Important acquisitions

CL. Psalmes of David in Meeter. With an exact Kalendar, also morning & evening prayers.

Author
Title CL. Psalmes of David in Meeter. With an exact Kalendar, also morning & evening prayers.
Imprint Edinburgh, Printed by James Bryson, and are to bee sold at his shop, a little above the Kirk-stile at the signe of the golden angel.
Date of Publication 1640
Language English
Notes This is a beautiful and important book: both the text and the binding are new to our collections. It is an edition of the metrical Psalms printed in Edinburgh in 1640 and contained in a silver binding, decorated with a design of birds and flowers. The leaf edges are gilt and decorated with a stamped design of dots and crosses. The first blank pastedown has the pencil note 'Hamilton Bruce' (probably the collector some of whose books the Library already has). The recto of the following blank has a pasted-on slip with the ink inscription 'This Edition of the Psalms was sold at 4..4 plain binding / Lowndes' (William Thomas Lowndes the bibliographer?) The text appears to be an unrecorded Aldis item, apparently in 32o. Aldis 975 (Cwn.651) is quarto; Aldis 976 (Cwn.483(2)) is duodecimo; Aldis 977 (Cwn.49) is printed by R. Bryson; Aldis 978 (Hall.191.k) has a variant title and is 16o. This edition is not mentioned in W. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13). No examples have been traced in STC or ESTC. It seems that the binding is contemporary. The thin-gauge silver, which is not hallmarked, is overlapped by the old endpapers. One would expect a Victorian binding to have new endpapers, and, indeed, to be more artistically confident. The blackening of the silver where it has not been touched, and the loss of the clasps, also suggest an earlier binding. The Sotheby's sale of silver and enamel bindings of 10 May 1985 does not provide any definitive answers, nor does J. F. Hayward's Silver Bindings from the J. R. Abbey Collection. No. 38 in the Sotheby's catalogue shows a seventeenth-century English silver binding with a bird and flowers: evidently British craftsmen were doing work of this quality in the seventeenth century. Various silver experts were consulted about this work, and there are different opinions. Some suggest the binding is Dutch or German (perhaps a luxury binding for a member of the Scottish reformed communities in the Low Countries?), some suggest that the style is more likely to be British.
Shelfmark Bdg.s.888
Reference Sources W. Cowan, 'Bibliography of the Book of Common Order', EBS X (1911-13). Sotheby's sale of silver and enamel bindings, 10 May 1985. J. F. Hayward, Silver Bindings from the J. R. Abbey Collection.
Acquired on 09/12/02
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