of the doctrine of Smith compared with that of the French economists', which appeared in the 1802 French edition of the 'Wealth of Nations'.
ShelfmarkAB.1.207.055
Acquired on02/07/07
AuthorRobertson, Hannah
TitleThe Young Ladies [sic] School of Arts. Containing, a great variety of practical receipts. ...
ImprintEdinburgh: printed for Robert Jameson
Date of Publication1777
LanguageEnglish
NotesHannah Robertson's practical handbook of 'the nice arts for young ladies' advocates that instead of concentrating on needlework, girls engage in a range of handicrafts like shellwork and painting, and provides recipes for everything from invisible ink to gin. She aims the book equally at impoverished young ladies, who may be able to make a living through their handiwork, and at cookmaids who need to know how to clean a spit with sand and water. This book was first printed in Edinburgh in 1766 by Walter Ruddiman, and sold by the author herself at Perth, as well as by other booksellers. Second and third editions followed, also by Ruddiman for Robertson, the second with an additional engraved title page. This rare edition (this copy is the only one recorded in Scotland) proclaims itself as a 'new edition, corrected', but is really a corrected edition of the second edition of 1767, with the engraved title page altered to include the new date. Both title pages now state that this edition was printed for the Edinburgh bookseller Robert Jameson; it may well have been printed by the Ruddiman firm. This copy contains three plates, and an early owner has used the blank space for their own pencil artwork. The front pastedown bears the inscription 'Cathrine Stewart hir Book Doune July 23 1813', testifying like NLS copies of other editions, which also carry inscriptions by female owners, to the use of Robertson's work by contemporary Scottish 'young ladies'.
ShelfmarkRB.s.2655
Reference SourcesESTC; bookseller's catalogue; other NLS copies.
Acquired on11/04/07
TitleTheatre Royal, Adelphi. Unparalleled attraction!
ImprintGlasgow: Robert Donaldson, printer and lithographer
Date of Publication1844
LanguageEnglish
NotesA mid 19th-century theatre poster (50cm x 25cm) for the Theatre Royal, Adelphi in Glasgow. The poster advertises a July 2, 1844 production of 'Aladdin, or The Wonderful Lamp' with the word 'Aladdin' formed from the bodies of 12 Chinese figures in traditional oriental dress. The poster is in excellent condition in spite of its fragility. Near the bottom of the broadside the proprietor is listed as Mr. David Prince Miller. Miller (1809?-1873) was a travelling entertainer who came to Glasgow with his family in the late 1830s. He was well known in Glasgow for his productions of popular entertainment on Glasgow Green. He was briefly jailed for performing without a licence. In 1842 Miller built and became manager of the Adelphi Theatre, a wooden building on the Green, opposite the Jail, at the foot of Saltmarket. It was also known as the Theatre Royal Adelphi, or the Sans Pareil Pavilion and was one of two licensed theatres in Glasgow during the first half of the 19th century. The Adelphi was extremely popular. However, the uninsured theatre burned down in 1848 and Miller ran into other business difficulties. He went back on the road as a travelling showman, returning to Glasgow only near the end of his life.
ShelfmarkAP.5.209.05
Acquired on18/09/08
AuthorSmith, Adam
TitleTheory of moral sentiments.
ImprintDublin
Date of Publication1777
LanguageEnglish
NotesThis is a surprisingly rare edition of Adam Smith's main philosophical work, which was first published in London in 1759. It was the first edition to be published in Ireland and the first to be be published outside of London. Only eight copies have been traced - none in the United Kingdom. (ESTC N45628). Although on the title page the publisher claims it to be the sixth edition, it is in fact the fifth edition published in English. A fourth edition was published in London in 1774 and a fifth (also in London) in 1781. The theory of moral sentiments was Smith's first major work and after The wealth of nations, his most important. It was immediately popular when first published and the number of subsequent editions - six in English, two in French and one in German - indicates its popularity during the author's lifetime. It was warmly praised by Hume and Burke and established Smith's reputation as one of the foremost authors and thinkers of the day. It contains the sum of the philosophy Smith had learned under Francis Hutcheson at Glasgow University, emphasizing the part played by feelings in determining man's moral behaviour.
ShelfmarkRB.s.2095
Reference SourcesRoss, Ian Simpson, The life of Adam Smith. (Oxford, 1995) (H3.96.845)
Acquired on18/07/01
Author[Anon]
TitleTherese philosophe
ImprintGlascow [Glasgow]
Date of Publication1773
LanguageFrench
NotesThis is a very rare 1773 printing of the French erotic novel Therese Philosophe (Therese the philosopher), not recorded in ESTC, WorldCat or COPAC. It has a false 'Glascow' (Glasgow) imprint, but was probably printed on the Continent, in Paris or the Netherlands. The work first appeared in 1748 and was reprinted several times in the 18th and 19th centuries, becoming a bestseller - in modern parlance an "underground classic". It has been attributed to the marquis d'Argens (originally by the marquis de Sade, in his "Histoire de Juliette") and to Arles de Montigny, among others. The plot concerns the sexual adventures of a young bourgeois woman, Therese, who becomes a student of a Jesuit priest Father Dirrag, who is also counselling another female student, Mlle. Eradice. Father Dirrag and Mlle. Eradice were anagrams of Catherine Cadiere and Jean-Baptiste Girard, who in 1730 were involved in a highly-publicised trial in France for an illicit relationship between priest and student. After various adventures Therese ends up as the mistress of a wealthy Count, to whom she recounts her life story. The novel combines pornography with discussion of philosophical issues, including materialism, hedonism and atheism. It also depicts the sexual repression of women at the time of the Enlightenment, and abuse of power by representatives of the Church. This particular copy, which is in its original wrappers, is illustrated with 16 very graphic engravings. Jules Gay, in his "Bibliographie des Ouvrages Relatifs a l'Amour, aux Femmes, au Mariage [etc]", records 20 plates (including frontispiece) in this edition, as in the London [i.e. Paris?] 1771 edition, but there are no indication of any missing plates in NLS copy and the plates in this edition are different to the London 1771 edition.
ShelfmarkRB.s.2859
Acquired on31/05/13
TitleThird Part of the Bible ... Containing Five Excellent Books, Edinburgh: by Robert Young, 1637
ImprintEdinburgh: by Robert Young, 1637
Date of Publication1637
LanguageEnglish
NotesBound with: The New Testament, London: Robert Barker & Assigns of John Bill, 1638; and: The whole booke of Psalmes, London: I. L[egat]. F. the Company of Stationers, 1640. The first work in this volume is not found in STC, apparently an Edinburgh edition of STC 2334.5. Details: 24o, [288 pp.], sig. A-M12, slightly stained. Sig. H4 missigned G2. The two following works are STC 2954.3 and STC 2698. The main interest of this volume is, however, the elaborate embroidered binding. The design on front and rear boards is a silver wirework crown above a lily executed in green, pink and gold silks, enclosed within an oval surrounded by foliage. The spine is heavily decorated with formal designs of foliage within six panels. The binding has been restored by a V&A conservator and remounted; the new pink silk ties are dyed to match the originals. The page edges are gilt; the endpapers are Old Dutch marbled. See Cyril Davenport, English Embroidered Bookbindings, London: Kegan Paul, Trench, Trübner & co., 1899, p. 2. for the claim that embroidered binding is a particularly English art. Davenport provides several useful photographs of seventeenth-century embroidered Bibles and Psalms in chapter IV, 'Books bound in Satin', pp. [80]-110. This acquisition complements the library's existing holdings of embroidered Bibles printed in Scotland, such as the 1626 Aberdeen Psalms at PDP.10/18, the 1638 Edinburgh Bible at Cwn.483 and the fine 1646 Edinburgh Bible at Bdg.m.73.
ShelfmarkBdg.s.867(1)
Acquired on09/10/00
AuthorRowlandson, Thomas.
TitleThis print representing in one view the manual & the ten divisions of the Highland broad sword. As practised by the dismounted troops of the Light Horse Volunteers of London & Westminster ... at a review on Wimbledon Common on the 10th of July 1800.
Imprint[London: s.n.]
Date of Publication[1800?]
LanguageEnglish
NotesThis is an unrecorded single sheet item which contains 148 figures drawn and etched by the artist Thomas Rowlandson (1757-1827), depicting the various positions in the use of the Highland broadsword (basket-hilted claymore). The work was published on behalf of Henry Angelo (1756-1835), a member of a famous family of Italian fencing masters, who began publishing posters on use of the Highland broadsword in the late 1790s, as well as the works "The Guards and Lessons of the Highland Broadsword" and "The Hungarian and Highland Broad Sword" in 1799. In his memoirs Angelo claimed to have practised using the broadsword at Newgate prison in 1798 with a Scottish friend and expert swordsman James Perry, the owner of the "Morning Chronicle" who was then in prison for libelling the House of Lords. The name 'broadsword' applied to all early military swords of the late 17th early 18th centuries. It was the favoured weapon of the Highland clans and with the formation of Highland Regiments in the 18th century it was introduced into the British army. Angelo adapted and developed sword techniques in earlier written treatises into a series of military drills and exercises, which became the standard training for the British army infantry, cavalry and Royal Navy.
ShelfmarkRB.el.220
Acquired on04/09/09
AuthorFroude, James Anthony
TitleThomas Carlyle: a history of his life in London 1834-1881. In two volumes.
ImprintLondon
Date of Publication1885-1884
LanguageEnglish
NotesThese four volumes comprise the 'authorised' biography of Thomas Carlyle, (1795-1881) the pre-eminent Victorian essayist, historian and man of letters. Known in later life as 'the sage of Chelsea', he retained his links with his Scottish birthplace, insisting on being buried in his native Ecclefechan rather than in the more prestigious Westminster Abbey. James Anthony Froude, primarily a historian of the Tudor period, was Carlyle's literary executor. He prepared for publication Carlyle's Reminiscences (1881) and Letters and Memorials of Jane Welsh Carlyle (1883). Froude modestly maintained that his biography was 'no 'Life', but only the materials for a Life'. The work was not simply an exercise in hagiography. He refused to overlook Carlyle's well-known defects of character and his somewhat strained relationship with his wife. Part of the private library of the London bookseller William Foyle, these books have been enhanced with the addition of over 400 illustrations, including etchings, engravings and photographs of people and places associated with Carlyle's long and productive life. There are also five autograph letters, including three from Carlyle, one from Cardinal Newman and an autograph of Edward Irving (1792-1834), a charismatic preacher and a close friend of the Carlyles. The Library also holds copies of these volumes with annotations and corrections by Alexander Carlyle, the author's nephew.
ShelfmarkRB.s.2063
Acquired on13/07/00
AuthorFroude, James Anthony
TitleThomas Carlyle: a history of the first forty years of his life 1795-1835. In two volumes.
ImprintLondon
Date of Publication1882
LanguageEnglish
NotesThese four volumes comprise the 'authorised' biography of Thomas Carlyle, (1795-1881) the pre-eminent Victorian essayist, historian and man of letters. Known in later life as 'the sage of Chelsea', he retained his links with his Scottish birthplace, insisting on being buried in his native Ecclefechan rather than in the more prestigious Westminster Abbey. James Anthony Froude, primarily a historian of the Tudor period, was Carlyle's literary executor. He prepared for publication Carlyle's Reminiscences (1881) and Letters and Memorials of Jane Welsh Carlyle (1883). Froude modestly maintained that his biography was 'no 'Life', but only the materials for a Life'. The work was not simply an exercise in hagiography. He refused to overlook Carlyle's well-known defects of character and his somewhat strained relationship with his wife. Part of the private library of the London bookseller William Foyle, these books have been enhanced with the addition of over 400 illustrations, including etchings, engravings and photographs of people and places associated with Carlyle's long and productive life. There are also five autograph letters, including three from Carlyle, one from Cardinal Newman and an autograph of Edward Irving (1792-1834), a charismatic preacher and a close friend of the Carlyles. The Library also holds copies of these volumes with annotations and corrections by Alexander Carlyle, the author's nephew.
ShelfmarkRB.s.2062
Acquired on13/07/00
AuthorAnonymous
TitleThomas Edwards, England's, and North-Britain's, Happiness
ImprintLondon
Date of Publication1709
LanguageEnglish
NotesThis rare pamphlet makes a unique contribution to the debates over the Union of 1707. The writer argues that the great happiness brought by the union can be easily demonstrated by comparing conditions in modern England to, for instance, the reign of Henry III (!). The writer claims that the settlement has clarified the workings of the constitution, particularly as regards the militia, and supports Thomas Orme's Former Prints for a Standing Army (1707). The text goes on to claim that the Church of England is now freer from popery than at any time since the reign of Henry VIII, and warns solemnly against tolerating the Dissenters. In order to make this point further, the editor goes on to reprint the epistle from Thomas Edwards' Gangraena (1646) in which toleration is denounced. The 'imprimatur' from James Cranford on p. 32, which precedes the extract from Edwards' work, is simply an imprimatur from an edition of Edwards. At p. 33 the writer continues to discourse on religion and the state of the church, quoting from other sources to suggest that the Kirk of Scotland should conform to the Church of England. The writer clearly feels that Scotland has failed to make a proper contribution to the Union, remarking on the last page that only divine intervention prevented the Pretender from successfully taking Scotland in 1708, when 'North-Britain was so out of capacity to resist an invading Foe'. As a political argument, this work is amusingly illogical and disordered, but its references to other pamphlets create an interesting picture of literary debates in Britain in the early eighteenth century. This copy is striking for its condition, being uncut, unopened and stitched as issued. ESTC records just eight other copies (ESTC T32653). Collation: 4o, A-D4, a-b4, E-G4
ShelfmarkRB.s.2074
Acquired on17/01/01
AuthorHamilton, David
TitleThorn tree clique, a new analysis of Mathieson's poem The Goff
ImprintKilmacolm: Partick PressStandard edition 60/28Deluxe edition 36/50
Date of Publication2001
LanguageEnglish
NotesDavid Hamilton operates one of the few private presses surviving in Scotland. He uses a Vandercook proofing press and does all of the research, writing, and most of the presswork himself. All in limited editions and printed to a high standard, the books are about or relating to golf. Since 1985 the press has published nine books. The present volume is a fine example of the careful attention to detail that has become a mark of the press. The work contains a well written introduction to Mathieson's The Goff 1743, the first complete book about golf, followed by a reprinting of the text with supporting footnotes. Mathieson's text is also illustrated with a suite of elegant wood engravings by Kathleen Lindsley of the Isle of Skye. The book is printed on Zerkall paper and bound in quarter leather. A high quality facsimile of the original 1743 edition of The Goff is secured in a pocket attached to the lower board. The standard edition was supplied by David Hamilton for Copyright; the deluxe edition, with a specially commissioned binding showing inlay themes from the book (the Links, the Tree, the long-nosed-club, and a feather ball) was purchased.
ShelfmarkBdg.s.883
Acquired on25/09/02
AuthorOdyniec, Antoni Edward
TitleTlomaczenia Antoniego Edwarda Odynda. Tom Czwarty [-szosty i ostatni]
ImprintVilnius: Jozef Zwadski
Date of Publication1842
LanguagePolish
NotesIn this book are bound volumes 4-6 of the Tlumaczenia (translations) of Antoni Edward Odyniec (1804-1885). The first three volumes had been published in 1838 in Leipzig; these final three were published in Vilnius in 1842-3. Odyniec was a journalist, poet and translator, who had previously translated Byron's Corsair (1st ed., 1829) while in exile in Paris. The three volumes here show Byron and Scott alongside other great names of European literature, being translated for a Polish audience on whom they would have a great influence. Volume four contains Scott's The Lay of the Last Minstrel (1805) and volume five Byron's Mazeppa, along with Thomas Moore's Paradise and the Peri and Scott's ballads The Eve of St. John and Cadyow Castle. These last, presumably taken from an edition of Scott's Ballads and Lyrical Pieces (1806), come like The Lay complete with comments by the translator incorporating Scott's own notes. Other translations include poems by Gottfried August Burger, Southey and Puskin, and Schiller's play Jungfrau von Orleans (The Maid of Orleans). COPAC records no copies of these translations outside London.
ShelfmarkRB.s.2737
Reference SourcesBookseller's catalogue
Acquired on27/01/09
TitleTo all householders [4 Edinburgh broadsides]
ImprintEdinburgh
Date of Publication[1808-1816]
LanguageEnglish
NotesThese four broadsides published at the behest of the city fathers of Edinburgh between 1808 and 1816 encapsulate the very essence of life in the northern metropolis at the time. Two deal with the Sabbath -- 'the improper practice of keeping open Ale or Tippling Houses, and also Shops, at all hours of Sunday' and 'measures...for keeping the Public Streets clean during the Lord's day'. In the latter case, the inhabitants were encouraged to get their servants to bring out their ashes on Saturday afternoon at the sound of a bell. The other two broadsides deal with the perennial bugbear of public disorder. A reward of 100 guineas was offered to those providing information on the 'knocking down...maltreating and robbing' of 'gentlemen and police officers. The main suspects were deemed to be 'apprentices and youth' and the offences took place on 31st December 1811. Plus ça change... In 1812 the Lord Provost and city magistrates were also berated concerning 'riots and outrages unexampled in any other City in the Kingdom' which occurred on the anniversary of King George III's birthday and another broadside strictly prohibited the citizenry from 'breaking down, cutting, carrying away ... any trees, branches of trees, planting, flowers, shrubbery; or of throwing squibs, serpents, fireballs ...'. Shopkeepers were cautioned against selling fireworks to children and masters urged to caution their apprentices and journeymen from 'intermixing with any tumultuous or disorderly assemblage of persons on the streets'. These items enhance the National Library's holdings of early 19th century ephemera and complements material being used in the RLS project 'Popular Print in Scotland'.
ShelfmarkAPS.4.202.40
Acquired on07/10/02
AuthorMacDiarmid, Hugh [C.M. Grieve]
TitleTo circumjack Cencrastus or The curly snake.
ImprintEdinburgh & London: William Blackwood,
Date of Publication1930
LanguageScots
NotesThe Library has a large collection of examples of fine Scottish bookbinding, from the 15th century down to the present day, and we continue to add to this collection wherever possible. We have acquired this particular copy of the first edition of Hugh MacDiarmid's epic poem because of its binding by renowned Scottish bookbinder Arthur W. Currie (b. 1922), who was overseer of bindings at the Edinburgh-based publishing firm of Oliver & Boyd before becoming a lecturer at Napier College (now Edinburgh Napier University). Currie's work is now regarded as being on a par with other major 20th-century British bookbinders such as Edgar Mansfield and Elizabeth Greenhill. He specialised in the use of coloured inks as well as gold leaf to produce his designs; this binding, dating from the 1950s?, is a blue goatskin with a serpent-like design of interlinked coils in black, blue, grey and tan morocco and with a gilt sunburst pattern. Currie's design of coils reflects the content of MacDiarmid's poem, in which the windings of a snake around the roots of the world are equalled by the tortuous windings of the poetic work. The struggle of the poet to complete a work, described in the poem, was informed by MacDiarmid's own difficulties in the 1920s in trying to produce creative work while trying to earn a living as a small town journalist in Montrose.
ShelfmarkBdg.s.942
Acquired on14/05/10
Author[Erskine, Andrew and Ross, Walter.]
TitleTo the revolution club
Imprint[Edinburgh]
Date of Publicationc. 1788
LanguageEnglish
NotesThis unrecorded pamphlet is a tory satire against the Scottish whigs enthusiasm for the Glorious Revolution. The authors (see below) leave the reader in no doubt at the their unease at proposals that a monument be erected in honour of William III. They sarcastically suggest that it should be located in the Valley of Glencoe! The signature at the end is 'Gibbie Burnet' a very unveiled reference to the historian Gilbert Burnet, one of the key supporters of the Glorious Revolution. The text was re-printed (APS.1.81.45; ESTC T108704) in 1792, at a time when it was feared that the unrest in France would spread across the Channel, as an appendix to a proclamation (ESTC T148691) by King George III warning against attempts at the 'subversion of all regular government'. The preface to this proclamation mentions that this pamphlet was first printed in 1788 with the aim of 'diverting the Northern part of this kingdom from joining in the popular enthusiasm' for the Revolution of 1688. The motives behind the re-printing of this pamphlet are difficult to unravel: the author of the preface seems to favour both the revolutions of 1688 and 1789 and implies that any attempts to suppress them were futile. The pamphlet comes from the collection of Alexander Fraser Tytler (1747-1813), Lord Woodhouselee, Professor of History at the University of Edinburgh, sold at Bonhams, Edinburgh in August 2002. Fixed to the final blank page is a sheet of manuscript possibly with annotations partly in the hand of Tytler, listing 'The King's Advocates since the institution of the Court of Session', from 1537 to 1725. The inscription on the title page, presumably in Tytler's hand, reads 'written by Walter Ross and the honble Andrew Erskine'. The latter, who committed suicide in 1793 was one the closest friends of the young James Boswell and they collaborated on 'Critical strictures on the new tragedy of Elvira' and 'Letters between the honourable Andrew Erskine and James Boswell', both published in 1763. Walter Ross was probably the Writer to the Signet of the same name (1738-1789) who wrote a number of legal works in the 1780s.
ShelfmarkRB.m.509
Acquired on01/10/02
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