Rare Books - Important Acquisitions List All
Rare Book Collections works to build up the national collections through
purchases (through dealers or at auction) and donations. This directory gives details of 765 of the most important items we have acquired since 2000. We update it regularly as new material comes in. The description gives information about why it was chosen and what makes it particularly interesting. You can order the list by date of acquisition, author or title.
Please let us know what you think of this resource, if you have information to add about an acquisition, or if you have rare Scottish books that you would like to donate or sell. Email us at firstname.lastname@example.org
Important Acquisitions 91 to 105 of 765:
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|Title||The Edinburgh Almanack and Scots Register for 1807|
|Imprint||Edinburgh: David Ramsay & Son|
|Date of Publication||1807|
|Notes||This Edinburgh Almanack belonged to Fletcher Norton (1744-1820), second son of Fletcher Norton, first Baron Grantley, Speaker of the House of Commons. 'Fletcher Norton, Abbey Hill, Edinburgh' as he signs himself in this book, was appointed one of the Barons of the Scottish Exchequer in 1776 and set up residence in the Scottish capital. According to James Grant's book Old and New Edinburgh, Norton 'stood high in the estimation of all' as 'husband, father, friend, and master'. A founding member of the Royal Society of Edinburgh, Norton was a supporter of Scottish culture, playing a key role in ensuring the publication of Albyn's Anthology, an important collection of Scottish music. Norton gave his name to East and West Norton Place, Abbeyhill, the streets now located on the site of his old Edinburgh home.
This almanac, whose blank pages were used by Norton to keep a record of his expenditure, provide an interesting insight into the daily life of a member of Edinburgh's social and cultural elite in the early 19th century, recording the 18 shillings spent on tooth powder, and the £2.9.0 spent on a chaise to London, among other notes. Our perception of movement between England and Scotland during this period is largely one of Scots emigrating - this book bears witness to an Englishman who successfully moved to Scotland and integrated himself with its cultural life.|
|Reference Sources||Oxford DNB; James Grant, Old and New Edinburgh, vol.5 chapter 13 (http://www.oldandnewedinburgh.co.uk/volume5/page138/single)|
|Title||The Glasgow Chronicle, no. 1706-no. 2377|
|Imprint||Glasgow: D. Prentice & Co.|
|Date of Publication||1822-1826|
|Notes||This volume contains c. 175 issues of "The Glasgow Chronicle" covering the years 1822 to 1826. The newspaper was founded and edited by David Prentice, who bought over the "Glasgow Sentinel" title, with the first issue appearing in 1811. Prentice was a pioneer among provincial newspapermen in introducing editorials. His newspaper was published tri-weekly, priced 7d, and one of the first liberal newspapers in Scotland, calling for the end of the Corn Laws. In this volume there are several articles and letters on the subject of the abolition of slavery. The newspaper continued until 1857.|
|Reference Sources||Bookseller's catalogue|
|Title||Saga: the magazine of Eastbank Hospital. No.1, Summer 1953.|
|Imprint||[Kirkwall: Eastbank Hospital]|
|Date of Publication||1953|
|Notes||George Mackay Brown was the editor of this short-lived periodical published by and for the patients and staff of Eastbank Hospital in Kirkwall. A total of 5 issues were published during 1953 and 1954 and Brown contributed 23 of the 58 pieces including poetry, prose and editorials.
Brown was in Eastbank being treated for tuberculosis. The title of the magazine was suggested as he said in his editorial by 'the long and bitter struggle of men' against TB.
He had previously been hospitalized as a result of TB in 1940. At the time of this spell at Eastbank Brown was teaching at Newbattle Abbey College, near Dalkeith, Midlothian.
His time there, where fellow Orcadian, Edwin Muir was the warden, gave Brown 'a sense of purpose and direction'.
This cover illustration drawn by Ernest Marwick shows the view of Kirkwall from the hospital verandah. It is unlikely that many copies of this home-produced magazine have survived and this is therefore a very welcome edition to the Library's holdings of material
by George Mackay Brown.
|Reference Sources||Royle, Trevor. The Mainstream companion to Scottish literature. (Edinburgh, 1993)|
|Title||Signal [+ misc. other French-language periodicals from World War II from 1940-44]|
|Imprint||Berlin: Deutscher Verlag|
|Date of Publication||1941-44|
|Notes||A collection of periodicals relating to the Second World War in France. Apart from the English-language 'Life', the periodicals are all in French. The collection consists of:
'Life'- 20 November 1944, 'La Semaine'- 23 April 1942, 'Match' - 15 February 1940;
and the following Nazi propaganda publications:
'Le Cahier Jaune'- 2 Dec 1941 (A French anti-Semitic publication), 'Dieppe 1942' (a news sheet published in response to the failed Allied raid on the port of Dieppe in August 1942), 'Der Adler' ('The Eagle' -Luftwaffe propaganda magazine)-20 May 1941; 29 July 1941; 24 March 1942: 19 Oct 1943 and 71 issues of 'Signal' from May 1941 to September 1944.
'Signal' was a key part of Nazi war propaganda: a magazine created in an effort to win over other European nations to the Nazi cause, and to promote and justify German hegemony over Europe. It was based on the format of the 'Berliner Illustrirter Zeitung' (BIZ), the leading picture and news magazine in Germany, and was first published on in April 1940 by the Deutscher Verlag in Berlin. It subsequently appeared on a fortnightly basis, and at its peak it reached a maximum circulation of 2,500,000 copies per issue, appearing in over 20 different languages.
Due to its central role as a propaganda tool, the reporting of current affairs in 'Signal' had to fit in with the official Nazi line, and from 1943 onwards, as the war began to go badly for Germany, the focus of the magazine shifted more to celebrity gossip, sporting events and fashion. No expense was spared on illustrations, 'Signal' boasted full-page colour plates, and colour covers from 1944 onwards. With articles by an elite group of staff authors and war correspondents, the magazine quickly established itself as the number one propaganda publication in wartime Europe. The magazine continued to be produced well into 1945, but distribution was by then extremely limited due to the Allied advance into continental Europe.
|Reference Sources||"Hitler's Wartime Picture Magazine" (ed. S.L. Mayer) London, 1978|
|Title||[Scottish War Emergency Cup Final programme]|
|Date of Publication||1940|
|Notes||The outbreak of the Second World War led to the suspension of normal competitive football in Scotland. The Scottish War Emergency Cup was a temporary competition held at the start of World War II, due to the suspension of the Scottish Cup by the SFA. It was held between February and May in 1940, the competition involved all sixteen League clubs still operating, Cowdenbeath later withdrew which meant Dunfermline Athletic received a bye in the first round. Rangers beat Dundee United 1 - 0 in the Final, thanks to a goal by James Smith. Although the venue, Hampden Park, Glasgow, in previous years had drawn crowds of over 100,000 for big games, the police limited attendance to 75,000 for this game.
|Title||The Aberdeen Journal and General Advertiser for the North of Scotland, no. 3182-3337|
|Imprint||Aberdeen: J. Chalmers & Co.|
|Date of Publication||1809-1811|
|Notes||"The Aberdeen Journal and General Advertiser for the North of Scotland" began in 1797 as a continuation of the "Aberdeen Journal". It was published weekly and was priced at 6d for a four-page issue. This volume contains c. 150 issues of the newspaper, covering a critical period in the Napoleonic Wars. The newspaper was published until 1876, when it was continued by the "Aberdeen Weekly Journal and General Advertiser for the North of Scotland".|
|Title||The Glasgow Advertiser v. XV, no. 1151-1255|
|Imprint||Glasgow: J. Mennons|
|Date of Publication||1797|
|Notes||"The Glasgow Advertiser" started life as the "Glasgow Advertiser and Evening Intelligencer" in 1783, becoming the plain "Advertiser" in 1794. The newspaper then became "The Glasgow Herald" in 1805, which in turn was renamed "The Herald" in 1992, making it one of the world's oldest continuously-published English-language newspapers. In 1797 the newspaper was published bi-weekly and was priced at 4d. Each issue consisted of eight pages, two of which were devoted to adverts, the rest was a mixture of domestic, British and European news. The content of these issues are heavily influenced by the ongoing war with France. Early issues of "The Glasgow Advertiser" are very rare, so this volume containing c. 100 issues is a welcome addition to the NLS' holdings of early newspapers.|
|Imprint||Haddington: G. Miller and Son, printers.|
|Date of Publication||1814|
|Notes||An abolitionist broadside printed in Haddington, East Lothian indicating that the residents of Dunbar are petitioning Parliament for the universal abolition of the slave trade. Beneath the title is a woodcut of a slave being whipped by a white man, followed by an abolitionist poem and a call to the residents of Dunbar to sign the petition: 'It is requested that every well wisher to the melioration of the poor Africans, and those who, from motives of humanity, are inclined to give their dissenting vote to the revival of the bloody traffic, will come forward without delay.'|
|Title||[Seaforth Highlanders, a collection of photographs, manuscripts and printed ephemera]|
|Date of Publication||19th - 20th century|
|Notes||A collection of printed, manuscript and photographic items relating to the history and organisation of the Scottish army regiment, the Seaforth Highlanders. The regiment was formed as a result of the army reforms of 1881, when the 72nd Highlanders and 78th Highlanders were amalgamated to form the new regiment. The Seaforth Highlanders had a territorial district that included the counties of Ross & Cromarty, Sutherland, Caithness, the Orkney Islands and Moray, making their recruiting area one of the largest in the British Army. In 1961 the Regiment was amalgamated with the Queen's Own Cameron Highlanders to form "The Queen's Own Highlanders (Seaforth & Camerons)". The collection includes four photograph albums relating to the regiment, covering the period 1869-1919, as well as printed ephemera and manuscript material from the 19th and 20th centuries.|
|Shelfmark||Phot.el.9 ; Phot.el.10 ; Phot.la.71|
|Title||L.R.B. [Lloyd Royal Belge]|
|Imprint||Glasgow]: Maclure & Macdonald|
|Date of Publication||[1919-1920]|
|Notes||This appears to be a specially prepared album recording a Glasgow shipyard in 1919/1920 at the time of it's take-over and during the political upheavals of Red Clydeside.
Clearly the photographs were taken at the time the company became incorporated into Lloyd Royal Belge in 1919, one photograph of the Managers Office helpfully has Henry Gylsen seated with a fellow director under a calendar which reads May 14 Friday .
The bulk of the album contains a good series of photographs showing the entire shipyard during a working day. Beginning with a photographic reproduction of a drawn bird's eye view of the works, it also includes views of the entrance, the office areas, electric crane, smithy and hydraulic riveting station.
Three plates show the S.S. Londonier on the stock, being launched and and being pulled by a tug boat and two plates of one of the owners, Senator Brys attending to King Albert on a visit to a steamer. The boat was sold off in 1939 and later became a a war ship under the Japanese flag only to be sunk in 1943 in the East China Sea.
Lloyd Royal Belge began life in 1895 as the Compagnie Maritime Belge du Congo to operate passenger and cargo services to the Belgian Congo. Until 1930 routes were confined to the Belgium-Congo service but being taken over that year the company name changed to Compagnie Maritime Belge (Lloyd Royal) and new services were started to North and South America and the Far East.
|Title||Guide to Edinburgh Air Raid Shelters.
|Imprint||Published by C.J. Cousland & Sons Limited. Creative Modern Printers, 30 Queen Street., Edinburgh. |
|Date of Publication||194-?|
|Notes||The front wrapper features a photograph of people emerging from a shelter on the edge of Princes Street Gardens. Other photographs feature firemen in wartime helmets, and nurses at a first aid post. There are also seven pages of maps depicting the locations of the shelters in central Edinburgh.
The book begins with a foreword by John Falconis, the Chief Air Raid Warden, in which he gives advice on what to do in the event of an air raid. He presents useful information on how to deal with mustard gas liquid on the skin, and the nature of incendiary bombs. He also imparts psychological advice: 'Wars are won by successfully exploiting fear.'; 'Air raids are not planned to cause civilian casualties; they create mental apprehension, suspense and distress; they lower morale; they disorganise national work ...'
The advertisements are excellent, and include: a builder offering to bring peoples air raid precautions to completion; Redpath Brown & Co. Ltd. of Edinburgh, have an illustration of people in one of their shelters; 'Saved again! Duncan's nut milk chocolate ... always keep some handy for real inward protection, proof against hunger and nerves'. Other adverts include children's games from Jenners, gas masks, and air raid protection equipment.
|Imprint||Glasgow: Gowans & Gray ; London: R. Brimley Johnson|
|Date of Publication||1903|
|Notes||This is a short work of fiction in which the character Sherlock Holmes travels to Edinburgh and Portobello to hunt for Mair Macjigger. The front cover features an illustration of a sullen cigarette-smoking youth in a tam o'shanter. The front cover of this book states that this is the third edition completing 20,000 copies. Inside are dates for the first three editions, all dated within 12 days of each other in August 1903. No Sherlock Holmes or Arthur Conan Doyle websites appear to mention this book.|
|Title||Theatre Royal, Adelphi. Unparalleled attraction!|
|Imprint||Glasgow: Robert Donaldson, printer and lithographer|
|Date of Publication||1844|
|Notes||A mid 19th-century theatre poster (50cm x 25cm) for the Theatre Royal, Adelphi in Glasgow. The poster advertises a July 2, 1844 production of 'Aladdin, or The Wonderful Lamp' with the word 'Aladdin' formed from the bodies of 12 Chinese figures in traditional oriental dress. The poster is in excellent condition in spite of its fragility.
Near the bottom of the broadside the proprietor is listed as Mr. David Prince Miller. Miller (1809?-1873) was a travelling entertainer who came to Glasgow with his family in the late 1830s. He was well known in Glasgow for his productions of popular entertainment on Glasgow Green. He was briefly jailed for performing without a licence.
In 1842 Miller built and became manager of the Adelphi Theatre, a wooden building on the Green, opposite the Jail, at the foot of Saltmarket. It was also known as the Theatre Royal Adelphi, or the Sans Pareil Pavilion and was one of two licensed theatres in Glasgow during the first half of the 19th century. The Adelphi was extremely popular. However, the uninsured theatre burned down in 1848 and Miller ran into other business difficulties. He went back on the road as a travelling showman, returning to Glasgow only near the end of his life.
|Imprint||London: J. M. Johnson and Sons|
|Date of Publication||[1896?]|
|Notes||This is a highly decorative Victorian advertisement for the Edinburgh brewers Campbell and Co. The lettering is in bold red with striking gilt finishing. The lithographed poster is undated, but cannot have been produced after 1896, when Campbell & Co. amalgamated with Hope and King of Glasgow. UCampbell's are reputed to have started brewing as early as 1710. The business remained in the family until the 1896 merger. |
|Reference Sources||Bookseller's catalogue, which cites the Scottish Brewing Archive.|
|Title||[The Seasons] With sympathy inscribed to all who love flowers and their emblems|
|Imprint||Edinburgh: T. Alexander Hill|
|Date of Publication||c.1855-80|
|Notes||This is a fine example of de luxe book production in mid-Victorian Edinburgh. Bound in dark green cloth with the top board decorated in a black and gilt design repeated in blind in the lower cover, and with watered silk endpapers and gilt edges, the book is a meditation on the seasons designed primarily to feast the eye. The title page is decorated in gold and colours, and each season begins on a page with lithographed illuminated heading and colour illustration, enclosed with the text in a decorative border. The text, anonymously compiled, consists of a prose meditation on each season followed by an appropriate poem by a contemporary poet - Elizabeth Barrett Browning, Jean Ingelow, Richard Chevenix Trench and Edward Bulwer Lytton. The book was the work of two significant figures involved in the production of artistic books in mid-19th century Edinburgh: the lithographer W. H. McFarlane or M'Farlane, and T. Alexander Hill (1800-66), brother of David Octavius Hill and 'printseller to the Queen' as he describes himself on the title page. Praised in his obituary for his work in improving the print selling and publishing trade, Hill was involved with the then-recently established Royal Scottish Academy as supplier and dealer. This item is therefore not only interesting as a book, but also gives valuable background to the material context surrounding Scottish 19th-century art.|
|Reference Sources||SBTI; National Portrait Gallery directory of British artists' suppliers, 1650-1950 (http://www.npg.org.uk/research/programmes/directory-of-suppliers/h.php); bookseller's catalogue|